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santa clara potterySanta Clara Pottery

Traditional Name: Kha'p'oo Owinge (Valley of the Wild Roses.) The Pueblo is a member of the Eight Northern Pueblos, and the people are from the Tewa ethnic group of Native Americans who speak the Tewa language.  The Pueblo is on the Rio Grande, between Ohkay Owingeh (formerly San Juan Pueblo) to the north and San Ildefonso Pueblo to the south.  Santa Clara Pottery and its Pueblo are famous for producing hand-crafted pottery, specifically blackware and redware with deep engravings. Thanks to cultural pride and a strong sense of identity, the Santa Clara people have retained many of their ancient traditions while integrating with the best of what the majority culture has to offer. The Pueblo has a high regard for education, both the tribal heritage and modern education.  Santa Clara Pueblo people find employment on the reservation as well as in nearby cities. Some dances and community festivals are open to the public.  In June, St. Anthony’s Feast Day features Comanche Dances.  In August, Harvest Dances and Corn Dances are performed in honor of the patron saint, St. Clare. Regarded as one of the great masters of Pueblo ceramics Margaret Tafoya (1904-2001), a matriarch of Santa Clara Pueblo, is known for her trademark large black polished ceramics.  Margaret decorated with traditional imagery of rain clouds, water serpents, bear paws, and other family symbols.  An award-winning artist, she was the recipient of the Lifetime Achievement Award from the Southwestern Association for Indian Arts and a National Heritage Fellowship.  She had twelve children, eight of whom became potters; Virginia Ebelacker, Lee Tafoya, Toni Roller, LuAnn Tafoya, Mela Youngblood, Jennie Trammel, Mary Ester Archuleta and Shirley Tafoya.  Her grandchildren and today great-grandchildren carry on the traditions of making pottery.  Margaret was a guardian of traditional pottery making methods and techniques.  She created large storage vessels with stone polished surfaces.  Her carving was done before the piece was polished.  She created her amazing work from the 1920's through the 1980's.

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Naranjo, Elizabeth – Clay Bear Figure

Elizabeth Naranjo was known for her large carved intricately carved vessels.  She is a daughter of noted potter Pablita Chavarria and the sister of Clara Shije, Reycita Naranjo and Mary Singer.  This is one of her clay bear figures.  It is fully polished and fired a deep black in coloration.  The bear is in excellent condition with no chips, cracks, restoration or repair.   It is signed on the bottom in the clay, “Elizabeth Naranjo”.

$ 110.00
Gutierrez, Denny – Bowl with 36 Swirl Faceted Melon Ribs (1992)

Denny Gutierrez was known for his faceted melon bowls.  As opposed to carving them, he would flatten out each rib out to create a “faceted” appearance.  The result was a reflective surface and a very striking piece of pottery.  This bowl is from 1992. It is larger in size and there are 36 faceted ribs swirling around the jar from the rim to the base. The bowl is very highly polished and fired a dark black.  It is signed on the bottom in the clay, “Denny Gutierrez”.

$ 550.00
Roller, Toni – Melon Bowl with 16 Ribs (1985)

Toni Roller is known for her classic shapes and exquisite stone polished pottery.  She is a daughter of Margaret Tafoya and has developed her own distinctive style yet adhering to the traditional methods and techniques of her mother.  This bowl is from 1985 and it is a carved melon bowl with 16 ribs. Each rib is evenly spaced and carved into the clay.  The entire surface is fully polished to a high shine. It was traditionally fired and it is signed on the bottom in the clay, “Toni Roller”.

$ 750.00
Gutierrez, Denny – Jar with 16 Faceted Melon Ribs (1991)

Denny Gutierrez was known for his faceted melon bowls.  As opposed to carving them, he would flatten out each rib out to create a “faceted” appearance.  The result was a reflective surface and a very striking piece of pottery.  This jar is from 1991.  It has 16 straight melon ribs, each flattened out to create the “facet”. They encircle the jar from top to bottom.  The jar is very highly polished and it is in excellent condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay, “Denny Gutierrez”.

$ 175.00
Garcia, Tina – Red Jar with Bear Paws (1991)

Tina Garcia was well known for her focus on traditional shape and plain ware Santa Clara pottery.  This jar was from 1991 and it is a classic piece of her pottery.  The jar has a sharp shoulder and it slopes up to the mouth.  There are three bear paws impressed into the clay.  The entire piece is fully polished and fired a deep red.  The bear paws are part of a story where a bear led the Pueblo people to water during a drought.  It is signed on the bottom in the clay, “Tina Garica”.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 900.00
Gutierrez, Margaret & Luther – Nativity Set – 22 pieces (1977)

This nativity set by Margaret and Luther Gutierrez contains 22 different figures. This is the middle size of the sets that they made. There are Mary, Joseph, baby Jesus and the three wise men.  The Wise Men are presenting gifts of bread and animals.  There are additional animals of a cow, donkey, pig, horse, duck and more!  This is also one of the few sets which includes three angels.  There are two koshari figures and even one miniature seedpot.  Each piece is signed and it does include pieces by Margaret & Luther, Pauline Naranjo (Luther’s daughter) and a couple by Margaret alone.  The set is from the collection of Richard Spivey and was begun in 1977 and put together over the course of several years.  They are each painted with native clay slips and they are all in very good condition with no chips, cracks, restoration or repair. Definitely a charming collection of work by this important family of potters!

$ 1,200.00
Ebelacker, James – Large Red Water Jar

This is a striking fully polished water jar by James Ebelacker.  He is a son of noted potter Virginia Ebelacker and a grandson of Margaret Tafoya.  He is known for his large vessels.  This water jar has a wide shoulder and a short neck. At the shoulder of the jar there is a slight indention downward before rising to the neck.  It is hard to see it in the photos but it creates a beautiful edge and reflection for light.  The rim of the jar is just slightly turned out and polished on the inside.  The entire jar is fully polished and fired a striking red coloration.

“With pottery, you can’t get discouraged. It can’t be rushed. You really have to invest the time to learn your path, and it will be revealed to you. So you slow down and think about what you really want to create. In the end, if you are serious about wanting to learn the art of making pottery, the clay will speak to you and instill a sense of what it is destined to become. Inevitably and thankfully, in doing so our ancient tradition of Santa Clara pottery will continue into the future, span the generations, and will not be lost to time.” James Ebelacker, Spoken Through Clay

It is signed on the bottom in the clay, “James Ebelacker”.  His work can be found in museums throughout the southwest and he has won numerous awards for his pottery at events such as Santa Fe Indian Market and the Heard Market.

 

$ 7,200.00
Naranjo, Teresita  – Bowl with Carved Avanyu (1970’s)

Teresita Naranjo was a daughter of Christina Naranjo and know for her deeply carved pottery.  This bowl is one of her classic pieces in terms of the carving.  It is very deeply carved with a water serpent (avanyu) encircling the piece. Note how the negative space around the rim becomes part of the design of the clouds and lightning above the avanyu.  The entire piece is fully carved and polished. The avanyu encircles the bowl and the body has cloud and rain designs.  It is signed on the bottom in the clay, “Teresita Naranjo” and it is in very good condition with no chips, cracks, restoration or repair.

$ 850.00
Youngblood, Nathan -Black Tear Drop Shaped Plate

Nathan Youngblood is one of the few Pueblo potters who creates large and intricately carved plates.  In addition to the round and oval ones, he has also created his own distinctive form of the “tear drop” shape.  This piece is coil built, carved, stone polished and traditionally fired. He designed this plate so that it has a “shield-like” appearance with a central medallion and the designs emanating out from the center.  The imagery is all cloud and rain patterns.  The band extending out from the center are slipped with a micaceous clay, creating another visual contrast from the matte and polished surfaces.  The polished areas here are perfectly polished to a “glass-like” appearance.  The piece is signed on the back with his name and Tewa name hallmark meaning “Deer Path”.   The plate comes in a metal museum mount made specifically for this piece.

$ 12,800.00
Folwell, Susan – Lidded Jar with Carved Birds

Susan Folwell combines classic imagery with her own contemporary style of shape and design. This tall jar has carved birds in the center of the design.  They are polished tan and the bodies of the birds are carved at various levels, giving them a very distinctive appearance.  The color variation on the wings is from the traditional firing.  The jar itself is slipped with a pinkish colored clay and there are additional birds painted onto the surface.  The lid sits on the top of the jar and its shape is meant to evoke the classic Hopi style bird.  The various colors and use of the matte and polished surfaces works perfectly on this piece.  Susan’s pottery is meant to not only connect with us visually, but also with touch and meant to make us think.

