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Garcia, Tammy – “Seeded Woman I” Bronze. Ed. 7/35

Garcia, Tammy – “Seeded Woman I” Bronze. Ed. 7/35

4"w x 4"h
$ 1,200.00
Availability: In stock

Tammy Garcia is known for her amazing pottery, as well as the creativity of her bronzes. This bronze is taken from a series of clay pieces which she made which were inspired by the paintings of Picasso.  The imagery is a Picasso-esqe woman sitting in a chair.  The piece has multiple layers and textures.  When asked about the name and the imagery, Tammy said:

“I thought about a definition of the word, “seed” which I had read.  It was, ‘A seed is the small, hard part of a plant from which a new plant grows’.  It made me think of women who came to the Southwest when the trains arrived in the 1880’s, or with the Fred Harvey Tours in the 1920’s.  They brought with them their past but became enamored with the Southwest or Native Culture. So on the bronze, the woman is sitting on a chair and the back of the chair is incised with Pueblo designs.  The side has areas which were inlaid hei-shi beads.  These women became the seeds of new interest in the area and culture. They spread this love of the Southwest just like a seed.  I called this, “Seeded Woman I”.  It is the first in this series to pay tribute to those how become aware of Native culture, respect it and spread their love of the art and artists to the world.”.

The piece has striking patinas to differentiate the various textures and depths of carving.  Much like her clay work, the piece is distinctive in style and yet very sharply defined.  This piece is 7/35 and it is signed and numbered on the bottom by Tammy Garcia. Simply a striking piece by one of today’s great potters with a lot of thought behind it!


In stock


Artist

Artist

Garcia, Tammy (b. 1969)

Tammy Garcia

Tammy Garcia 

Tammy Garcia is undoubtedly one of the most renown of Pueblo potters. She is a daughter of Linda Cain and sister to Autumn Borts-Medlock.  She is also the granddaughter of Mary Cain, great-granddaughter of Christina Naranjo and great-great-granddaughter of Sara Fina Tafoya.  Tammy learned to make pottery from her mother and continues the Pueblo traditions of using native clay as the foundation.  Her distinctive pottery bridges the gap between traditional and modern. The intricacy and precision of her carving are one of the attractions to her pottery and bronze art.  Tammy's pottery continues to evolve into new directions with each new idea. Amazingly, Tammy Garcia makes less than ten pieces a year. This small number is a reflection of the time involved in each section.  The building, designing, carving, polishing, and firing are labor intensive.  As a result of the time required, she never replicates a design or pot, and this is part of the dynamic process of her art. Tammy Garcia's distinctive forms and imagery create “stories” on the vessels. Her designs inspired by Pueblo life, animals, insects, pueblo stories or traditional images, are both traditional and contemporary.  The surface of her works are polished then carved, and there is always a fantastic balance of carved verses matte areas. Tammy’s pottery is in permanent collections and museums worldwide such as The Denver Art Museum, the Heard Museum, The Autry Museum among others. She has won multiple awards for her pottery and most recently was the subject of a one-woman exhibit at the National Museum of Women in the Arts.
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