Allison, Marla – “Shawls and Pottery” Original Acrylic
36" x 24"
Marla Allison is a member of Laguna Pueblo in New Mexico. Marla lives and makes art from her home studio where she finds comfort and inspiration by connecting with family, tradition, and being close to her community. Marla is a contemporary Native artist whose primary medium is painting.
Marla began her expression through art in her youth and gained formal education at the Institute of American Indian Arts (IAIA) in Santa Fe, NM where she obtained an Associates Degree in three-dimensional art. Since graduating from IAIA, Marla has exhibited artwork at the Heard Museum Indian Fair and Market, the Santa Fe Indian Market, and the Smithsonian Native Art Market in New York. Permanent collections with Marla’s work are found in, The Heard Museum Permanent Collection (Phoenix, AZ), The Museum of Indian Arts and Culture (Santa Fe, NM), The Red Cloud Indian School Collections (Pine Ridge, SD) and various private collections around the country and also Rome, Italy.
She was the 2010 recipient of the Eric and Barbara Dobkin Native Woman’s Fellowship at the School for Advanced Research (SAR) in Santa Fe, NM.
Marla says of her painting:
“I am from Laguna Pueblo so I paint Laguna Pueblo. I paint and create for Laguna history to be great and remembered. I paint because I was passed down a gift from my grandfathers; I paint to continue what they started. I began with simple works of loose brush strokes, slight symbols of pottery design, and shapes taught to me in my youth. I researched the artists that I found powerful and connected what they did with what I do. From study and admiration, I found that I had something all my own. Most of my influence is from pottery design of Laguna Pueblo and Hopi Pueblo. I have also found much influence by the cubism of Pablo Picasso and squares of Paul Klee. I don’t stick with one certain style but it is all my own, that’s what makes it mine. With the use of pottery design, I have painted landscapes that have design on them symbolizing where the clay that holds these designs comes from. I have painted mosaic paintings that are broken up squares and by taking these paintings apart with the image, the viewer is forced to visually put them back together as a way of putting themselves and their past into it in the process. I paint so I remember where I came from. I paint so others can remember where I come from. I paint to be remembered.”
This painting by Marla is entitled, “Shawls and Pottery (Going to see Charles)“. Ok, how you can you not LOVE the tile! The painting utilizes what we love about her work: a vibrant color scheme and Pueblo graphics. It is a subtle but striking piece and a reflection of why she has become such an important name in contemporary Native painting!