$ 3,300.00
Tafoya, Judy & Lincoln – Brown Water Jar with Bear Paws (2005)

Judy and Lincoln Tafoya (1954-2005) worked together for twenty years making pottery.  Lincoln learned to make pottery from his sister-in-law Sharon Naranjo Garcia.  He was a son o Dan Tafoya and Billie Rose Lee.  Judy is a daughter of Cecilia Naranjo and learned to make pottery from her grandmother Christina Naranjo.  Judy began making pottery in 1982 and married Lincoln in 1984. This water jar has a fluted rim and four bear paws. The jar is stone polished and fired a brown coloration.  It is signed on the bottom in the clay, “Judy and Lincoln Tafoya”.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 400.00
Youngblood, Nathan – Jar with Impressed Night Hawk, Owl & Star

This is a creative jar by Nathan Youngblood which is part of his series, “The Space Between”.  These pieces are inspired by the early carved work of Sarafina Tafoya (1863-1949) and Margaret Tafoya (1904-2001).  This jar is a shape with high sides.  Nathan has carved around the shoulder of the piece with a rain and walking bear paw design.  Note the depth of the carving!  The section is very highly polished.  The remainder of the jar is slipped with mica.  This designs on the jar are inspired by the impressed designs on Sarafina Tafoya’s early work.   There is an impressed owl, moon, star, and Nighthawk.  Each of these images can be found on several of Sarafina’s original twelve carved vessels. The last photos show a group of these pieces.  The surrounding area has a mica clay slip over the impressed designs.  It is a very creative and inspired jar!  It is signed on the bottom in the clay with his name and deer tracks, which represent his name in Tewa, which means “Deer Path”.

“The Space Between”: Santa Clara Carved Pottery 1920-Present

$ 4,500.00
Youngblood, Nathan – Bowl with Carved Bird and Cloud Designs

This bowl by Nathan Youngblood which is deeply carved with a design inspired by the work of his grandmother, Margaret Tafoya.  The central design is two stylized birds.  As the jar is turned there are cloud and mesa designs.  The bowl is deeply carved and there are two sections which are slipped with mica. The remainder of the jar is fully polished.  It is fired a glassy black coloration.  Check out the last image and you can see the plate from which Nathan took this design.  It is a painted piece by Margaret Tafoya from the 1930’s.  The bowl is signed on the bottom in the clay with his name and deer tracks, which represent his name in Tewa, which means “Deer Path”.

$ 3,600.00
Youngblood, Nathan – Jar with Bear Paw and Impressed Avanyu

This is a striking jar by Nathan Youngblood which is part of his series, “The Space Between”.  These pieces are inspired by the early carved work of Sarafina Tafoya (1863-1949) and Margaret Tafoya (1904-2001).  This jar is a shape which is reminiscent of the work of Margaret Tafoya with the low shoulder and sloping side.  It is a great shape for Nathan’s deeply carved designs.  The jar has a central medallion which is impressed with a bear paw in the style of Sarafina Tafoya.  Note the elongated fingers of the paw.  As I wrote in “Born of Fire”:

“The symbol most directly associated with Sara Fina is the bear paw, which has been used on Santa Clara pottery since at least 1200 ad (Peterson 1997, 55). Its use comes from an old legend: during a time of drought at the pueblo, a bear led the people to a freshwater spring and saved them.  As Margaret explained it, “The bear always knows where the water is, and this is a design we put on the water jar, the storage jar”.

Below the medallion is an impressed avanyu.  This is one of the designs used by Sarafina in 1922 on some of her first “carved” vessels.  Nathan said that he wanted to explore this idea and try an impressed design.  He said there was an unexpected difficulty in polishing so many angles in the impressed pattern.  The result is quite stunning.  Take a look at the photo of the bottom of the jar and you can get a great view of the avanyu from a different angle!  The remainder of the jar is carved with a mountain and cloud pattern which encircles the piece.  It is a complex design yet ties together the imagery of the bear paw and the avanyu.

The red clay slip is deep and rich in coloration and the jar was traditionally fired.  The polishing is spectacular on this jar with an amazing shine from the stone polished surface!  While the shape, carving, and designing might seem like enough, Nathan also takes his pottery one step further. After it is fired, he uses small screwdrivers and scrapes the sides of the carved designs and the recessed areas, to create a visually striking contrast.  It is signed on the bottom in the clay with his name and deer tracks, which represent his name in Tewa, which means “Deer Path”.

“The Space Between”: Santa Clara Carved Pottery 1920-Present

$ 6,800.00
Youngblood, Nathan – Jar with Raindrop Rim and Carved Avanyu

This is a striking jar by Nathan Youngblood which is part of his series, “The Space Between”.  These pieces are inspired by the early carved work of Sarafina Tafoya (1863-1949) and Margaret Tafoya (1904-2001).  This jar is a wide shape and the rim is carved in a fluted or “raindrop” shape. This is a style which was used by Sarafina Tafoya on many of her early jars.  The last photo is a jar by Sarafina and you can see the “raindrop” rim.  Nathan said this may be the thinnest rim he has ever made on one of his pieces and still be able to stone polish both sides!

The jar is carved with a water serpent encircling the piece.  The body of the avanyu consists of cloud, water and kiva step designs.  Nathan says of the design:

“The water serpent (avanyu) is not what people think of a ‘water snake’.  It is a reference to the way the rivers run.  They are all integrated and connect everything.  Creeks become streams, streams become rivers which become oceans.  The oceans are fed by everything around the world.  It binds us. That is why when we go to the water and throw in cornmeal and pray.  The water and water serpent connect us to the entire world.”

The red clay slip is deep and rich in coloration and the jar was traditionally fired.  The polishing is spectacular on this jar with an amazing shine from the stone polished surface!  While the shape, carving, and designing might seem like enough, Nathan also takes his pottery one step further. After it is fired, he uses small screwdrivers and scrapes the sides of the carved designs and the recessed areas, to create a visually striking contrast.  It is signed on the bottom in the clay with his name and deer tracks, which represent his name in Tewa, which means “Deer Path”.   Simply stunning!

“The Space Between”: Santa Clara Carved Pottery 1920-Present

$ 7,500.00
Tafoya, Margaret – Wide Jar with Mesa & Rain Designs (1970’s)

This is a striking wide shoulder jar by Margaret Tafoya. It is from the 1970’s.  It is an unusual shape for Margaret’s pottery with a wide shoulder and a short neck.  The jar is carved around the shoulder with a mesa and rain pattern. The design is repeated four times around the jar.  The piece is very highly polished and deeply carved.  It was fired a deep black.  Interestingly, Margaet was at the peak of her career in the 1970’s.  It was 1978-9 when she won consecutive “Best of Show” awards at Santa Fe Indian Market for two storage jar.  There is certainly a wonderful precision in the carving, shape, and polish of this jar.  It is signed on the bottom in the clay, “Margaret Tafoya”.  It is in very good condition with no chips, cracks, restoration or repair.

$ 6,800.00
Tafoya, Margaret – Jar with Carved Avanyu (1980’s)

This tall jar by Margaret Tafoya is from the 1980’s.  The jar is a very unusual and interesting piece on several levels.  The design on the jar is a carved avanyu.  This is one of the classic designs of Santa Clara pottery, which tells the story of how the water serpent saved the village from a flood.  What is unusual on this jar the style of the avanyu.  The head is more square and a square mouth.  When I first saw the design on this jar it looked both unusual and familiar.  Check out the very last image on this post and there is a jar by Margaret from the 1930’s with a very similar shape of avanyu!  It seems that at several times in the 1980’s Margaret revived older designs for her work, much as on this jar!  The next aspect of this piece is to check out the body of the avanyu and the very complex designs.  Typically they are more simple and flowing but this piece has very angular lighnting and cloud patterns for the body.  Finally, it’s the color of this jar which is so unusual.  It’s more of an orangeish red than a deep red.  It could be that it was a bit overfired or that she used a different slip for the color.  The result, however, is quite striking as it has a bold appearance.  The jar was originally purchased from Toni Roller at her studio during one of her shows for Margaret and the Tafoya Family.  The jar is signed on the bottom in the clay, “Margaret Tafoya”. It is in excellent condition with no chips, cracks, restoration or repair.  This jar is definitely an important addition to any collection!

$ 5,000.00
Haungooah, Art Cody – Bowl with Insects, Turquoise and Lid

This is a very unusual lidded bowl by Art Cody Haungooah.  There are polished medallions on each side and the clay around them is carved away leaving the medallions raised. The medallion on one side has a moth and the other an ant.  They are each inset with two pieces of turquoise.  The surrounding matte area has been sanded down and works as a perfect contrast to the polished areas.  The lid is also fully polished.  It is a strong complement to the polished medallions.  The bowl is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.

Art Cody Haungooh: A “Reflected Light” in Pueblo Pottery

$ 900.00
Gutierrez, Denny – 24 Swirls Faceted Melon Jar (1999)

Denny Gutierrez was known for his faceted melon bowls.  As opposed to carving them, he would flatten out each rib out to create a “faceted” appearance.  The result was a reflective surface and a very striking piece of pottery.  This jar has a low shoulder and sloping sides.  It is from 1999.  The jar has 24 faceted ribs swirling down from the rim to the base.  The top of the rim is also fully polished.   The narrowness of each rib adds to the amazing reflectiveness of this piece.  The jar is very highly polished and it is in excellent condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay.

$ 450.00
Nichols, Robert Cleto – Bowl with Two Fish

Robert Cleto Nichols is known for his deep carved pottery.  Each piece is coil built, carved and stone polished.  This bowl has a large fish chasing a smaller fish.  As the bowl is turned, the body of the larger fish is made up of kiva step and melon rib designs.  Note the depth fo the carving!  The bowl is traditionally fired black and signed on the bottom in the clay.

$ 500.00
Chavarria, Denise – Bowl with 16 Feather Designs

Denise Chavarria is a daughter of noted potter Stella Chavarria and a granddaughter of Teresita Naranjo.  She is known for her contemporary carved pottery.  This bowl is tightly carved with 16 feathers on the top.  On the side there is a carved band and the entire piece is fully polished.  The bowl is fired a deep black and it is signed on the bottom in the clay, “Densie Chavarria”.

