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Taos Pottery

Taos Pottery

Taos Pottery of Taos Pueblo, English Pronunciation: "Tä os" (like Laos) Traditional Name: Tuah-Tah Taos Pueblo today stands as the largest surviving multistoried Pueblo structure in the United States. It has endured even after 400 years of Spanish and Anglo presence. The crystal clear waters of the Rio Pueblo, which originate high in the mountains at the sacred Blue Lake, still serves as tje primary source for drinking and irrigation. To visit Taos is to experience the spirit and unique way of life that continues much as it has for nearly ten centuries.

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Vigil, Albert & Josephine – Large Jar with Avanyu (1960’s)

Albert and Josephine Vigil worked together on their pottery. Albert Vigil (1927-2009) was the son of painter Romando Vigil, one of the members of the San Ildefonso School of watercolor artists.  He as also a nephew of Maria Martinez. His wife was Josephine Cordova Vigil (1927-2001) from Taos Pueblo. She moved to San Ildefonso when she married Albert. Josephine learned pottery making by watching her aunts-in-law Maria Martinez and Clara Montoya. Maria taught her how to shape the clay and Clara taught her how to polish.  They began making pottery in 1945.  This is a larger piece of their pottery with a wide shoulder and a sloping neck.  The jar is painted with a water serpent which encircles the piece.  It is a complex design and note the clouds around the rim of the bowl.  The bottom of the bowl is also painted with a feather pattern.  It is signed on the bottom in the clay, “Albert + Josephine”.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 975.00
Vigil, Albert & Josephine – Jar with Feather Pattern (1970’s)

Albert and Josephine Vigil worked together on their pottery. Albert Vigil (1927-2009) was the son of painter Romando Vigil, one of the members of the San Ildefonso School of watercolor artists.  He as also a nephew of Maria Martinez. His wife was Josephine Cordova Vigil (1927-2001) from Taos Pueblo. She moved to San Ildefonso when she married Albert. Josephine learned pottery making by watching her aunts-in-law Maria Martinez and Clara Montoya. Maria taught her how to shape the clay and Clara taught her how to polish.  They began making pottery in 1945.  This  This is a larger piece of their pottery with a wide shoulder and an elongated neck. The jar is painted with a feather pattern which extends down from the neck to the shoulder.  It is signed on the bottom in the clay, “Albert + Josephine”.  It is in excellent condition with no chips, cracks, restoration or repair

 

$ 875.00
Sale!
King, Charles S., “Spoken Through Clay”

Spoken Through Clay

A NEW  RELEASE SPECIAL:  $95.00, including shipping (US)! Check out the new review in the Denver Post!

 Just a few things which make this book unique!
*   The size!  The book is 11.75″ x 14.25″ and weights over 8 pounds!
*  The photography of the pottery is stunning, emphasizing the individual pieces.
*  Each caption is the artist discussing the individual piece on the page.
*  The artist “biographies” are from interviews with the artists and they discuss their art, culture, lives and history.
*  Organization: The book is not organized by pueblo or family, but entails new ways to think about the future of Native pottery.
*  Printing in Italy gives the book very high quality color and paper.
* The photos of the living artists were taken by Will Wilson using a tin-type process. He was a recipient of the 2107 New Mexico Governor’s Award for the Arts in photography!
*  The book features work by more than 30 contemporary potters and more than a dozen important historic potters.
*  There are essays by myself, Peter Held and Eric Dobkin.  They add to the overall understanding of the project a historic perspective.

_____________________________________________

August 18, Pasatiempo Review

“Charles S. King’s new book, Spoken Through Clay: Native Pottery in the Southwest, The Eric S. Dobkin Collection, is spectacularly heavy —which is a problem from a practical standpoint, because once you open it, you won’t want to put it down. With dreamy tintype artist portraits by Diné photographer Will Wilson, dazzlingly crisp images from Addison Doty, and intimate first-person essays written by dozens of artists, the book is a visually delicious, intellectually consuming foray into historic and contemporary Southwestern pottery. In short, prepare to swoon.

