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Rosemary Lonewolf and Joseph Lonewolf at King Galleries

Rosemary Lonewolf and Joseph Lonewolf at King Galleries

Joseph Lonewolf (1932-2014)

Is a son of noted potters Camilio and Agapita Tafoya, and the brother of Grace Medicine Flower. Beginning in the early 1970's, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs in his work. He was awarded numerous awards throughout his career and his work can be found in museums worldwide. He has been featured in numerous books including "The Art of Clay" and has received the prestigious New Mexico Governor's Award for Excellence in the Arts in 2009 and the SWAIA Lifetime Achievement Award.

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Lonewolf, Joseph – Mimbres Insects Seedpot (1986)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This intricately designed seedpot has a Mimbres inspired inch worm along the base.  There are three butterflies flying overhead along with flowers in the background.  On the back side of the piece is an incised petal design and incised flowers along with a heart medallion.  This seedpot is from 1986 and it is perfectly polished and he has used a variety of green and white clay slips to create the various colors.  The precision of the designs and the shine of the polished surface create a perfect balance.  This piece is in perfect condition with no chips, cracks, restoration or repair.

$ 1,100.00
Lonewolf, Joseph – “Birds of Prey” Seedpot (1995)

This exceptional seedpot by Joseph Lonewolf is from 1995.  The piece is entitled, “Birds of Prey”.  It includes the story card which Joseph made for each of his miniatures.  Joseph wrote partially of this piece,

“Meticulously designed and colored to perfection are two large birds of prey, a Golden Eagle and a Bald Eagle.  Both eagles adorn the front side.  Depicted in bust form, the Golden Eagle seems to be staring at something with his sharp vision.  Portrayed in the foreground is a Bald Eagle.  Behind the eagles is a highly polished red slip that encompasses all surfaces of this pottery.  Sketched and cream colored on the back side is an open winged butterfly symbolic of beauty.  A medallion depicting a side view positioned geometric designed fish.  Directly above the winged beauty and medallioned fish is a side view open beaked eaglet depicted in bust form”

This piece is perfectly polished. This period of Joseph’s work, he would etch away the clay to create realistic animals.  On the two eagles, note the eyes and the feathers, which are very intricate for the size.  All the various colors are derived from natural clay slips.  There is a painterly style to his sgraffito designs.  The intricacy of the two birds is perfectly in contrast to the simplicity of the highly polished red clay slip.  Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  The piece is signed on the bottom and includes the signed artist card.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 7,000.00
Lonewolf, Joseph – Seedpot with Fish and Sunface (1975)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This is larger black fired seedpot has complex designs across the entire surface. On one side there is Sun Face design.  The opposite side has Mimbres style fish and tadpoles. The areas separating these two sections have feather pattern.  The piece is signed on the bottom in the clay.  It is from 1975.  It is in very good condition with no chips, cracks, restoration or repair.

$ 1,800.00
Sale!
King, Charles S., “Spoken Through Clay”

Spoken Through Clay

A NEW  RELEASE SPECIAL:  $95.00, including shipping (US)! Check out the new review in the Denver Post!

 Just a few things which make this book unique!
*   The size!  The book is 11.75″ x 14.25″ and weights over 8 pounds!
*  The photography of the pottery is stunning, emphasizing the individual pieces.
*  Each caption is the artist discussing the individual piece on the page.
*  The artist “biographies” are from interviews with the artists and they discuss their art, culture, lives and history.
*  Organization: The book is not organized by pueblo or family, but entails new ways to think about the future of Native pottery.
*  Printing in Italy gives the book very high quality color and paper.
* The photos of the living artists were taken by Will Wilson using a tin-type process. He was a recipient of the 2107 New Mexico Governor’s Award for the Arts in photography!
*  The book features work by more than 30 contemporary potters and more than a dozen important historic potters.
*  There are essays by myself, Peter Held and Eric Dobkin.  They add to the overall understanding of the project a historic perspective.

_____________________________________________

August 18, Pasatiempo Review

“Charles S. King’s new book, Spoken Through Clay: Native Pottery in the Southwest, The Eric S. Dobkin Collection, is spectacularly heavy —which is a problem from a practical standpoint, because once you open it, you won’t want to put it down. With dreamy tintype artist portraits by Diné photographer Will Wilson, dazzlingly crisp images from Addison Doty, and intimate first-person essays written by dozens of artists, the book is a visually delicious, intellectually consuming foray into historic and contemporary Southwestern pottery. In short, prepare to swoon.

