Virgil Ortiz created dynamic figures such as this aeronaut, for his series of the Pueblo Revolt 1680/2180.  This piece was part of the exhibit of the same name at the Denver Art Museum.  The are featured on page 36 of the catalog.  The figure is made from native clay, painted with native clay slips and traditionally fired.  The black is derived from wild spinach (a plant) and the others are all natural clay slips.  In the catalog, the aeronaut is written about as follows.

These futuristic scenes underscore the movement Ortiz infuses in these clay works and their complicated painting. “I wanted to create an illusion of motion using the sculpting and painting. The Blind Archer series has a more three-dimensional style of sculpture. The Aeronauts, I designed them so they look like they are launching off like a rocket or an aircraft. They are portrayed like the Ancient Ancestors (aliens). They are laid back and surrounded with old style ‘hieroglyphics.’” “There are always three Ancestors on each Survivorship to guide them, they represent the wisdom of the elders within the marvels of technology.” The Survivorships are an integral part of the narrative and create a link from the ancient past to the future.

Note the angular shapes on both pieces.  How Virgil is able to create such dynamic forms is amazing.  The designs further enhance the shape of the piece. Virgil has expanded his technique and added new levels to his clay surfaces. Taking a closer look at the piece, note that all the various designs are from traditional elements such as sun, moon, rain and mountains.  The pieces are in perfect condition with no chips, cracks, restoration or repair.  It is certainly a unique opportunity to have a piece with such important provenance!