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King Galleries of Scottsdale is pleased to represent the Pueblo pottery of many of today's leading potters. Over the years we have taken the time to get to know each of our gallery artists. As each new piece comes into the gallery, we talk with the artist, finding out about the time and thought that goes into their work. It is important with contemporary pottery to understand the designs and motivation of the artist and their work. Over time, we feel as if we not only have a business relationship with most of the potters, but also a friendship. Our collection of contemporary pottery spans a variety of Pueblos and Tribes. It ranges from traditionalist work being made today to more "edgy" and innovative pottery art that is changing how the next generation will view American Indian art. Enjoy!

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Sale!
Ami, Dorothy – Large Jar Hopi Birds

Dorothy Ami is a cousin of noted potter Mark Tahbo. This is one of her larger jars.  It is intricately painted with a series of Hopi birds encircling the piece.  The top and bottom have triangular geometric patterns. The birds are painted with red, burdundy and while clay slips. The black is bee-weed (a plant).  The large size and the dynamic designs flow beautifully on the surface of this piece!  It has been traditionally fired so there are blushes on the surface. It is signed on the bottom in the clay.

$ 1,400.00 $ 1,100.00
Sale!
Ami, Loren – Bowl with Old Style Moths

Loren Ami’s pottery is inspired by traditional Hopi designs and forms. Each piece is coil built, painted with native clays (red) and bee-weed (black) and outdoor fired.  This bowl is stone polished and painted with four butterflies or moths as the design.  This is a fascinating use of a very old design.  The body of the each moth is in the center and the wings are polished red. It is the head of each moth which is the mouth of the bowl!  Loren has perfectly used the form of the bowl to become part of his design.  The bowl is traditionally fired which creates the blushes on the surface.  Loren is certainly one of the traditionalist Hopi-Tewa potters to watch, as each new piece reveals his strength as both a potter and an artist!

$ 350.00 $ 175.00
Sale!
Ami, Loren – Eagle Tail Seedpot

Loren Ami’s pottery is inspired by traditional Hopi designs and forms. Each piece is coil built, painted with native clays (red) and bee-weed (black) and outdoor fired.  This seedpot shaped bowl has a small opening. It is painted with the classic eagle tail design. The eagle tails sweep down over the side of the bowl. It has been traditionally fired which creates the blushes on the surface. It is signed on the bottom.

$ 350.00 $ 200.00
Ami, Loren – Hilili Katsina Jar

Loren Ami’s pottery is inspired by traditional Hopi designs and forms. Each piece is coil built, painted with native clays (red) and bee-weed (black) and outdoor fired.  This jar is one of his classic shapes with a wide shoulder and a turned out neck.  Loren said that the design on this jar was inspired by the Hilili Katsina.  The are inspired by the mask worn by the katsina.  The Hilili Katsina’s name comes from the call or noise that he makes. He is a Guard Kachina, who is mainly seen holding Yucca whips. He has become a popular guard at the ceremonies due to his dancing style. He can bee seen in the Powamu and Night dances.  The jar has been traditionally fired which creates the blushes on the surface.  Note the use of the mica in the red clay slip!  It is signed on the bottom.

$ 525.00
Sale!
Ami, Loren – Jar with Fox Design

Loren Ami’s pottery is inspired by traditional Hopi designs and forms. Each piece is coil built, painted with native clays (red) and bee-weed (black) and outdoor fired.  This jar is one of his classic shapes with a wide shoulder and a turned out neck. The neck of the jar is slipped with a micaceous red clay. The design on the jar are a series of foxes, which are a classic design from Nampeyo of Hano.  Note the use of the additional red and white clay slips on the body of the figures.  The jar has been traditionally fired which creates the blushes on the surface. It is signed on the bottom.

$ 550.00 $ 375.00
Sale!
Ami, Loren – Jar with Spider Design

Loren Ami’s pottery is inspired by traditional Hopi designs and forms. Each piece is coil built, painted with native clays (red) and bee-weed (black) and outdoor fired.  This jar is one of his classic shapes with a wide shoulder and a turned out neck. The neck of the jar is slipped with a micaceous red clay. The design on the jar is very traditional series spiders on two sides.  This is a design which was often used by Nampeyo of Hano.  The two larger spiders are represented by both male and female.  The opposite two sides have more stylized spider motifs.  This jar is also symbolic as Loren is also spider clan.   Note as well that he also used an additional darker brown slip.  The is a small area where the jar has fired a darker almost black in the center of the spider.  The jar has been priced accordingly.  It has been traditionally fired to create the blushes on the surface. It is signed on the bottom.