If you’re thinking of this as a coffee-table book, you’ll need to imagine a decently sized coffee table. The book is more than a foot tall and, when opened, two feet wide, but its outsize appearance belies the often delicate beauty of its contents: hundreds of individual pieces of pottery from Eric S. Dobkin’s exquisitely curated collection — arguably the largest and most important of its kind. Gallery owner, author, and Pueblo pottery expert King designed Spoken Through Clay to be approachable for those unfamiliar with Native American pottery. “In the age of social media, I wanted to make the book both visually striking and personal,” King said. The book opens with essays by King, Dobkin, and curator Peter Held, who calls clay “the most archival of materials … seductive, sensuous, responsive, geologic, and malleable.”

“I wanted the end result of the book to be that the reader would connect with the artists in a personal way, beyond just the art, and understand the time it takes to become an artist, to achieve success,” King said. Sprawling yet intimate, Spoken Through Clay introduces its readers not just to the beauty of Southwestern pottery but also to the fascinating stories of the people who make it.Iris McLister, Pasatiempo

____________________________________

“It’s one of the things that makes us who we are. It’s what holds our family together. We are a family of potters. It’s our identity. People don’t realize how much work goes into it just processing the clay and making it. You have to do it with your heart.”—Linda Tafoya-Sanchez

 

FEATURED ARTISTS Grace Medicine Flower • Dextra Quotskuyva • Autumn Borts-Medlock • Jody Naranjo • Harrison Begay Jr. • Jordan Roller • Sara Fina Tafoya • Lonnie Vigil • Margaret Tafoya • Steve Lucas • LuAnn Tafoya • Loren Ami • Toni Roller • Popovi Da • Linda Tafoya-Sanchez • Mark Tahbo • James Ebelacker• Yvonne Lucas • Jeff Roller • Lisa Holt • Harlan Reano • Nampeyo • Jacquie Stevens • Nathan Youngblood • Jacob Koopee Jr. • Jennifer Moquino • Christopher Youngblood • Maria Martinez • Tony Da • Tammy Garcia • Virgil Ortiz • Joseph Lonewolf • Johnathan Naranjo • Nancy Youngblood • Les Namingha • Russell Sanchez • Christine McHorse • Richard Zane Smith • Rondina Huma • Susan Folwell • Dominique Toya • Jody Folwell

Spoken Through Clay features the pottery of iconic Native American artists from historic potters Nampeyo and Maria Martinez, to contemporary potters Tammy Garcia, Virgil Ortiz, and many others, are featured in a new book published by the Museum of New Mexico Press. Spoken Through Clay: Native Pottery of the Southwest showcases nearly three hundred pottery vessels from the acclaimed Eric S. Dobkin Collection, covering a wide range of mostly Pueblo artists from the Southwest.

“The physical scale of the vessels combined with the depth of the contemporary collection [is] breathtaking,” says author Charles S. King. The book is part of a “transitional process of looking to the clay, the vessel, and the potter’s voice and allowing the pieces to stand on the merit of their artistic integrity.”

The book includes portraits and voices of renowned potters speaking about their artistry and technique, families, culture, and traditions. Many of the artists are connected by Pueblos, generations, or family members. Dynamic color photography captures the depth and dimension of the pieces, while the artists provide an illuminating perspective through narrative captions. Artists, academics, collectors, family members, and gallerists add additional insight about the lives, historical context, and importance of these potters and their work.

SPOKEN THROUGH CLAY Native Pottery of the Southwest The Eric S. Dobkin Collection
By Charles S. King Essay by Peter Held

Artist portraits by Will Wilson
ISBN: 978-0-89013-624-9

352 pages, 320 color plates, 40 artist portraits

Publication Date: August 01, 2017
ABOUT THE AUTHOR Charles S. King is the author of Born of Fire: The Life and Pottery of Margaret Tafoya, The Life and Art of Tony Da, Virgil Ortiz: Revolt 1680/2180, and numerous articles on Pueblo pottery. He has served on boards of art associations, judged pottery at prestigious events, and lectures about the art form. His business King Galleries represents many of today’s leading Native potters and important historic works in clay. Charles lives in Scottsdale, Arizona.

$ 125.00 $ 95.00
Lonewolf, Joseph – Mini Seedpot with Flute Players (1986)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This is a very small seedpot and yet it is very fully designed!  The seedpot has two Mimbres style flute players as the design.  They are surrounded by plant and rain designs. There is a butterfly on the opposite side.  The heart medallion is the yearly symbol for 1986.  There is an additional green clay slip used to highlight the designs.  The precision of the designs and the shine of the polished surface create a perfect balance.  This piece is in perfect condition with no chips, cracks, restoration or repair.

