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Qoyawayma, Al – Harmony Jar with Flowers and Figure

Qoyawayma, Al – Harmony Jar with Flowers and Figure

8.25"h x 5.5"w
$ 4,500.00
Availability: In stock

Al Qoyawayma calls the shape of this jar his “Harmony Shape”.  It has an elongated neck and round body.  It is carved on both sides.  One side has flower,s the other a figure.  The carved areas have additional clay slips.  It is simple and elegant, definitely harmonious!   All the various colors are derived from native clays.   It is a classic piece with a striking balance of designs and form.


In stock


Artist

Artist

Qoyawayma, Al (b. 1938)

al qoyawaymaAl QoyawaymaAl Qoyawayma

Al Qoyawayma's Hopi pottery is created in two distinct styles. The first style embodies figurative sculpted reliefs using the repousse' technique, combined with traditional coil construction and tactile stone polished surfaces. The resulting contemporary Hopi pottery calls forth images of the Southwest with its subtle mix of desert hues creating an interplay of light and shadow, so reminiscent of the land of the Hopi. This land and the essence of his ancient relatives nurtures and inspires the artist. Al writes of himself, “I am of the second generation of Hopi beyond the broken pattern, a pattern, a way of life utterly foreign to the western world. With the full influence of western civilization, I am the products of two worlds. Out of our family clan, the Coyote Clan, it was said that we would be the generation to meet the new world and make a change that was our ancient role as the Coyote Clan….to be those who go before. It is only natural that one of our basic survival skills, as exhibited at our ancient home of Sikyatki, should be adapted to today’s world of art. Through the patient hand and guidance of a beautiful teacher, my aunt Polingaysi, I learned the basic techniques and philosophy I now use in my pottery creations. My clay creations reflect the aesthetic influences of the southwest environment and values passed down through our family. Form, textures, contrasts, shadow, the softness of desert color hues are foremost in my work. Oral history and research provide me with themes, continually emerging, which identifies who we were and are; a profound pursuit. At the same time, my repoussé technique provides a “contemporary” style of ceramics. I am not restricted by a particular tradition; rather I’m free to innovate. I find myself trying to “reach” in my creative pursuit, as I strive to bring into focus those things, human and spiritual, just beyond my reach. Creativity will always be my challenge." Most recently, Al won "Best of Pottery" at the 2016 Santa Fe Indian Market and "Best of Pottery" at the 2017 Heard Indian Market.
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