$ 700.00 $ 475.00
Appleleaf, Martha Fender – Green-on-Black Water Jar

Martha Appleleaf learned to make pottery from her mother, Carmelita Vigil Dunlap. Today she continues to create distinctive pottery with traditional designs.  This is a classic shaped water jar with a sharp shoulder and a micaceous clay rim. The jar has been painted with a green clay slip, which has a very subtle green coloration after the firing. The design is a feather pattern around the shoulder and a prayer feather design around the neck.  Below the shoulder are tadpoles. The jar is signed on the bottom in the clay.

$ 850.00
Sale!
Aragon, Dolores – Mini Seedpot with Flower Design

Dolores Aragon is known for her miniature pottery. This small seedpot is painted with a flower pattern on the top. The design extends outward with additional flower petals.  While it is small, it is beautifully painted!  It is signed on the bottom.

$ 150.00 $ 100.00
Aragon, Rachel – Fine Line Water Jar with Birds

Rachel Aragon is one of the remaining traditionalist potters working at Acoma.  Born in 1938, she is still making pottery at almost 80 years old!  Her classic olla (water jar) shapes have long been the standard for Acoma pottery, as well as her stunning painting. This jar is a new piece and while not quite as refined as some from the past, it still captures a dynamic strength to the shape and design.  The classic water jar from Acoma has the high shoulder and the slight neck.  It’s the painting, however, which is so beautiful on this jar!  There are small sections with classic parrots in panels.  However, it is the larger thunderbirds which rise up to the rim and are filled in with fine lines which capture the eye.  They swirl and round and energize this elegant jar.  It has the traditional concave base which was to make the jar wearable on the head.  It is signed on the bottom in the clay.

$ 750.00
Aragon, Rachel – Jar with Parrots

Rachel Aragon is known for her classic Acoma pottery.  This water jar is a classic Acoma shape with a high shoulder and slightly turned in neck.  The jar has birds on two sides and the remainder is painted with a very intricate fine-line pattern.  The delicate lines are inspired by classic Acoma pottery from the late 1800’s.  The jar is signed on the bottom in the clay.

$ 400.00
Archuleta,  Mary Ester – Large Black Mellon Bowl

Mary Ester Archuleta is the second youngest daughter of Margaret Tafoya.  While she no longer makes pottery she was active in the 1970’s and 1980’s.  Much of her pottery was inspired by the incised San Juan style of pottery as she married into San Juan and lived there.   This is one of her carved melon bowls.  It is a beautiful shape and highly polished.  There are 21 ribs on the bowl and each is carved into the clay and separated by a matte band.  It is perfectly polished and a stunning black mellon.  It is signed on the bottom in the clay, “Mary E. Archuleta.  It is in perfect condition with no chips, cracks, restoration or repair.

$ 1,275.00
Archuleta,  Mary Ester – Red Bowl with Bear Paws

Mary Ester Archuleta is the second youngest daughter of Margaret Tafoya.  She has never made a lot of pottery and most of it was in the 1970’s and 1980’s. A majority of her pottery was inspired by the incised San Juan style of pottery as she married into San Juan and lived there.  This bowl is a classic round shape with bear paws as the design.  It is perfectly polished and a stunning deep red color.  It is signed on the bottom in the clay, “Mary Archuleta”.  It is in perfect condition with no chips, cracks, restoration or repair.

$ 1,200.00
Archuleta,  Mary Ester – Red Bowl with Walking Bear Paw Design

Mary Ester Archuleta is the second youngest daughter of Margaret Tafoya.  She has never made a lot of pottery and most was in the 1970’s and 1980’s. This is a charming red polished bowl with a “walking bear paw” design which encircles the piece.  The design is deeply carved and there is a cream colored clay slip that is painted into the background area.  It is perfectly polished and a stunning deep red color.  It is signed on the bottom in the clay, “Mary E.  Archuleta.  It is in very good condition with no chips, cracks, restoration or repair.