$ 100.00
Lonewolf, Rosemary –  Seedpot with Wolf and Stars (1990’s)

This is seedpot by Rosemary Lonewolf is from the late 1990’s.  It is fully polished and there is an etched wolf on the top along with stars and a full moon.  On the sides are basket designs.  The contrast of the matte and polished areas accentuates her imagery.  The piece is signed on the bottom “Apple Blossom”, which is her name in Tewa.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 300.00
Tafoya, Camilio – Seedpot with Chipmunks (1995)

This seedpot by Camilio Tafoya is from 1995. It is the last series of pieces he made.  It was fully polished and etched with five chipmunks.  They are gathering nuts.  It is whimsical in style and there is a playfulness to the designs.  The various colors are derived from natural clay slips.  It is signed on the bottom “Camilio Sunflower Tafoya”. It is in excellent condition with no chips, cracks, restoration or repair.

$ 500.00
Begay, Jr., Harrison – Jar with Bear and Yei Figure (1999)

Harrison Begay, Jr. has won numerous awards over the years for his deep carved pottery.  This jar is from 1999.  It is a classic shape with a high shoulder and short neck. The jar deeply carved and there is an amazing amount of design on the surface.  Around the top of the shoulder, there is a star pattern (polished) with matte carved rain designs.  Around the side of the jar, there is a bear and Yei figure along with cloud, rain, hand and other designs.  They are each deeply polished and carved. An unusual addition to the design is the incised imagery.  Take a closer look at the matte areas of the jar and they are fully designed with incised lines to create cloud, swirls, star and other designs!  The polished sections stand out more in contrast to the black matte areas.  Note as well the style of carving, which has a beveled appearance to the angle of the cuts into the clay. This is a very distinctive style of carving for his pottery.  The jar is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,200.00
Swentzell, Roxanne – “Admiration” Original Clay Figure

This is a striking original clay piece by Roxanne Swentzell.  It is entitled “Admiration”.  It is one of the classic style pieces by Roxanne.  Here the potter is holding two of her pieces of pottery.  There is something so endearing about the look on her face as she is looking at her pottery.  The two bowls are part of the figure so this is all one piece.  It is equally remarkable that both bowls are Mimbres in styles.  This harkens back to the early Mimbres pre-historic pottery, considered some of the best and most refined ancient art in the world.  The connection of the past with this innovative artist of the present and her impact on the future certainly reads throughout this wold piece.  Note as well feet, the movement of the hands, the face, are all perfectly scuplted.  Roxanne is able to achieve such a sense of emotion in the faces of her figures!  This piece is in perfect condition with no chips, cracks, restoration or repair.  There is a monumental bronze similar in style to this piece in clay which is located at Roxanne’s studio in Pojoaque (see last photo).  This piece is from early 2000 and signed in the clay, “ROX”.

$ 12,000.00
Haungooah, Art Cody – Seedpot with Teepees

Art Cody Haungooah began making pottery in  1972.  He brought his Kiowa heritage and culture to the pottery of Santa Clara Pueblo.  This piece is from around 1980.  It is a seedpot and fully polished. It is an unusual design in that it is based more of Kiowa history than that of the Southwest.  There are two teepees as the design.  They are surrounded by cloud and feather patterns.  It is signed on the back, “AH, Haungooah”.  It is in excellent condition with no chips, cracks, restoration or repair.

 

Art Cody Haungooh: A “Reflected Light” in Pueblo Pottery

 

$ 775.00
Haungooah, Art Cody – Turtle with Hemis Mana Katsina (1974)

Art Cody Haungooah began making pottery in  1972.  He brought his Kiowa heritage and culture to the pottery of Santa Clara Pueblo.  This clay turtle is from 1974.  It is fully polished and the back is etched with a Hemis Mana katsina.  Note the more deeply incised and rounded lines around the katsina figure.  It is signed on the bottom on the neck, “Haungooah 2-74”. It is in very good condition with no chips, cracks, restoration or repair.

 

Art Cody Haungooh: A “Reflected Light” in Pueblo Pottery

 

$ 375.00
Cain, Mary – Bowl with Carved Avanyu (1990’s)

Mary Cain was a daughter of Christina Naranjo and a granddaughter of SaraFina Tafoya.  She was known for her classic style carved and polished Santa Clara pottery.  This bowl is carved with a water serpent (avanyu) encircling the piece.  The body of the avanyu consists of cloud and rain designs.  The bowl is highly polished and fired a dark black.  It is signed on the bottom, “Mary Cain”.    It is in very good condition with no chips, cracks, restoration or repair.

$ 400.00
Medicine Flower, Grace – Large Carved Jar with Avanyu, Butterflies & Lid (1985)

This is an exceptional large lidded bowl by Grace Medicine Flower.  She began her career making miniature pottery with incised designs.  This large piece is from 1985, the beginning period when she was deeply carving her pottery along with utilizing sgraffito designs.  The jar itself is deeply carved with a feathered water serpent (avanyu).  This style of avanyu was used by her father, Camilio Tafoya and also her brother, Joseph Lonewolf.  As the jar is turned there is a small feather medallion with butterflies, There is a second, larger medallion, which also has butterflies and flowers.  The lid of the jar is fully polished and also etched with butterflies. Grace said of her carved pottery:

“Once you pick her (the vessel) up, to start designing, whatever comes to your mind is how it’s going to look. To me, I can envision the carving or the plain polish and what it would look like with just one medallion. I do all the sgraffito before it was fired. You have to be so careful.  Once you put in the designs, she turns out to be beautiful.”  Grace Medicine Flower, Spoken through Clay

One distinctive aspect of this piece is the additional colored clay slips which highlight the design.  There was a very brief period when she used clay slips of various colors for her pottery.  This one has white, green and blue additional colors added to the butterflies.  Grace said that Joseph Lonewolf (her brother) gave her the clay colors and then when she ran out she didn’t get any more.  The jar is highly polished and fired a deep red.  It is certainly a classic and of her few pieces at this size and with a lid!  It is signed on the bottom in the clay, “Grace Medicine Flower”.  Note for the signature on the base, there is an incised butterfly along with a flower extending up the side.  It is in very good condition with no chips, cracks, restoration or repair.

$ 8,800.00
Archuleta,  Mary Ester – Red Canteen with Bear Paws (1970’s)

Mary Ester Archuleta is the second youngest daughter of Margaret Tafoya.  She has never prolific and most her pottery was made in the 1970’s and 1980’s.  This canteen is a striking piece and fully polished a deep red. There are bear paws on both sides.  The entire piece is fully polished. The bear paws represent a story of how the Pueblo people were led to water during a drought by a bear.  This particular style of canteen is one which is very reminiscent of the work of her mother, Margaret Tafoya.  The stopper is hand carved and there are leather straps.  It is signed on the bottom in the clay, “Mary E. Archuleta”.  It is in very good condition with no chips, cracks, restoration or repair.

$ 1,200.00
Roller, Jeff – Bowl with Carved Cloud and Feather Design (1998)

This is a striking bowl by Jeff Roller.  Jeff is a grandson of Margaret Tafoya and continues a family legacy of extraordinary traditional pottery.  This bowl is deeply carved with a cloud pattern around the shoulder.  In space of one of the clouds, he etched small stars.  Below the shoulder Jeff carved four turkey feathers coming up from the base of the bowl. They are etched with intricate detail.  The bowl was fired to a brownish-red coloration.  It is a striking and complex piece.  It is signed on the bottom in the clay, “Jeff Roller”.  The bowl is from 1998 and originally came through our gallery.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,200.00
Moquino, Jennifer Tafoya – Square Jar with Four Bumblebees

Jennifer Moquino is known for her clay vessels and exceptional realistic animals. This jar is coil built and fully polished.  It is a wonderful shape which is square on the sides and VERY flat on the top. Technically that is always difficult to achieve with native clay. The flat area has four large bumblebees as the design.  They are each a different type of bee.  Note the wings, which somehow Jennifer etched and slipped to make the almost appear transparent!  It is quite exceptional.  The neck of the jar has small dots of pollen which swirl around the opening.  The detail on each bee is simply fantastic.  Around the edges are stylized designs which are reminiscent of those by her father, Ray Tafoya.  The bottom is also fully polished.  All the colors are all from natural clay slips.  The jar is signed on the bottom in the clay, “Jennifer Tafoya”.  Jennifer continues to be one of the leading innovative potters working today!

$ 1,500.00
Moquino, Jennifer Tafoya – Red Fox with Cloud and Rain Designs

This is a figurative clay red fox by Jennifer Moquino.  The entire figure is fully polished and etched.  There is great detail on the back with cloud and water designs on one side and a feather a cloud design on the other.  The top of the back has a wolf track slipped with a green clay. Note there are even tracks etched onto the feet!  The ears, legs and tail are matte clay.  The piece is signed on the bottom.  The colors are all derived from natural clay slips.

$ 450.00
Moquino, Jennifer Tafoya – Walleye Clay Figure

This is a figurative clay walleye by Jennifer Moquino.  The entire figure is fully polished and etched.  There is great detail on the sides of the piece and the shape of the fins.  The piece is signed on the bottom.  The colors are all derived from natural clay slips.

$ 140.00
Moquino, Jennifer Tafoya – Rainbow Trout Clay Figure

This is a figurative clay trout by Jennifer Moquino.  It is a rainbow trout and there is a slight turn to the tail. The entire figure is fully polished and etched.  Note the details on the sides and the overall detail in the design!  The piece is signed on the bottom.  The colors are all derived from natural clay slips.