$ 1,200.00
Lonewolf, Joseph – “Mimbres Bees” Seedpot (1984)

This seedpot by Joseph Lonewolf is from 1984 and it is highly polished and fired red.  The seedpot is inspired by the Mimbres pottery designs.  Here there are two different bees etched into the surface of the clay.  As the seedpot is turned there is the yearly symbol for 1984 on the back. It is meant to represent a bright future.  The seedpot also comes with the original card typed out by Joseph explaining the designs. It is is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,500.00
Lonewolf, Joseph – “Dragon in Flight” Seedpot (1986)

This delicately etched seedpot by Joseph Lonewolf from 1986.  It has a single dragonfly as the design.  Joseph writes of this piece:

“At each side of the large insect are designs symbolic of the areas he has already covered; the two designs in the flight path of the dragonfly are areas yet to travel over.  The two bands encircling this pottery represent the roads of life and destiny.  Between them and the dragonfly are designs of sun rays.  The 1986 yearly symbol if a heart representing love, in particular Lonewolf’s deep devotion for his ancestors and Mother Earth.  There are two slightly sketched water bugs and a tiny butterfly, the symbol of beauty”.

The seedpot has additional colored clay slips which enhance the imagery.   The yearly symbol for 1986 is the heart.  The seedpot is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.  This piece also includes the original card typed up by Joseph Lonewolf detailing the specifics of the designs.

$ 1,800.00
Lonewolf, Joseph – “Beauty” Hummingbird & Butterfly Seedpot (1988)

This is a striking larger seedpot by Joseph Lonewolf from 1988.  It is a complicated with piece with numerous birds and butterflies encompassing the entire surface.  There are three ruby-throated hummingbirds and eight butterflies on the piece.  Lonewolf writes, “the butterflies denote beauty in simplicity”.  There are both Mimbres inspired and realistic butterflies. Each of the various figures is highlighted with additional clay slips.  There is the yearly symbol for 1988, which is a bear paw.  It is is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.  This piece also includes the original card typed up by Joseph Lonewolf detailing the specifics of the designs.

$ 3,800.00
Lonewolf, Joseph – Seedpot with Turtle & Fish (1984)

This seedpot by Joseph Lonewolf is from 1984 and it is highly polished and fired red.  The design is unusual as it has a turtle as the central pattern. The turtle is not unusual but note the shape of the turtle’s head and neck and it is certainly reminiscent of the work of Tony Da in style.  The turtle has a mountain design on its back and note at the lower right there is a tiny dragonfly.  As the seedpot is turned there are two incised Mimbres style fish etch into the clay.  There is also another dragonfly.  There is also the yearly symbol for 1984 which has the shifting sand pattern.  The seedpot is highly polished and the contrast of the matte and polished surfaces works perfectly for this desig.  It is is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,600.00
Lonewolf, Joseph – “Flight”, published in “Pottery Jewels” Book (1975)

Joseph Lonewolf is certainly one of the most impactful potters from the 1970’s onward.  His creativity in designs and the realism of his sgraffito work has influenced numerous potters over the years.  Over the past 20 years, we have only had a couple of pieces come back to the gallery which were published in, “The Pottery Jewels of Joseph Lonewolf” book in 1976.  This is one of the seminal books on his pottery.  This piece is entitled, “Flight” and the photo of is a fascinating one in the book, where there was an attempt to photograph it “life size”.  Joseph wrote of this piece,

“The mule deer buck and doe are shown in the blow-up of this pot, in flight from an unfamiliar sound or scent that has reached them deep in the forest.  The traditional kilt design is shown on the back of the pot, actual size, on the top of the basket.  The deer provides many things worn in the winter dances along with the kilt.”

Technically, note the etching in the background area surrounding the two deer and how it accentuates the forms and polish.  this piece is in excellent condition with no chips, cracks, restoration or repair.  It signed on the bottom in the clay.  The amazing provenance on this piece is that this is the first time it has been on the market, as it was acquired from Joseph at the time of the release of the book and has been in one collection since then.   It is very unique opportunity to own a imporant piece of history by this exceptional and influential Pueblo artist!