$ 400.00
Archuleta,  Mary Ester – Red Jar with Kiva Step Pattern

This is a beautifully shaped jar by Mary Ester Archuleta.  The jar has a round body and a slightly turned out neck.  It is fully polished red and carved around the body with a kiva step design.  The carved areas are polished tan in contrast to the red of the remainder of the jar.  There is also the traditional cream colored slip painted into the carved areas.  It is signed on the bottom in the clay, “Mary E. Archuleta.  It is in perfect condition with no chips, cracks, restoration or repair.  Mary is the second youngest daughter of Margaret Tafoya.  She married into San Juan Pueblo in the late 1960’s and created most of her pieces in the San Juan inspired style.

$ 1,800.00
Baca, Alvin – “Bee Hive” Jar

Alvin Baca is known for his classic melon ribbed jars. This black jar is carved with 18 horizontal ribs.  The jar is fully polished and fired black.  Alvin says that the shape was inspired by bee hives and took the vertical lines of the melon jar and turned them horizontally.  The jar is signed on the bottom in the clay.

$ 300.00
Baca, Alvin – Black Melon Jar with 24 Ribs

Alvin Baca is known for his classic melon ribbed jars. This black jar is carved with 24 ribs.  It is fully polished even to the base! The shape is a classic for Alvin with the high shoulders but the use of the rounded neck is a new addition to his style.  The jar is signed on the bottom in the clay.

$ 275.00
Baca, Alvin – Miniature 16 Rib Melon Rib Jar

Alvin Baca is known for his classic melon ribbed jars. This red jar is one of his few miniatures.  There are sixteen ribs on the jar.  It is fully polished even to the base! The shape is a classic for Alvin with the high shoulders but the use of the rounded neck is a new addition to his style.  The jar is signed on the bottom in the clay.

$ 150.00
Baca, Alvin – Red Melon Jar with 25 Ribs

Alvin Baca is known for his classic melon ribbed jars.   He is a son of noted potter Angela Baca.  This red jar is carved with 25 ribs.  It is fully polished, including the base.  The shape is a classic for Alvin with the high shoulders but the use of the rounded neck is a new addition to his style.  The jar is signed on the bottom in the clay.

$ 300.00
Baca, Annie –  Mini Bowl with Rain & Prayer Feathers

Annie Baca is a daughter of Cesencia Tafoya and known for her miniature pottery.  This bowl is very highly polished and it is one of her classic shapes with a sharp shoulder.  There are rain and prayer feather patterns painted on the shoulder of the piece.  The glassy shine and tight painting create a beautiful and traditional Santa Clara bowl!

$ 115.00
Baca, Annie –  Mini Oval Bowl

Annie Baca is a daughter of Cesencia Tafoya and known for her miniature pottery.  This oval shaped bowl is very highly polished.  Typical of her work it is formed with a very sharp shoulder.  The designs are painted onto the polished surface.  Looking at the bowl, there are cloud, rain and lightning patterns.  The glassy shine and tight painting create a beautiful and traditional Santa Clara bowl!

$ 125.00
Begay, Jr., Harrison – Brown Jar with Bears

While living at Santa Clara Pueblo, Harrison Begay, Jr. learned to make Santa Clara style carved and polished pottery.  This jar is carved with a story scene.  There are two bears with the stars in the sky. As the jar is turned there are three rows of eagle feathers.  Finally there is a stream, cave and cloud pattern.  It is charming how the imagery changes as the piece is turned.  The designs are either polished or matte, which Harrison alternates to accentuate his imagery. Note as well the style of carving, which has a beveled appearance to the angle of the cuts into the clay. This is a very distinctive style of carving for his pottery.  This jar has been fired brown, so there are some striking color variations as the piece is turned.  Harrison has won numerous awards for his work and continues to be one of the leading innovators in Native American Indian pottery.  The jar is signed on the bottom in the clay.