$ 140.00
Moquino, Jennifer Tafoya – “Butterflies & Pueblo Girl” Tile

Jennifer Moquino is known for her clay vessels and exceptional realistic animals.  This is one of her smaller tiles.  It is fully polished and etched.  The piece has a Pueblo girl and butterflies.  The girl is designed in an “anime” style.  As figurative work on pottery is often discouraged at some of the Pueblos, this style of figure is less realistic and more imaginary.  The young girl here is surrounded by butterflies. Each one is a different style of butterfly.  The border on the side has a cloud and rain motif.  It is a contemporary and creative piece!  The tile is framed so that it can be mounted on a wall.  It is signed on the side.  Jennifer continues to be one of the leading innovative potters working today!

$ 800.00
Moquino, Jennifer Tafoya – “Turkey Girl” Large Tile

Jennifer Moquino is known for her clay vessels and exceptional realistic animals.  This is one of her largest tiles she has made.  It is fully polished and etched.  The piece is the Pueblo story of the “Turkey Girl”.  The story is considered the Pueblo version of “Cinderella”.  The story below is one written by Juan de la Cruz, for his Turkey Girl jar.

“Turkey Girl’s tattered and worn clothing was taken and transformed into beautiful garments: a dazzling necklace and intricately woven mantle were draped upon her arms.  The turkeys that she tended to presented these gifts: for they knew her heart’s desire was to participate in the festivities being held in the neighboring village. In exchange for this and the kindness she always showed towards them, they were given freedom and traversed into the narrow mountain pass where they reside to this day”. Juan de la Cruz

On this tile, the girl is being given new mocassins as she is surrounded by the turkeys.  Check out the amazing use of detail in the feathers of the birds!  All the various colors are derived from natural clay slips.  Jennifer has included a mica slip for the ground.  In the left corner is a stylized set of turkey feathers etched in the style of her father, Ray Tafoya. The tile is framed so that it can be mounted on a wall.  It is signed on the side.  Jennifer continues to be one of the leading innovative potters working today!

$ 2,600.00
Speckled Rock, Paul – Seedpot with Roses (1983)

Paul Speckled Rock is a grandson of Severa Tafoya but learned to make pottery from Joseph Lonewolf.  This seedpot is from 1983.  It is a very early piece of his pottery.  When he first started to make pottery, he began making unusual shapes, which were very much like “rocks”.  They were immediately distinctive in form and design.  This piece is highly polished and very lightly etched with three roses as the design.  They are highlighted with red and green clay slips.  The piece is signed on the bottom in the clay, “Paul Speckled Rock, 1983”.  It is in very good condition with no chips, cracks, restoration or repair.

$ 425.00
Garcia, Gloria “Golden Rod” – Seedpot with Prancing Fawn

This seedpot by Gloria Garcia is fully polished and fired black. The top is fully designed with a prancing fawn in the older “two-dimensional” style of Santa Clara paintings.  The fawn is surrounded by flowers.  Gloria’s combination of polishing and etched designs is always striking.  This piece is signed on the bottom with her Tewa name “GoldenRod”.

$ 275.00
Garcia, Gloria “Golden Rod” – Bowl with Quail and Eagle

This bowl  by Gloria Garcia is fully polished  and etched with one of her more realistic scenes.  There are nine quail on the bowl. There is also an eagle landing.  Around the neck is a sky pattern and a Tewa sun.  Note the detail in the wings of the eagle and quail.  The bowl is very highly polished and fired a deep red. It is signed on the bottom with her Tewa name “GoldenRod”.

$ 550.00
Haungooah, Art Cody – Mini Bowl with Deer Scene (1974)

This is an miniature bowl by Art Cody Haungooah is fully designed with a deer scene.  It is fully polished red and etched with a deer and forest scene encircling the bowl.  Note the distinctive style of Art’s etching of the matte background area.   The bowl is in very good condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay.

$ 200.00
Shupla, Helen – Wedding Vase with Mesa and Cloud Designs

Helen Shupla is famous for her carved pottery as well as her exceptional melon jars.  This large wedding vase is coil built and it is carved around the body of the piece.  The style of carving is interesting as most of the work is carved into the negative space as opposed to caring it in a line around the vase.  There is a mesa design along with a cloud, mountain, and bird pattern.  The wedding vase is signed, “Helen Shupla” on the bottom in the clay.  It is in very good condition with no chips, cracks, restoration or repair.

$ 1,400.00
Cosen, Reycita – Small Carved Wedding Vase

Reycita Cosen (b. 1927)  is a daughter of potter Pasqualita Baca and a niece of Nestora Silva. While she no longer makes pottery, she was known for the complex carving on her pottery.  Each piece was coil built, carved, stone polished and traditionally fired.  This is one of her classic carved wedding vases. The body of the piece has carved rain and lightning designs.  The spouts have carved eagle feathers and connecting the two spouts is a twisted handle.  The vase is fired a silvery black.  It is signed, “Reycita Cosen”.  It is in excellent condition with no chips, cracks, restoration or repair.  

$ 150.00
Cosen, Reycita – Wedding Vase with Carved Avanyu

Reycita Cosen (b. 1927)  is a daughter of potter Pasqualita Baca and a niece of Nestora Silva. While she no longer makes pottery, she was known for the complex carving on her pottery.  Each piece was coil built, carved, stone polished and traditionally fired.  This is one of her classic carved wedding vases. There is a carved avanyu encircling the piece.  Note the complexity of the design as the bowl is turned along with the depth of the carving!  The spouts are also carved with a feather pattern. Connecting the two spouts is a twisted handle.  The vase is fired a deep black.  It is signed, “Reycita Cosen”.  It is in excellent condition with no chips, cracks, restoration or repair.  

$ 650.00
Naranjo, Teresita  – Wedding Vase with Water Serpent (1970’s)

Teresita Naranjo is famous for her deeply carved pottery.  Each piece was coil built, carved, stone polished and traditionally fired outdoors.  She was a daughter of noted potter Christina Naranjo and a sister of Mary Cain.  This wedding vase by Teresita is from the 1970’s.  It is one of her classic shapes with the long necks and rounded spouts.  The body of the vase is deeply carved with a waters serpent (avanyu), which encircles the piece.  As the vase is turned there are additional cloud and rain designs.  The entire piece is beautifully polished and a classic for her work!  It is signed on the bottom in the clay, “Teresita Naranjo” and it is in very good condition with no chips, cracks, restoration or repair.

$ 1,250.00
Naranjo, Geri  – Tall Black Jar with Feather Design

This is a taller miniature jar by Geri Naranjo.  She is known for her miniature pottery and intricately etched designs.  Here the entire piece is fully polished and around the shoulder are very tiny etched feathers.  No, I was not able to count them all!  But check out how close they are to each other!  Below the feathers is a water serpent (avanyu), which encircles the piece.  The body of the avanyu has cloud and rain designs.  The remainder of the jar is very highly polished.  It is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 375.00
Naranjo, Forrest – Bowl with Dragonfly Story

Forrest Naranjo is a grandson of Rose Naranjo and a son of Bernice Naranjo.  He learned to make pottery from his mother.  This bowl is coil built, stone polished and traditionally fired brown and then etched with designs.  This bowl has an asymmetric rim and the designs are etched into the clay around the top of the jar.  The design is an interesting story of the birth and various stages of the dragonfly.  The various stages of the larvae and then the dragonfly itself can be seen!  The style of his etching is modern yet pulls from traditional Pueblo designs. It is in very good condition with no chips, cracks, restoration or repair.

$ 325.00
Cosen, Reycita – Carved Bowl with Fox Handles

Reycita Cosen (b. 1927)  is a daughter of potter Pasqualita Baca and a niece of Nestora Silva. While she no longer makes pottery, she was known for the complex carving on her pottery.  Each piece was coil built, carved, stone polished and traditionally fired.  This is one of her classic carved vessels with fox handles.  The handles and inside of the bowl are all fully polished!  The exterior is carved with a walking bear paw design around the neck and avanyu (water serpent) around the sides.  Note the depth of the carving and the highly polished surface.  The piece is signed, “Reycita Cosen”.  It is in excellent condition with no chips, cracks, restoration or repair.  igns around the body of the piece.  Note the depth of the carving on the jar!  The bottom is signed in the clay.  The jar is in very good condition with no chips, cracks, restoration or repair.  

$ 450.00
Cain, Joy – Bowl with Cloud Design

Joy Cain (bl 1947) is a daughter of Mary Cain and a sister of noted potters Tina Diaz, Linda Cain, and Billy Cain.  She began making pottery in 1965 but makes almost no pottery today.   This bowl is very round in shape and very deeply carved.  It has a cloud and lightning pattern encircling the bowl.  The surface is fully polished and it is a dark black coloration.  The bowl is in very good condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay, “Joy Cain”.

$ 200.00
Cosen, Reycita – Bowl with Bear Handle

Reycita Cosen (b. 1927)  is a daughter of potter Pasqualita Baca and a niece of Nestora Silva. While she no longer makes pottery, she was known for the complex carving on her pottery.  Each piece was coil built, carved, stone polished and traditionally fired.  This bowl is fully polished and has a bear for the handle!  Even the interior of the bowl is fully polished!  It is a simple but charming piece.  The piece is signed, “Reycita Cosen”.  It is in excellent condition with no chips, cracks, restoration or repair.  