$ 5,800.00
Lonewolf, Joseph – “Secreted Fawn” Seedpot (1998)

This seedpot by Joseph Lonewolf is from 1998.  The piece is entitled, “Secreted Fawn”.  It includes a signed version of the card which Joseph made for each of his miniatures.  This piece was actually made for our show at the gallery with Joseph and Grace Medicine Flower in 1998.   Joseph wrote partially of this piece,

“Portrayed against a blue sky background is a single realistically designed Mule Deer fawn, most of which are born in June or July.  Nestled, side view, in an abundance of sheltered valley grasses, remote to other members of the heard, the fawn is partially encircled by eight yellow disked, red tipped daisy blossoms, which denote all that is sweet, or pleasant, in life.

Three small realistically designed cabbage white  butterflies, symbolic of beauty in life, are portrayed with the fawn.  two wings about the new born in a delicate, unhurried flight and one alight on the tip of the newborn’s right ear.”

On the back of the seedpot in the red is a Mule Deer buck, doe and fawn sketched into the clay.  They are inspired by the Mimbres pottery designs of the 11th century.  The interlocking rings medallion represents the attachment between friends and was the yearly symbol for 1997.  Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  The piece is signed on the bottom and includes the signed artist card.  There is also a photo of Joseph holding the piece! It is in excellent condition with no chips, cracks, restoration or repair.

$ 4,400.00
Lonewolf, Joseph – “Leaping Grasshoppers” Seedpot (1997)

This seedpot by Joseph Lonewolf is from 1997.  The piece is entitled, “Leaping Grasshoppers”.  It includes a signed version of the card which Joseph made for each of his miniatures.  There is also a photo of Joseph holding the piece! Joseph wrote partially of this piece,

“Portrayed side view are two geometrically designed and color-toned grasshoppers.  Representative of the Mimbres Period – 10th to 14th centuries. Both grasshoppers appear to be leaping.  Beneath the plant-eating insects is a higly polished red slipwork symbolic of Mother Earth.  Swirled and jagged to denote “Her” terrain, MOther Earth’s surface is only sparsely vegetated.”

The butterfly etched on the back is symbolic of beauty and the the interlocking rings medallion represents the attachment between friends and was the yearly symbol for 1997.   This piece was actually purchased at our gallery show for Joseph Lonewolf and Grace Medicine Flower in 1998! Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  The piece is signed on the bottom and includes the signed artist card.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,800.00
Lonewolf, Joseph – “Mimbres Cricket” Seedpot (1997)

This seedpot by Joseph Lonewolf is from 1997.  The piece is entitled, “Mimbres Cricket”.  It includes a signed version of the card which Joseph made for each of his miniatures.  This piece was actually made for our show at the gallery with Joseph and Grace Medicine Flower in 1998.   Joseph wrote partially of this piece:

“Portrayed from a side view is a cricket representative of the Mimbres Period – 10th to 14th centuries.  The cricket – an insect related to the locust and grasshopper, but usually having long antennae – appears to be leaping in mid-air.  Beneath the Mimbres cricket is highly polished red slipwork (Mother Earth) which encompasses the extreme front, partial sides, back side and a portion of the top.”

The butterfly is symbolic of beauty and the the interlocking rings medallion represents the attachment between friends and was the yearly symbol for 1997.  Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  The piece is signed on the bottom and includes the signed artist card.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,800.00
Lonewolf, Joseph – Mimbres Dancers Polychrome Seedpot (1981)

This is a classic miniature by Joseph Lonewolf from 1981.  He made many fewer pieces in black than in red.  This piece is fully incised with Mimbres inspired dancers encircling the piece.  The Mimbres people made some of the most exciting and refined pottery of the Southwest in the 1100’s.  Joseph felt a deep connection with the pottery of these ancient people.  He often created his own designs which were derived from the work on their open bowls.  There are eight highly polished dancers encircling the piece.  On the top are rain patterns along with some of the yearly symbols used on his pottery.  All the different colors are derived from natural clay slips.  It is is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.  

$ 3,400.00
Lonewolf, Joseph – Mimbres Rabbit Seedpot (1976)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This seedpot is from 1976 and it is fully designed. On the top is a Mimbres inspired rabbit.  The surrounding designs are water, grass and plant imagery.  The piece is highly polished and fired red.  It is signed on the bottom in the clay with the date.   It is in condition with no chips, cracks, restoration or repair.

