Nampeyo, Fannie – Large Migration Pattern Jar (1972)
This is a classic jar by Fannie Nampeyo. She was the youngest daughter of noted potter Nampeyo of Hano and also the mother of noted potters Iris Nampeyo, Leah Nampeyo, and Thomas Polacca. She was undoubtedly among the most skilled of her generation for painting designs pottery. While her mother revived the “migration” or bird wing design, Fannie made is a signature design of her pottery and the Nampeyo family. This jar is wide in shape with a round shoulder, and a short neck with a turned out rim. However, it is the migration pattern which dominates the surface of this piece. The migration pattern, or bird wings, extend around the entire jar in 9 sections. The jar was traditionally fired so that it has some visually striking blushes on the surface. It is signed on the bottom, “Fannie Nampeyo”. It is in excellent condition with no chips, cracks, restoration or repair. The piece was originally purchased in 1972. Dextra Quotskuyva Nampeyo said of the migration pattern:
“This is the one design that was really stressed for us to use, the migration pattern. Nothing but lines, representing the migration of all the people to all the places, including down below and up above. It has seven points at the top and bottom. All the x’s represent life from the bottom and top, telling you the universe is one. The thin lines, I just wanted to paint them real fast and real close to try and include everyone.” Dextra Quotskuyva Nampeyo, Spoken Through Clay.
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