If you’re thinking of this as a coffee-table book, you’ll need to imagine a decently sized coffee table. The book is more than a foot tall and, when opened, two feet wide, but its outsize appearance belies the often delicate beauty of its contents: hundreds of individual pieces of pottery from Eric S. Dobkin’s exquisitely curated collection — arguably the largest and most important of its kind. Gallery owner, author, and Pueblo pottery expert King designed Spoken Through Clay to be approachable for those unfamiliar with Native American pottery. “In the age of social media, I wanted to make the book both visually striking and personal,” King said. The book opens with essays by King, Dobkin, and curator Peter Held, who calls clay “the most archival of materials … seductive, sensuous, responsive, geologic, and malleable.”

“I wanted the end result of the book to be that the reader would connect with the artists in a personal way, beyond just the art, and understand the time it takes to become an artist, to achieve success,” King said. Sprawling yet intimate, Spoken Through Clay introduces its readers not just to the beauty of Southwestern pottery but also to the fascinating stories of the people who make it.Iris McLister, Pasatiempo

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“It’s one of the things that makes us who we are. It’s what holds our family together. We are a family of potters. It’s our identity. People don’t realize how much work goes into it just processing the clay and making it. You have to do it with your heart.”—Linda Tafoya-Sanchez

 

FEATURED ARTISTS Grace Medicine Flower • Dextra Quotskuyva • Autumn Borts-Medlock • Jody Naranjo • Harrison Begay Jr. • Jordan Roller • Sara Fina Tafoya • Lonnie Vigil • Margaret Tafoya • Steve Lucas • LuAnn Tafoya • Loren Ami • Toni Roller • Popovi Da • Linda Tafoya-Sanchez • Mark Tahbo • James Ebelacker• Yvonne Lucas • Jeff Roller • Lisa Holt • Harlan Reano • Nampeyo • Jacquie Stevens • Nathan Youngblood • Jacob Koopee Jr. • Jennifer Moquino • Christopher Youngblood • Maria Martinez • Tony Da • Tammy Garcia • Virgil Ortiz • Joseph Lonewolf • Johnathan Naranjo • Nancy Youngblood • Les Namingha • Russell Sanchez • Christine McHorse • Richard Zane Smith • Rondina Huma • Susan Folwell • Dominique Toya • Jody Folwell

Spoken Through Clay features the pottery of iconic Native American artists from historic potters Nampeyo and Maria Martinez, to contemporary potters Tammy Garcia, Virgil Ortiz, and many others, are featured in a new book published by the Museum of New Mexico Press. Spoken Through Clay: Native Pottery of the Southwest showcases nearly three hundred pottery vessels from the acclaimed Eric S. Dobkin Collection, covering a wide range of mostly Pueblo artists from the Southwest.

“The physical scale of the vessels combined with the depth of the contemporary collection [is] breathtaking,” says author Charles S. King. The book is part of a “transitional process of looking to the clay, the vessel, and the potter’s voice and allowing the pieces to stand on the merit of their artistic integrity.”

The book includes portraits and voices of renowned potters speaking about their artistry and technique, families, culture, and traditions. Many of the artists are connected by Pueblos, generations, or family members. Dynamic color photography captures the depth and dimension of the pieces, while the artists provide an illuminating perspective through narrative captions. Artists, academics, collectors, family members, and gallerists add additional insight about the lives, historical context, and importance of these potters and their work.

SPOKEN THROUGH CLAY Native Pottery of the Southwest The Eric S. Dobkin Collection
By Charles S. King Essay by Peter Held

Artist portraits by Will Wilson
ISBN: 978-0-89013-624-9

352 pages, 320 color plates, 40 artist portraits

Publication Date: August 01, 2017
ABOUT THE AUTHOR Charles S. King is the author of Born of Fire: The Life and Pottery of Margaret Tafoya, The Life and Art of Tony Da, Virgil Ortiz: Revolt 1680/2180, and numerous articles on Pueblo pottery. He has served on boards of art associations, judged pottery at prestigious events, and lectures about the art form. His business King Galleries represents many of today’s leading Native potters and important historic works in clay. Charles lives in Scottsdale, Arizona.