$ 2,500.00
Lonewolf, Joseph – Realistic Bees Seedpot (1984)

OJoseph Lonewolf is undoubtedly one of the great names in Pueblo pottery for his style of sgraffito pottery with realistic animals and insects.  This unique seedpot is from 1984 and it has two honey bees as the design.  One of the bees even has the pollen on its legs!  It is extraordinary how he is able to capture such realism on a round surface just by etching into the surface of the clay!  The side has the annual yearly symbol for 1984 on the back. It is meant to represent a bright future.  The piece is signed on the bottom in the clay.  Note as well the “Mimbres Bees” Seedpot by Joseph from the same year.  It is a companion piece to this seedpot, with the bees etched in a Mimbres style while they are realistic on this piece!

$ 1,800.00
Lonewolf, Joseph – “American Creatures” Rabbit & Squirrel Seedpot (1984)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This seedpot is from 1984/5 and it is one of his few pieces black pieces.  The seedpot is entitled, “American Creatures” and there is rabbit on one side and a tree squirrel on the other.  The rabbit is designed so that it appears to be in motion.  Beneath the rabbit is a design representing the brier-brush where it seeks shelter.  Next to the plant design is the 1984 yearly symbol of a rainbow, symbolizing the promise of a bright future.  The piece is striking in the contrast of the highly polished black surface and the colors for the two animals.  All of the additional colors are created from natural clay slips.  This piece is in perfect condition with no chips, cracks, restoration or repair.

$ 2,800.00
Lonewolf, Joseph – Grizzly Cubs & Butterflies Seedpot (1984)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This seedpot is from 1984.  It has two grizzly bear cubs, each etched into the clay in great detail.  Each of the cubs is entranced with the butterflies.  What is so exceptional on this piece is not just the bears and the interaction with the butterflies, but the filigree style etching work surrounding them.  The plants and the feather patterns flow around the piece in a delicate stylistic manner.  It’s always difficult with his work to imagine that Joseph etched the designs into the clay!  There is an additional white clay slip used along with a red clay slip.   The back of the piece has a medallion with a rainbow, which is the yearly symbol for 1984.  The precision of the designs and the shine of the polished surface create a perfect balance.  This piece is in perfect condition with no chips, cracks, restoration or repair.

$ 2,800.00
Lonewolf, Joseph – Mimbres Frog and Fish Seedpot

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This seedpot is from the mid-1980’s.  It is polished red and incised with three Mimbres inspired frogs.  Separating each of the frogs is a fish.  There is a small medallion with a butterfly and a larger medallion on the top with they yearly symbol.  Joseph used green clay slips to highlight the designs.  The seedpot is signed on the bottom.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,500.00
Lonewolf, Joseph – “Safe Territory” Seedpot (1988)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This seedpot is from 1984.  Joseph wrote of this piece:

“Representing the Mimbres Period of the 10th to the 14th centuries, is a male quail about to fall prey to a nearby fox.  Alerted to the danger the quail moves quickly to the brush growing in its natural habitat.

Encircling the base of the seedpot is Mother Earth [the red clay slip] with several quail tracks…To the left of the tracks is a bear print.  Perhaps the frightened quail, aware of the bear’s presence, sought refuge in the bear’s range of territory.  To the left is the 1988 yearly symbol of a “bear paw” representing strength and good medicine.  The tiny butterfly, also atop Mother Earth represents beauty in life”.

The style of this seepdot is similar to a series he made throughout 1988.  The have a combination of cartoon and Mimbres style, with the fox having more of a “cartoon” appearance.  What makes that interesting is that Joseph was a big fan of cartoons and loved to watch them. It’s great to see that he found a way to design some pieces that are almost a reflection of his love for the style.  All the additional colors are natural clay slips.  The precision of the designs and the shine of the polished surface create a perfect balance.  This piece is in perfect condition with no chips, cracks, restoration or repair.

$ 2,200.00
Lonewolf, Joseph & Camilio Tafoya – Monarch Butterfly Seedpot (1996)

This is an unusual larger seedpot by Joseph Lonewolf from 1996.  It is a piece which was made by Joseph’s father, Camilio Tafoya.  Camilio passed away in 1995 and he left a variety of pieces in various stages of completion.  Joseph decided that he would finish the various seedpots.  Each piece was signed by Camilio before he passed away and then again by Joseph after he finished the design work.  This seedpot has monarch butterflies encircling the piece.  They are each raised in relief from the surface.  It makes on think that it had already been initially etched by Camilio.  As well, the blue background area has a textured appearance, which is typical for Camilio’s pottery.  The piece is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 5,500.00
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