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Da, Tony – Red Jar with Avanyu (1972-3)

Da, Tony – Red Jar with Avanyu (1972-3)

4.25"w x 3.75"h
$ 9,800.00
Availability: In stock

Tony Da had a short career which spanned from 1967-82.  He helped change the world of Pueblo pottery.   He was among the first to begin etching into the surface of the pottery (sgraffito), adding stones, hei-shi and then began creating all matte carved vessels.  His pottery today is considered to be among the most sought after by collectors and museum alike. This jar with a slightly elongated neck is from 1972-3.  It is a period when the red clay slip was a bit deeper red in coloration.  This bowl is fully polished and has a water serpent (avanyu) as the design. The avanyu is etched into the clay and note the sharpness of the horn. The avanyu is symbolic of the village being saved from a flood by the water serpent.  The bowl is signed on the bottom in the clay, “DA”.  It is in very good condition with no chips, cracks, restoration or repair.  This is certainly a classic style of Tony’s pottery and even an early piece like this bowl reflects the impact he had, and continues to have, on Pueblo pottery.  The pottery of Tony Da remains an important addition to any collection!


In stock


Artist

Artist

Da, Tony (1940-2008)

tony da pottery

Tony Da

Tony Da was the first Pueblo "rock star." He broke cultural barriers as a "modern Indian," steeped in San Ildefonso Pueblo tradition but living in a contemporary world.  A grandson of Maria Martinez and the son of Popovi Da, his precision designs, and techniques revolutionized Pueblo pottery and created a new vocabulary for the art.  Among the first men to both make and design pottery, he introduced sgraffito etching, inlaid stones, and beads, initiated black and sienna colorations, and invented his stylized iconography derived from the ancient Mimbres pottery.  Although his career only spanned fifteen years, his work and persona are increasingly relevant. In 2011, Tony Da's pottery and paintings were the focus of an exhibit entitled; 'Creative Spark, The Life and Art of Tony Da.' (Museum of Indian Arts and Culture of Santa Fe 2011-2013.) Over the course of his career, Tony Da demanded perfection.  He was an innovator in his art as well as in his life.  Tony was known to his family members as a creative perfectionist, and to his collectors as a creative genius.  Tony's pottery today is considered to be among the most sought after by collectors. Charles King and Richard Spivey co-authored a history of his life and artwork in testament to his legacy titled, 'The Life and Art of Tony Da.'  Tony was both an art superstar of his time and a profoundly private individual.  This portrayal brings the reader into the innovative and volatile world of this noted Potter.
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