Namingha, Les - "The Modernist" Nampeyo Shards Design Jar (2011)
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Namingha, Les – “The Modernist” Nampeyo Shards Design Jar (2011)

7"w x 4"h

$ 1,800.00

This is a classic designed jar by Les Namingha.  The jar is a wide shape with a short neck. The top of the jar is painted with a series of Hopi-Tewa designs.  The jar takes inspiration from the designs of Nampeyo of Hano.  Each section has different designs and they are painted in black, red, and gray (black and white mixed).  It is a very complex and striking design. The checkerboard area is dramatic.   The jar was traditionally fired to create the slight blushes on the surface.  The jar is in excellent condition with no chips, crack, restoration, or repair.  It is signed, “Les Namingha”.  It is fascinating to see one of his very early traditional pieces.

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Brand:Namingha, Les (b. 1967)

This is a classic designed jar by Les Namingha.  The jar is a wide shape with a short neck. The top of the jar is painted with a series of Hopi-Tewa designs.  The jar takes inspiration from the designs of Nampeyo of Hano.  Each section has different designs and they are painted in black, red, and gray (black and white mixed).  It is a very complex and striking design. The checkerboard area is dramatic.   The jar was traditionally fired to create the slight blushes on the surface.  The jar is in excellent condition with no chips, crack, restoration, or repair.  It is signed, “Les Namingha”.  It is fascinating to see one of his very early traditional pieces.

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Namingha, Les (b. 1967)

Les Namingha

Les Namingha

Les Namingha (b.1967) is the son of Emerson Namingha, the grandson of Rachel Nampeyo, great-grandson of Annie Healing, and a great-great-grandson of Nampeyo of Hano. Les blends and deconstructs traditional and historic designs in an amazingly modern style.  His painting's precision is undoubtedly a reflection of his learning to make pottery from his aunt, Dextra Quotskuyva, a master potter and world-renowned innovator.  Les has won numerous awards for his pottery at the Santa Fe Indian Market, the Heard Museum Market, and other events.  It has been featured in multiple books on Hopi and Pueblo art.  He continues to be one of the dynamic innovators in Pueblo pottery! Through his creative designs, textures, and materials, Les Namingha transforms and challenges Hopi and Pueblo pottery's surface expectations.  He is as much a painter as a potter, and his vessels rely on form, surface design, and color to reveal their ancient and modern artistic influences. Les says, "Sometimes the painting goes with the flow of what's in you.  There's not as much thought as in other pieces.  That comes from my love of abstract art, where the process is the process.  There are other works where there is much consideration that goes into it.  Maybe I'm working on the under-structure design with painting first and then laying it aside for a bit.  I'll think about where to go next and see where the piece leads me.  There is also solely relying on the teaching of the older Nampeyo-type designs.  The process for me is trying to work with the color since the structure is already there.  The question is what I'm going to do with it.
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