$ 275.00
Begay, Jr., Harrison – Canteen with Bear Paws

Harrison Begay, Jr. has won numerous awards over the years for his deep carved pottery.  This canteen is from 2003.  It is fully polished and carved with a cloud, star and bear paw design on the top.  The handles are also fully polished.  The piece is fired a black-brown coloration.   The polished sections stand out more in contrast to the black matte areas.  Note as well the style of carving, which has a beveled appearance to the angle of the cuts into the clay. This is a very distinctive style of carving for his pottery.  The jar is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,200.00
Moquino, Jennifer Tafoya – Water Jar with Cherry Blossoms

This is a striking water jar by Jennifer Moquino.  The jar is coil built and is a classic Santa Clara water jar shape with the indented shoulder and slightly turned out rim.  The exterior of the jar is slipped with mica and the inside of the neck is fully polished. The jar is fired black and it is a great coloration with reflections from the mica.  Jennifer said that because she used a micaceous slip, that she was not able to outline the design in advance and it all had to be designed free-hand!  The design is a simple group of Cherry Blossoms which extend up from the base.  The detail in each blossom is exquisite, as she mixes the various clay colors to create the right shading for the blossoms.  Even the wood of the tree is perfectly etched!  She added some falling petals on the inside of the neck as well, in the polished area.  The jar is a dynamic combination of design and shape.  It is signed on the bottom of the clay. The jar is an exciting variation in her forms, scale, and designs.

$ 3,500.00
Moquino, Ty – Mask “Guaridan” (Age 16)

Ty Moquino is a son of noted potter Jennifer Moquino.  At only 16 years old he is making some creative pottery!  This is one of his clay masks.  They are inspired by the science fiction he has read, along with being a commentary on the environment, sustainability and even imagery from Standing Rock.  This mask is “Guardian”, which has a complicated form with the triangular eyes and the fin on the top of the mask. Sections of the mask are polished and others are matte and mica slipped.  Note the various levels of carving and design on this piece!   It is a strong piece as part of his mask series. It is great to see new work from his young potter.  Ty won the “Best of Youth” award at the Heard Museum Indian Market in 2017 for one of his masks!  It is signed on the back.  The piece will include a metal museum mount for it to be displayed and will take about a week for delivery.

$ 575.00
Moquino, Ty – Mask “Buffalo Warrior” (Age 16)

Ty Moquino is a son of noted potter Jennifer Moquino.  At only 16 years old he is making some creative pottery!  This is one of his clay masks.  They are inspired by the science fiction he has read, along with being a commentary on the environment, sustainability and even imagery from Standing Rock.  This mask is “Buffalo Warrior”, which is inspired by the shape of a buffalo skull.  The respirator and horns are fully polished while the remainder of the mask is matte and slipped with mica in areas.  It is an interesting piece reflecting on the connection of the buffalo to Native culture, their extinction, and their future. Also, the inherent symbolism of a warrior in the future wearing a mask representing the buffalo.  It is a creative and thoughtful piece as part of his mask series. It is great to see new work from his young potter.  Ty won the “Best of Youth” award at the Heard Museum Indian Market in 2017 for one of his masks!  It is signed on the back.  The piece will include a metal museum mount for it to be displayed and will take about a week for delivery.

$ 575.00
Moquino, Ty – Mask “Visor Up” (Age 16)

Ty Moquino is a son of noted potter Jennifer Moquino.  At only 16 years old he is making some creative pottery!  This is one of his clay masks.  They are inspired by the science fiction he has read, along with being a commentary on the environment, sustainability and even imagery from Standing Rock.  This mask is “Visor Up”, which reveals the face underneath.  This is the first time we have had one of his masks with the face showing.  The visor is carved and fully polished while the face is sculpted and slipped with mica.  It is a striking piece as part of his mask series. It is great to see new work from his young potter.  Ty won the “Best of Youth” award at the Heard Museum Indian Market in 2017 for one of his masks!  It is signed on the back.  The piece will include a metal museum mount for it to be displayed and will take about a week for delivery.

$ 575.00
Folwell, Susan – Asymmetrical Jar with Birds & Dragons

This is an exceptional piece by Susan Folwell.  The jar is asymmetrical in form with a section in which the clay is pushed inward. The jar itself is part of a series where Susan broke the piece into sections and reassembled it.  Each section connects to the next and in terms of her designs.  There are interconnected birds and dragons which swirl around the piece.  Susan has long been interested in and influenced by Asian art.  For her, the dragons and “avanyu” are often interchangeable images.  The jar is tan polished and the open space has her signature, “x” design.  The various colors are derived from natural clay slips.  The shape and design create a beautiful poetic motion in this jar!  It is signed on the bottom in the clay.  The jar is in excellent condition with no chips, cracks, restoration or repair.  It has been in numerous museum exhibitions, including “Between Two Worlds” at the Phoenix Airport Museum.

$ 4,000.00
Baca, Annie –  Mini Bowl with Avanyu

Annie Baca is a daughter of Cesencia Tafoya and known for her miniature pottery.  This bowl is very highly polished and tightly painted.  Her works are typically three inches or smaller, which is classified as a miniature.  The design on this bowl is a water serpent (avanyu), which encircles the piece.  There are cloud designs above the avanyu.  It is signed on the bottom in the clay, “Annie”.  The glassy shine and tight painting create a beautiful and traditional Santa Clara bowl!

$ 135.00
Baca, Annie –  Mini Oval Bowl with Rain Designs

Annie Baca is a daughter of Cesencia Tafoya and known for her miniature pottery.  This oval shaped bowl is very highly polished.  Typical of her work it is formed with a very sharp shoulder.  The designs are painted onto the polished surface.  Looking at the bowl, there are cloud, rain and lightning patterns.  The glassy shine and tight painting create a beautiful and traditional Santa Clara bowl!

$ 125.00
Naranjo, Madeline – Large Jar with Avanyu (1970’s)

Madeline Naranjo (b. 1916) was known for her deep carved pottery.  This is a larger jar with a very deeply carve avanyu (water serpent). The avanyu is an important image in Santa Clara pottery, telling the story of the water serpent who saved the village from a flood. The jar has a wide shape with a sharp shoulder. The avanyu encircles the jar and note the deeply carved clouds around the neck of the jar.  It is signed on the bottom in the clay, “Madeline Naranjo”.  It is in very good condition with no chips, cracks, restoration or repair.  There is a small rub on the side below the shoulder, which can be seen in the photos and I’ve priced the jar accordingly.  While Madeline no longer makes pottery, her work is certainly a classic and her legacy continues in the pottery of her granddaughter, Madeline E. Naranjo.

 

$ 875.00
Tafoya, Myra Little Snow – Jar with Carved Sun and Avanyu

Myra Little Snow Tafoya was known for her creative deep carved pottery. She is a daughter of Lucy Yearflower Tafoya, a granddaughter of Camilio Tafoya and the sister of Shawn, Kelli Little Katchina and Forrest Tafoya. She began making pottery in the early 1970’s and was featured in the “7 Families in Pueblo Pottery” book. While Myra no longer makes pottery, her early pieces are a wonderful part of the history of Camilio Tafoya’s family legacy.  This jar is a larger piece of her pottery.  It is carved around the shoulder with a cloud pattern.  Around the sides there is a feather pattern along with a sun and an avanyu.  The designs are tighly carved and highly polihsed.  The background is also fully etched to create a striking contrast with the highly polihsed designs.  The jar is signed on the bottom in the clay “Myra Little Snow”.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 450.00
Suazo, Candelaria – Black & Sienna Seedpot with Figure

Candelaria Suazo is a daughter of potters Joe and Santanita Suazo.  Her sisters include Martha Suazo (the wife of Art Cody Haungooah), Margie Naranjo, Mae Tapia and Shirley Duran.  She learned to make pottery from her mother and has been making pottery for over 20 years.  This miniature bowl is coil built and stone polished.  It is etched with a Yei figure and then two-toned to make it black and sienna in coloration.  Note the high polish and delicate etching on this piece.  It is signed on the bottom.

$ 75.00
Garcia, Tammy – “Red Moth” Bronze, 29/35

Tammy Garcia is known for her amazing pottery, as well as the creativity of her bronzes. This bronze is carved in the style she carves in her pottery, with various depths and layers.  It is entitled, “Red Moth”.  It has a Sikyatki inspired moth as the design in relief.  Behind the moth are some of her classic Pueblo geometric designs and a leaf and vine pattern around the edge as the “frame”.  The bronze is made to hang on a wall, although it can also stand (or sit in an easel).  The piece has a striking use of patinas to enhance the coloration of the moth’s wings and the leaves in the frame.  The piece is signed on the side.  It is the 29/35 in the edition of the bronze.

$ 2,200.00
Garcia, Tammy – “Green Moth” Bronze, 21/35

Tammy Garcia is known for her amazing pottery, as well as the creativity of her bronzes. This bronze is carved in the style she carves in her pottery, with various depths and layers.  It is entitled, “Green Moth”.  It has a Sikyatki inspired moth as the design in relief.  Behind the moth are some of her classic Pueblo geometric designs and a butterfly pattern around the edge as the “frame”.  The bronze is made to hang on a wall, although it can also stand (or sit in an easel).  The piece has a striking use of patinas to enhance the coloration of the moth’s wings and the butterflies in the frame.  The piece is signed on the side.  It is the 21/35 in the edition of the bronze.

