McHorse, Christine – Large Micaceous Bowl with Lizard (1990s)
Christine McHorse is well known for her sculptural pottery. Each piece is coil built and has very thin walls. This large bowl is from the 1990s. When she began to experiment with micaceous clay she made a variety of pieces with animal figures. The large, oval-shaped bowl is made from micaceous clay. Her husband, Joel, is from Taos Pueblo and so that is where she got her clay. The bowl has a large lizard in relief, on the rim of the bowl. The lizard is surrounded by incised designs and there are lightly incised lines on its back. She has the lizard set on the rim with its head raised as if it were real and ready to move! There is wonderful creativity and charm in this period of her pottery. The mica clay is very reflective on this piece. It is signed on the bottom, “C McHorse”. It is in excellent condition with no chips, cracks, restoration, or repair. Today Christine is creating more sculptural works with her pottery currently in the “Dark Light” exhibit which has traveled nationally.
“I grew up in Morenci, Arizona, and in the summers I’d go to the Navajo Reservation and stay with my grandmother. My siblings and I would herd sheep for her during the summer. I didn’t really have any idea about Navajo pottery. When I started making pottery, I also started researching it in books and museums. The Navajo pottery that was written about, they were called “mud pots.” It had not developed to the sophisticated level of Pueblo pottery.
I get my own clay. I use natural clay that we dig from a clay pit near Taos. I’m Navajo, not Taos, and I respect the processes handed down to me. Joel’s grandmother recognized the fact that I was good with my hands and the clay. We do continue to gather and process our own clay. My family and I go once every four years or so and get a couple barrels full of clay. My work is slow and tedious. Most all of the clay goes to use so there is very little that is not used. It’s very satisfying to pull it out of the ground, process it yourself, and make the material that you build with. I process my clay to the point where I know how the clay should feel in my hands. Then I feel like I have some control of the process from the beginning to the end.” Christine McHorse, Spoken Through Clay