This is a smaller polychrome water jar by Russell Sanchez.   He continues to be one of the true innovators and revivalists in Pueblo pottery.  Each piece is perfectly coil built, stone polished, and etched.  This jar has an elegant shape with a round body, an elongated neck, and a turned-out rim.  The jar is unusual in coloration with a white and red combination.  Interestingly, there was a period in the 1920s at San Ildefonso when potters, such as Tonita Roybal, made white slipped pieces with red designs (see the last photo).  The second to the last photo has the actual white clay Russell uses for his pottery in a raw form.  The white clay slip is polished and all the designs are incised before firing. This jar has a mountain, water, seed, and leaf design.  Around the neck are two rows of brass hei-shi beads along with a single row of copper leafing.  Below the shoulder are two more rows of hei-shi beads and another band of copper leaf.  The base is highly polished red.  The jar has inset turquoise and hematite stone to accentuate the designs.  All the clays Russell is using are the same as those used in San Ildefonso pottery from the 1880s to about 1920.  His deep red slip is a more recent addition to his clay art starting around 2005.  As Russell continues to innovate from historic designs, he says, “Tradition means moving forward and adding to it. You keep moving forward.  If we stayed stagnant we would no longer exist.”  The jar is signed on the bottom in the clay, “Russell”.  It is exciting to see how this imagery is not new but Russell’s reinterpretation of it both modernizes and revives.