$ 2,200.00
Garcia, Tammy – “Gold Moth” Bronze, 19/35

Tammy Garcia is known for her amazing pottery, as well as the creativity of her bronzes. This bronze is carved in the style she carves in her pottery, with various depths and layers.  It is entitled, “Gold Moth”.  It has a Sikyatki inspired moth as the design in relief.  Behind the moth are some of her classic Pueblo geometric designs and a leaf pattern around the edge as the “frame”.  The bronze is made to hang on a wall, although it can also stand (or sit in an easel).  The piece has a striking use of patinas to enhance the coloration of the moth’s wings and the plants in the frame.  The piece is signed on the side.  It is the 19/35 in the edition of the bronze.

$ 2,200.00
Begay, Jr., Harrison – Jar with Two Eagles

Harrison Begay, Jr. has won numerous awards over the years for his deep carved pottery.  This round jar is fully carved with two eagles.  One eagle is in flight. The other eagle is perched and overlooking a sunrise.  The eagle is flight is depicted over water with cloud designs.  The jar is perfectly polished to a silvery appearance to the surface which contrasts with the black matte areas.  Note as well the style of carving, which has a beveled appearance to the angle of the cuts into the clay. This is a very distinctive style of carving for his pottery.  The jar is signed on the bottom in the clay.

$ 1,500.00
Naranjo, Madeline – Carved Jar with Avanyu (1970’s)

Madeline Naranjo (b. 1916) was known for her deep carved pottery.  This jar has a round body and an elongated neck. The body of the jar is fully carved with a water serpent.  Around the neck is a cloud pattern.  The jar is very deeply carved with a lot of variation to the design around the piece.  The jar is signed on the bottom in the clay, “Madeline Naranjo” on the bottom in the clay.  It is in very good condition with no chips, cracks, restoration or repair.  While Madeline no longer makes pottery, her work is certainly a classic and her legacy continues in the pottery of her granddaughter, Madeline E. Naranjo.

 

$ 475.00
Moquino, Jennifer Tafoya – Jar with Four Leafy Sea Dragons

Jennifer Tafoya Moquino is known for her clay vessels and exceptional realistic animals. This jar is coil built and fully polished.  It is a wonderful shape which is square on the sides and flat on the top. Technically that is always difficult to achieve with native clay.  Jennifer often looks to designs beyond the Southwest for her imagery. This jar has four leafy sea dragons as the design. They are intricately etched and flow around the surface of the jar.  All the colors are all from natural clay slips.  Jennifer continues to be one of the leading innovative potters working today!

$ 1,500.00
Cain, Mary – Bowl with Cloud and Lightning Design (1990’s)

Mary Cain was a daughter of Christina Naranjo and a granddaughter of SaraFina Tafoya.  She was known for her classic style Santa Clara pottery.  This bowl is carved with a cloud, lightning and wind pattern which encircles the piece.  There is always a fluidity to her designs as they ebb and flow around the piece.  The bowl is fired a dark black.  It is signed on the bottom, “Mary Cain”.    It is in very good condition with no chips, cracks, restoration or repair.

$ 300.00
Lonewolf, Joseph – Incised Feathered Water Serpent Bowl (1971)

This is an exceptional and unique larger bowl by Joseph Lonewolf form 1971.   It is very highly polished and has the classic water serpent (avanyu) etched into the clay.  Note that it is the gray area which is etched and the polished area makes up the avanyu!  It still has a great polish so the design is difficult to see in the photos.  However, note that Joseph always used the feathered water serpent, which is different in style from the others used at Santa Clara Pueblo.  This bowl is also historically important relevant to the signature on the bottom, as it is actually before he began to number his pieces!  It is in excellent condition with no chips, cracks, restoration or repair.  It is signed, “Jospeh Lonewolf”.

$ 3,000.00
Lonewolf, Joseph – “Lone Wolf” Seedpot (2000)

This is extraordinary seedpot by Joseph Lonewolf is from 2000.  The piece is one from the period when he began to create exceptionally detailed and realistic animals on his pottery surfaces.  The seedpot is entitled, “Lone Wolf” and it has the full body of the wolf etched into the clay.  Joseph said of this piece,

“Positioned in such a manner, somewhat a side view, yet frontal, against a dark background, brightened only by the magenta tones of the setting sun, it is easy to recognize the wolf’s heavy frame and long limbs.  Since he stands in clumps of dry-colored grasses, we are unable to see his forefeet or his back feet. Meticulously designed, the wolf’s fur is moderately long, thick and varies in color shades of white, gray, brown and black.  The open winged butterfly is symbolic of beauty.  Sketched in a side view manner is a full body designed buck, a big game food source for the wolf.  It is depicted in the Mimbres form. In front of the buck is a multi-color toned design depicting with several feathers the symbol of strength, and a badger print, symbolic of strength and good fortune.”  Joseph Lonewolf

The detail on the head of the wolf is exceptional. It is not just the eyes, but fur and the various levels of carving into the clay.  It’s hard to capture in the photos but even the tongue of the wolf is perfectly designed.  On the back are two “yearly” medallions on this piece, which signify 2000 and are symbolic for his mother (Agapita, a daisy) and father (Camilio, a sunflower).  The two symbols are reflective of their names in Tewa.  An interesting note about his piece is that was included as the image on his business cards for the year.  The piece includes one of these business cards along with the typed card with the information on the piece.  It is one of the more complicated and ornate realistic animal seedpot we have had by Joseph.  The seedpot is signed on the bottom in the clay and it is in perfect condition with no chips, cracks, restoration or repair.  Needless to say, again, it is not just extraordinary but a great piece of history!

$ 4,400.00
Garcia, Tammy – “The Forgotten Prince” Frog Seedpot (2002)

This is very creative effigy seedpot by Tammy Garcia from 2002.  It is featured in the book, “Tammy Garcia: Form without Boundaries” on page 104.  In the book it says of this piece:

“This is the perfect illustration of Garcia’s eager imagination that refuses to linger in staid notions of convention.  In this interpretation, Garcia deftly merges the Pueblo form with the European folktale of the frog prince.  She creates a witty and striking narrative of the classic fairytale by portraying her frog with eyes and prominently puckered lips.”

The piece is very deeply carved with stylized swirls and geometric water patterns, which Tammy has used throughout her career.  It is the face of the frog which is matte and sculpted into the clay.  The piece is signed on the bottom, “The Forgotten Prince, Tammy Garcia”.  It is in excellent condition with no chips, cracks, restoration or repair.  It is always great to see such a creative piece of her work and one of the few which was published in her book!

$ 8,800.00
Garcia, Jason – “Corn Maiden Muse” Tile

This tile by Jason Garcia is part of his Corn Maiden series which feature young Pueblo women in traditional dress for the Corn Dance and placing them in a modern context.  This tile has a young Corn Maiden dancer standing in the center of Santa Clara Pueblo.  Behind her are two of the kivas and their ladders, along with the hills behind the pueblo.  Note the two water towers on the hill and the TV antennae. The antennae is a nod to “St. Claire”, the patron saint of Santa Clara Pueblo, but also televisions.  In the top corner there is a traditional raincloud, which for Jason is a connection to the polychrome pottery of artists such as Lela and Van Gutierrez.  On the back of the tile, it is titled, “Corn Maiden #30, along with hashtags #Muse and #KhaPoOwingeh (the Tewa name for Santa Clara Pueblo).   The piece is made from native clay and painted with native clay slips.  It is signed with his Tewa name, Okuu Pin, which means Turtle Mountain.

$ 1,100.00
Garcia, Jason – “Tewa Tales of Suspense!” Clay Tile

It’s great to have a new tile from Jason Garcia.  Jason has won numerous awards for his works in clay along with his Pueblo Revolt serigraph series.  This piece is made from native clay and painted with native clay slips.  This piece is part of his  “Tewa Tales of Suspense” series.  Each piece is inspired by graphic novels and early comic book art and the Pueblo Revolt of 1680.  This tile has the pueblo warrior standing on the edge of a cliff holding the head of one of the monks killed during the Revolt.  In the background, the church is burning.  This piece is a dramatic interpretation of true events, as when the Pueblo people revolted against the Spanish it was partially in response to a suppression of their native religion.  In response to that and the harshness of many of the priests, they were killed during the Revolt.   Note in the background there is a scene which Jason says was inspired by the famous painting by Hopi artist Fred Kaboti.  I included an image of the Kaboti painting in the description.  The painting and imagery on this piece are striking and intense.  His piece is signed with his Tewa name, Okuu Pin, which means Turtle Mountain.  This tile is hand built from native clay.  All of the colors are derived from Native clay.

$ 1,800.00
Roller, Toni – Wide Bowl with Bear Paws (1989)

Toni Roller is known for her classic shapes and exquisite stone polished pottery.  A daughter of Margaret Tafoya, Toni has developed her own distinctive style and this wide shoulder bowl is one of her original forms.  It is fully polished and has four bear paws incised into the surface.  The bear paws are symbols of a Pueblo story where a bear lead the people to water during a drought.  The bowl was made in 1989 and it is in excellent condition with no chips, cracks, restoration or repair.

