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Garcia, Tammy – “The Forgotten Prince” Frog Seedpot (2002)

Garcia, Tammy – “The Forgotten Prince” Frog Seedpot (2002)

6.5"w x 4"h
$ 8,800.00
Availability: Out of stock

This is very creative effigy seedpot by Tammy Garcia from 2002.  It is featured in the book, “Tammy Garcia: Form without Boundaries” on page 104.  In the book it says of this piece:

“This is the perfect illustration of Garcia’s eager imagination that refuses to linger in staid notions of convention.  In this interpretation, Garcia deftly merges the Pueblo form with the European folktale of the frog prince.  She creates a witty and striking narrative of the classic fairytale by portraying her frog with eyes and prominently puckered lips.”

The piece is very deeply carved with stylized swirls and geometric water patterns, which Tammy has used throughout her career.  It is the face of the frog which is matte and sculpted into the clay.  The piece is signed on the bottom, “The Forgotten Prince, Tammy Garcia”.  It is in excellent condition with no chips, cracks, restoration or repair.  It is always great to see such a creative piece of her work and one of the few which was published in her book!


Out of stock


Artist

Artist

Garcia, Tammy (b. 1969)

Tammy Garcia

Tammy Garcia 

Tammy Garcia is undoubtedly one of the most renown of Pueblo potters. She is a daughter of Linda Cain and sister to Autumn Borts-Medlock.  She is also the granddaughter of Mary Cain, great-granddaughter of Christina Naranjo and great-great-granddaughter of Sara Fina Tafoya.  Tammy learned to make pottery from her mother and continues the Pueblo traditions of using native clay as the foundation.  Her distinctive pottery bridges the gap between traditional and modern. The intricacy and precision of her carving are one of the attractions to her pottery and bronze art.  Tammy's pottery continues to evolve into new directions with each new idea. Amazingly, Tammy Garcia makes less than ten pieces a year. This small number is a reflection of the time involved in each section.  The building, designing, carving, polishing, and firing are labor intensive.  As a result of the time required, she never replicates a design or pot, and this is part of the dynamic process of her art. Tammy Garcia's distinctive forms and imagery create “stories” on the vessels. Her designs inspired by Pueblo life, animals, insects, pueblo stories or traditional images, are both traditional and contemporary.  The surface of her works are polished then carved, and there is always a fantastic balance of carved verses matte areas. Tammy’s pottery is in permanent collections and museums worldwide such as The Denver Art Museum, the Heard Museum, The Autry Museum among others. She has won multiple awards for her pottery and most recently was the subject of a one-woman exhibit at the National Museum of Women in the Arts.
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