$ 125.00 $ 95.00
Romero, Mike – Steatite Eagle Fetish

Mike Romero is from Taos Pueblo and married to potter Susan “Snowflake” Romero.  While he helped with her pottery over the years, he also carved fetish figures.  This eagle is carved from steatite and there is a fetish bundle around the neck.  He has an amazing old-style type of carving.  Mike rarely carves today, the piece is from a collection from the 1990’s.

$ 55.00
Romero, Mike – Steatite Sparrow Fetish

Mike Romero is from Taos Pueblo and married to potter Susan “Snowflake” Romero.  While he helped with her pottery over the years, he also carved fetish figures.  This sparrow is carved from steatite and there is a fetish bundle around the neck.  He has an amazing old-style type of carving.  Mike rarely carves today, the piece is from a collection from the 1990’s.

$ 55.00
McHorse, Joel — “Hindsight” Bowl with Lid

This bowl is made of micaceous clay and reduction fired.  The lid fits perfectly and it is surmounted by silver finial which Joel has made.  Amazingly, he is as much a jeweler as a potter and an architect!  This bowl is called, “Hindsight” and the shape of the silver piece captures the name perfectly!  The silver piece is made from the lost wax method in which he carves out the shape in wax and then casts it in silver.  It is attached using padded screws so that it will not damage the clay.  The shape and motion of the silver work creates a very organic appearance in combination with the simplicity and sparkle of the black fired micaceous clay.  Joel’s pottery can be found in museums such as the IAIA Museum, the Boston Museum of Fine Arts/Peabody Essex and the Heard Museum.  His work is unique and timely and definitely a potter to watch!

$ 3,200.00
McHorse, Joel — “Symphony” Mica Bowl w/ Silver Lid

This bowl is made of micaceous clay and reduction fired.  The lid fits perfectly and it is surmounted by silver finial which Joel has made.  Amazingly, he is as much a jeweler as a potter and an architect!  This bowl is called, “Symphony” and the finial for the lid is silver and made from the lost wax method.  The silver is attached to the lid using padded screws so that it will not damage the clay.  The shape and motion of the silver work creates a dynamic sense of motion especially in combination with the simplicity and sparkle of the black fired micaceous clay.  Joel’s pottery can be found in museums such as the IAIA Museum, the Boston Museum of Fine Arts/Peabody Essex and the Heard Museum.  His work is unique and timely and definitely a potter to watch!

$ 8,800.00
McHorse, Joel — “Deconstruction” Mica Bowl w/ Silver Lid

This bowl by Joel McHorse is made of micaceous clay and reduction fired.  The lid fits perfectly and it is surmounted by silver finial which Joel has made.  Amazingly, he is as much a jeweler as a potter and an architect!  This bowl is called, “Deconstruction” and the finial for the lid is silver and made from the lost wax method.  The silver is attached to the lid using padded screws so that it will not damage the clay.  The lid on this piece is oxidized sterling silver with a textured feel.  The shape brings to mind traditional handles on lidded clay pots.  Joel’s pottery can be found in museums such as the IAIA Museum, the Boston Museum of Fine Arts/Peabody Essex and the Heard Museum.  His work is unique and timely and definitely a potter to watch!

$ 3,800.00
McHorse, Joel — “Silver Flower” Lidded Jar

Joel learned to make pottery from his mother, Christine McHorse.  His early work was a combination of traditional Navajo shapes and incised designs along this his own distinctive silver work that he used an finials on the lids. This is a classic jar with a perfectly fit lid made from micaceous clay and reduction fired.  The silver pieces for the lid are created using the lost wax method of casting. There are three vertical infinity symbols which are soldered together to create the flower design.  It is a brilliant use of various designs to create a new form!  The petal/flower motif as well works in balance with the shape of the jar  and the coloration from the firing.  There is an architectural appearance to them and a somewhat art-deco feel in their connection to the vessel itself.  Not surprisingly Joel is as much an architect as a potter.  He took nearly a decade away from the clay to become an architect.  Joel said of his early work, “The successes of form and composition that I see in my pottery I try to utilized in my architecture.”  The opposite could be said today as the success of his architectural career have created a new direction in his work in the clay and especially in silver.

$ 3,600.00
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