$ 1,500.00
Simpson, Rose – Wall Sculpture with Dancing Figure

Rose Simpson is one of the exciting innovative potters working today.  She is a daughter of noted potter Roxanne Swentzell.  This piece brings together two strong aspects of her clay work. The geometric rectangular shapes create a stylized pueblo appearance. The small opening are much like doors and windows.  The shapes are clay and are all one piece and textured.  However, it is the clay work on her figure which is so dynamic.  Rose has found a creative way to create her figurative work, with overlapping slabs of clay.  The figures are realistic in form yet almost otherworldly or dream-like in their appearance. The various small slabs on the figure give an additional sense of movement as if the dancing figure is in motion.  It is excellent condition with no chips, cracks, restoration or repair.  Rose continues to expand her style in various museum exhibitions around the US and create new and more dynamic works in clay.  Look for her upcoming exhibition at the Wheelwright Museum in Santa Fe.

$ 4,500.00
Tafoya, Camilio – Seedpot with Realistic Deer (1995)

This seedpot by Camilio Tafoya is very intricately designed.  It would seem that it most likely was made, polished and the designs were begun by Camilio and then the designs were finished by his son, Joseph Lonewolf.  While it is signed by Camilio, it would suggest that the piece was already polished.  However, there are indicators that it was finished by Joseph, as he finished several of the pieces which Camilio had in process before he passed.  The deer are all very intricately etched and designed than on any of the piece finished by Camilio from 1990-5.  There is is a large buck with antlers extending over the top of the seedpot. On the opposite side there is another deer with smaller antlers and two does.  The deer are very intricately designed and they are much closer in style to those of Joseph.  As well, there is the number on the bottom, which is precision-etched, and the last letters are JL, which are probably Joseph’s initials as the end of the numbering system. The numbering system used by Camilio was typically much shorter and a bit more stylistic in design.  Overall, the piece is in excellent condition with no chips, cracks, restoration or repair.

$ 1,500.00
Lonewolf, Joseph – Bowl with Grasshopper Medallions (1973)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This bowl is very thin walled and has an indented bottom.  It is fully polished red and etched with a single medallion. There is a Mimbres style grasshopper or cricket as the design.  Not the depth and precision of the matte area behind the insect!  There are rectangular green polished areas surrounding it, which represent the grass.  The use of the green clay slip in 1973 was quite new and a extraordinary addition to native clay colorations at the time.   The remainder of the bowl is fully polished red.  The precision of the designs and the shine of the polished surface create a perfect balance.  This piece is in perfect condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay.

$ 1,800.00
Lonewolf, Joseph – Feathered Water Serpent Seedpot (1990’s)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This seedpot is from the 1990’s.  It has the yearly symbol of a heart with a cross in it on the back.  On the front is the classic Feathered Water Serpent which was used by Joseph Lonewolf and his family.  Note the intricate detail in the head and the feathers.  There is an additional butterfly etched into the back of the piece.   The precision of the designs and the shine of the polished surface create a perfect balance.  This piece is in perfect condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay.

$ 1,250.00
Lonewolf, Joseph – Mini Seedpot with Flute Players (1986)

Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  This is a very small seedpot and yet it is very fully designed!  The seedpot has two Mimbres style flute players as the design.  They are surrounded by plant and rain designs. There is a butterfly on the opposite side.  The heart medallion is the yearly symbol for 1986.  There is an additional green clay slip used to highlight the designs.  The precision of the designs and the shine of the polished surface create a perfect balance.  This piece is in perfect condition with no chips, cracks, restoration or repair.

$ 1,200.00
Archuleta,  Mary Ester – Red & Tan Jar with Kiva Step Design

Mary Ester Archuleta is a daughter of noted potter Margaret Tafoya.  This water jar has a round body and a slightly turned out neck.  It is fully polished red and carved around the body with a kiva step design.  The carved areas are polished tan in contrast to the red of the remainder of the jar.   The tan is the natural color of the clay and always difficult to achieve this coloration.  There is also the traditional cream-colored slip painted into the carved areas.  It is signed on the bottom in the clay, “Mary E. Archuleta.  It is in very good condition with no chips, cracks, restoration or repair.  Mary is the second youngest daughter of Margaret Tafoya.  She married into San Juan Pueblo in the late 1960’s and created most of her pieces in the San Juan inspired style.  While she no longer makes much pottery, her work is creative and distinctive in style and coloration.

$ 1,800.00
Baca, Angela – Large Melon Bowl with 32 Ribs

This is one of the largest pieces we have had by Angela Baca.  She was famous throughout her career for her melon ribbed pottery.  The form is derived from the melon and squash grown in the area and so there is always an organic style to the shape.  This piece is round and has 32 ribs carved into the clay. The entire surface of the bowl is fully polished, including the space between each of the ribs!.  The bowl is signed on the bottom in the clay, “Angela Baca” and it is in very good condition with no chips, cracks, restoration or repair.

$ 1,375.00
Lonewolf, Rosemary “Apple Blossom” – Seedpot with Butterfly

This is a small seedpot by Rosemary Lonewolf.  She learned to make pottery from her father, Joseph Lonewolf.  The piece was fully polished red and the designs were etched into the clay.  On the top is a butterfly and the sides have a swirling feather and flower design.  There are green, blue and white additional clay slips added for color.  All the various colors are different clay slips. which are added after the firing.  The seedpot is in excellent condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay, “Appleblossom”.  While Rosemary no longer makes many traditional style pieces of pottery, her miniatures remain a classic!

$ 200.00
Youngblood, Christopher – Lidded Jar with Swirls and Circles

Christopher Youngblood creates intricately carved vessels which reflect a perfect balance of matte and polished surfaces with intricately carved designs.   This lidded jar focuses on his carved and rounded melon swirls. There are eight sections, each swirl in an “s” shape extending vertically on the jar.  Around the top and the base are 16 circles.  Note the precision of the carving to make the perfectly round and the scalloped matte edge on the rim and the base!  The jar is highly polished and it is a striking balance of polished and matte surface.  The piece is from 2011 and it was originally sold by us and it has come back to the gallery again.  It is great to see how his creativity and technical strength has been evident for such a long period!  The jar is signed on the bottom in the clay.  It is in excellent condition with no chips, cracks, restoration or repair.  Chris is a perfectionist with the matte areas of his pottery, as they perfectly balance the highly polished designs.  Chris says that he focuses on each piece, taking the time to work on the shaped and stone polish the surface to a high shine, often polishing a piece several times to get it right. He has won numerous awards for his pottery, including the 2104 “Best of Pottery” at Santa Fe Indian Market.

$ 3,500.00
Medicine Flower, Grace & Camillio Tafoya – Red & Black Jar with Figures & Avanyu (1970’s)

This an unusual collaborative piece by Grace Medicine Flower and her father, Camilio Tafoya.  It is from the early 1970’s and it was fired “black-and-red”.  It is a distinctive firing technique where the piece is covered before the manure is put on to turn it black.  The jar was made by Camilio and polished by Grace. She would then etch the designs into the clay before it was fired.  This piece has a lightly etched avanyu on two sides.  Separating them are two red medallions.  One has a Mudhead Clown figure and the other a Rain Dancer.  There is a striking coloration of the red against the black.  It is signed on the bottom in the clay, “Grace Medicne Flower and Camilio Tafoya”.   The jar is in excellent with no chips,cracks, restoration or repair.

$ 900.00
Tafoya, Camilio –  Black & Red Jar with Feathers (1972)

This bowl by Camilio Tafoya is from 1972.  It is fully polished and the design around the shoulder is a stylized feather pattern.  The piece was then fired black-and-red.  This distinctive coloration is one that was only used by Camilio and his children Joseph Lonewolf and Grace Medicine Flower.  It was achieved during the firing, although nobody has been able to replicate the process.  Note the coloration and technique is different from the black-and-sienna colorations on pottery by artists such as Tony Da.  The contrast of the black and red is very striking on this piece.  It is signed on the bottom “Camilio Sunflower Tafoya”. It is in excellent condition with no chips, cracks, restoration or repair.

$ 350.00
Roller, Cliff – Jar with Square Neck (2002)

Cliff Roller is a son of noted potter Toni Roller. Each piece is coil built and stone polished.  This jar has a round body and an elongated square neck. The designs are carved into the negative space of the jar.  Around the neck are a tablita and wind pattern.  Around the sides are rain and kiva bowl patterns.  The jar is deeply carved and highly polished.  It is signed on the bottom in the clay, “Cliff Roller”.  This bowl is in excellent condition with no chips, cracks, restoration or repair.  While these days Cliff makes very little pottery, his work remains a statement to his skill as a potter!

$ 975.00
Begay, Jr., Harrison – Jar with Raven

Harrison Begay, Jr. has won numerous awards over the years for his deep carved pottery.  This taller jar is fully designed with ravens.  This is one of the first times we have seen him use ravens as the imagery on his pottery.  One is in flight and the other two are standing.  They are surrounded by lightning and cloud designs.  The jar is highly polished and fired a deep black.  The polished sections stand out more in contrast to the black matte areas.  Note as well the style of carving, which has a beveled appearance to the angle of the cuts into the clay. This is a very distinctive style of carving for his pottery.  The jar is signed on the bottom in the clay.

$ 1,500.00
Tafoya, Camilio – Large Carved Bowl Feather Design (1960’s)

This is is a large and classic bowl by Camilio “Sunflower” Tafoya.  He was the father of Grace Medicine Flower and Joseph Lonewolf and the brother of Margaret Tafoya.  While he is known for his miniatures this one of his larger carved bowls from the 1960’s.  The bowl is fully polished and carved with a feather pattern.  The spectacular part of this bowl is the coloration from the firing. It ranges from dark black to areas with brown and even a section that is almost silver in appearance. That coloration is very reminiscent of the firings by his mother, Sara Fina Tafoya.  The brown seems to make it’s own designs as it flows with the black and it certainly creates a much stronger and more fascinating bowl.  It is not often we see his larger carved vessels and rarely with such a great polish and surface.  The piece is signed on the bottom in the clay.  It is in very good condition with no chips, cracks, restoration or repair.  There are some light surface scratches.  It is signed on the bottom.

$ 1,000.00
Lonewolf, Joseph – “Mimbres Cricket” Seedpot (1997)

This seedpot by Joseph Lonewolf is from 1997.  The piece is entitled, “Mimbres Cricket”.  It includes a signed version of the card which Joseph made for each of his miniatures.  This piece was actually made for our show at the gallery with Joseph and Grace Medicine Flower in 1998.   Joseph wrote partially of this piece:

“Portrayed from a side view is a cricket representative of the Mimbres Period – 10th to 14th centuries.  The cricket – an insect related to the locust and grasshopper, but usually having long antennae – appears to be leaping in mid-air.  Beneath the Mimbres cricket is highly polished red slipwork (Mother Earth) which encompasses the extreme front, partial sides, back side and a portion of the top.”

The butterfly is symbolic of beauty and the the interlocking rings medallion represents the attachment between friends and was the yearly symbol for 1997.  Beginning in the early 1970’s, Joseph Lonewolf revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs.  The piece is signed on the bottom and includes the signed artist card.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,500.00
Lonewolf, Joseph – “Anasazi Potter & Butterflies” Seedpot

This seedpot by Joseph Lonewolf is from around 2000.  The piece is one of his few black fired pieces.  It is fully eteched with a potter working on painting a piece of pottery.  They are surrounded by several other pieces of finished pottery.  Above the figure are butterflies.  Each butterfly is detailed and has various clay-colored slips.  There is a small butterfly etched into the black along with the yearly symbol.  It is a more complex design, both in the figure and as well as the colors.  It is signed on the bottom.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 2,800.00
Tafoya, Camilio – Mini Seedpot Eagle Feather Pattern (1975)

This miniature seedpot by Camilio Tafoya is from 1975. It is etched with a feather pattern around the neck. The area below the design is fully polished red.  It is signed on the bottom “Camilio Sunflower Tafoya”. It is in excellent condition with no chips, cracks, restoration or repair.

$ 175.00
Speckled Rock, Adam – Jar with Bluebirds

Adam Speckled Rock is the son of noted potters Paul Speckled Rock and Rosemary Lonewolf.  He is a grandson of Joseph Lonewolf and a great-grandson of both Severa Tafoya and Camilio Tafoya.  This tall jar is fully polished below the shoulder and matte above.  The design is a series of bluebirds in the reeds.  The design is etched into the clay and additional clay colors are added to highlight the designs. The jar is signed on the bottom in the clay.  It is in very good condition with no chips, cracks, restoration or repair.

$ 250.00
Tafoya, Camilio – Seedpot with Trout, Otter & Skunk (1995)

This seedpot by Camilio Tafoya is from 1995. It is the last series of pieces he made.  It was fully polished and etched with an otter, trout, and skunk.  There is a simplicity and playfulness to the designs.  The various colors are derived from natural clay slips.  It is signed on the bottom “Camilio Sunflower Tafoya”. It is in excellent condition with no chips, cracks, restoration or repair.

$ 500.00
Folwell, Polly Rose – Jar with Bird and X’s

Polly Rose Folwell is known for use of classic designs on her traditional inspired Santa Clara pottery. This jar has a wide shoulder and an elongated neck.  It is fully polished and fired brown. The rim is carved with a mountain design, which is then replicated in an incised mountain design around the neck.  There is a single bird etched into the clay.  Below the birds are the Folwell family “x’s”, which are often found on their pottery.  The jar is signed on the bottom in the clay.

$ 600.00
Ebelacker, Jason – Large Storage Jar with Bear Paws

This storage jar is one of the classic shapes by Jason Ebelacker. He is a son of Richard Ebelacker and grandson of Virginia Ebelacker.  His father and grandmother were both known for their storage jar shapes, as well as his great-grandmother, Magaret Tafoya.  Jason creates a similar form with the high shoulder and the small neck. The distinctive shape gives the jar a feeling of size and width. The jar has two bear paws impressed into the clay and they are fully polished, as is the entire surface of the jar.  The bear paws are symbolic of a Santa Clara story where a bear led the Pueblo people to water during a drought.  This jar is as much historic as it is modern in appearance.  The jar is traditionally fired black.   Jason is certainly one of the younger potters to watch!

$ 3,000.00
Lonewolf, Joseph – Jar with Avanyu (1971)

Joseph Lonewolf began making pottery in 1970-1.  This is a very early piece of his pottery.  It is a more classic shape with a wide shoulder which slopes upward.  The bottom half of the piece is fully polished. The top is etched with a water serpent (avanyu) with a feather pattern, which is the style used by him and his family.  The matte background area is deeply etched swirls up from the shoulder and over the rim.  It must have been exciting in 1971 to see work that was so new and unique at the time!  This piece is in perfect condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay.

$ 1,200.00
Romero, Susan “Snowflake” – Parrot Seedpot

Susan “Snowflake” Romero’s pottery is highly polished and intricately etched with detailed imagery.  Many of her skills are ones that she learned from her father, Joseph Lonewolf. This seedpot has two Mimbres inspired parrots on the top of the piece. They are etched so the surface is both matte and polished. On the side is a hummingbird etched in the Pueblo style. It is in perfect condition with no chips, cracks, restoration or repair and signed on the bottom.

$ 600.00
Garcia, Tammy – “Seeded Woman I” Bronze.  Ed. 4/35

Tammy Garcia is known for her amazing pottery, as well as the creativity of her bronzes. This bronze is taken from a series of clay pieces which she made which were inspired by the paintings of Picasso.  The imagery is a Picasso-esqe woman sitting in a chair.  The piece has multiple layers and textures.  When asked about the name and the imagery, Tammy said:

“I thought about a definition of the word, “seed” which I had read.  It was, ‘A seed is the small, hard part of a plant from which a new plant grows’.  It made me think of women who came to the Southwest when the trains arrived in the 1880’s, or with the Fred Harvey Tours in the 1920’s.  They brought with them their past but became enamored with the Southwest or Native Culture. So on the bronze, the woman is sitting on a chair and the back of the chair is incised with Pueblo designs.  The side has areas which were inlaid hei-shi beads.  These women became the seeds of new interest in the area and culture. They spread this love of the Southwest just like a seed.  I called this, “Seeded Woman I”.  It is the first in this series to pay tribute to those how become aware of Native culture, respect it and spread their love of the art and artists to the world.”.

The piece has striking patinas to differentiate the various textures and depths of carving.  Much like her clay work, the piece is distinctive in style and yet very sharply defined.  This piece is 4/35 and it is signed and numbered on the bottom by Tammy Garcia. Simply a striking piece by one of today’s great potters with a lot of thought behind it!

$ 1,200.00
Garcia, Tammy – “Seeded Woman II” Bronze.  4/35

Tammy Garcia is known for her amazing pottery, as well as the creativity of her bronzes. This bronze is taken from a series of clay pieces which she made which were inspired by the paintings of Picasso.  The imagery is a Picasso-esqe woman sitting in a chair.  The piece has multiple layers and textures.  When asked about the name and the imagery, Tammy said:

“I thought about a definition of the word, “seed” which I had read.  It was, ‘A seed is the small, hard part of a plant from which a new plant grows’.  It made me think of women who came to the Southwest when the trains arrived in the 1880’s, or with the Fred Harvey Tours in the 1920’s.  They brought with them their past but became enamored with the Southwest or Native Culture. So on the bronze, the woman is sitting on a chair and the back of the chair is incised with Pueblo designs.  The chair itself is has a turquoise colored patina to represent the areas. The woman on one side has a hei-shi necklace and the other a turquoise colored necklace.  These are representative of how those who journeyed and continue to visit here have the culture become an integral part of their lives.  They have become seeds who spread their affection for the Southwest and Native art around the world.  I called this, “Seeded Woman II”.  It is the second in this series to pay tribute to those how become aware of Native culture, respect it and spread their love of the art and artists to the world.”.

The piece has striking patinas to differentiate the various textures and depths of carving.  Much like her clay work, the piece is distinctive in style and yet very sharply defined.  This piece is 4/35 and it is signed and numbered on the bottom by Tammy Garcia. Simply a striking piece by one of today’s great potters with a lot of thought behind it!

$ 1,200.00
Archuleta,  Mary Ester – Red Bowl with Bear Paws

Mary Ester Archuleta is the second youngest daughter of Margaret Tafoya.  She has never made a lot of pottery, and most of it was in the 1970’s and 1980’s. A majority of her pottery was inspired by the incised San Juan style of pottery as she married into San Juan and lived there.  This bowl is a classic round shape with bear paws as the design.  It is perfectly polished and a stunning deep red color.  It is signed on the bottom in the clay, “Mary Archuleta.”  It is in perfect condition with no chips, cracks, restoration or repair.

$ 950.00
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