$ 850.00
Begay, Jr., Harrison – Jar with Heartline Horses & Dragonflies

Harrison Begay, Jr. has won numerous awards over the years for his deep carved pottery.  This jar is carved with two heartline horses. The “heartline” represent the center and strength of the animal.  As the jar is turned there are feather patterns along with a sun, water and double dragonfly design. The dragonflies tie in perfectly with the heartline horses, as they represent the spiritual messengers.  Note with the horses the cloud patterns by their mouths, connecting them to the dragonflies.  The designs are either polished or matte, which Harrison alternates to accentuate his imagery. Note as well the style of carving, which has a beveled appearance to the angle of the cuts into the clay. This is a very distinctive style of carving for his pottery.  Harrison has won numerous awards for his work and continues to be one of the leading innovators in Native American Indian pottery.  The jar is signed on the bottom in the clay.

$ 1,500.00
Borts-Medlock, Autumn  – Box with Avanyu

Autumn Borts-Medlock is known for her often fanciful carved pottery and use of unique shapes.  The boxes are inspired by the traditional corn meal boxes which were used ceremonially. Today, few potters consider making boxes, as they are technically so difficult.  This box is very traditional with a water serpent encircling the piece. The avanyu is fully polished and the tongue is slipped with a micaceous clay.  The lid is micaceous with a polished top.  The eye of the avanyu is a single piece of Damale Turquoise inset on the back.  It is signed on the bottom in the clay.  It is striking use of traditional designs and form.

$ 3,500.00
Borts-Medlock, Autumn  – Box with Foxes

Autumn Borts-Medlock is known for her often fanciful carved pottery and use of unique shapes.  The boxes are inspired by the traditional corn meal boxes which were used ceremonially. Today, few potters consider making boxes, as they are technically so difficult.  This amazing box is a larger size and captures that amazing ability Autumn has to combine her fanciful designs with classic Santa Clara imagery.  This box has a fox craved on one side and it is fully polished.  The head and eyes are highlighted with white a mauve clays.  On either side of the fox are flower patterns which are polished and surrounded by a micaceous clay slip.  The other sides of the box have lightning pattern, rain and additional flower patterns.  Now the corners of the box where the flowers are polished, which is very complicated to achieve a good polish at that angle.  The lid is micaceous and there is a single inset piece of Damale Turquoise on the back of the fox figure.  The fox figure is sculptural and matches the fox on the box.  It is signed on the bottom in the clay.

$ 6,500.00
Borts-Medlock, Autumn  – Box with Rabbits

Autumn Borts-Medlock is known for her often fanciful carved pottery and use of unique shapes.  This box is a difficult shape to create with the flat sides.  The box has four rabbits carved into the side . Each rabbit is different and each is fully polished.  There is an additional white clay slip on the belly of each rabbit. They are surrounded by a micaceous clay  slip.  The top of the box is fully polished and has a rabbit figure.  The rabbit is matte and and has a single piece of Damale Turquoise inset on the back.  It is signed on the bottom in the clay.  It is a fanciful piece and yet chariming form and design.

$ 5,500.00
Borts-Medlock, Autumn  – Jar with Carved Avanyu

This is a classic water jar shape by Autumn Borts-Medlock.  It is carved then stone polished and fired black. The entire surface is fully carved with a water serpent which encircles the jar.  The body of the avanyu has cloud and rain patterns and there is a beautiful flow of imagery as the piece is turned. The coloration from the firing is also unique, as it is fired black, but in the light has a golden black color!  The glassy polish and the complex carving make this exceptional smaller piece of her pottery.  Note as well the depth of carving for a piece this size!! The jar is signed on the bottom in the clay.

$ 2,000.00
Borts-Medlock, Autumn  – Jar with Pueblo Dragonflies & Lid

This jar by Autumn Borts-Medlock is an exceptional shape with flat sides and a round base.  It is fully carved with Pueblo style dragonflies on two sides. The other two sides have cloud and bird patterns carved into the clay. The entire piece is fully polished with small areas of matte to contrast with the shine of the polish.  The lid is also unusual with a twist for the top and sections on the end which extend down over the side of the jar!  The jar is beautifully stone polished and an exceptional example of Autumn’s innovative style

$ 4,800.00
Borts-Medlock, Autumn  – Oval Seedpot with Cloud Designs

Autumn Borts-Medlock is known for her often fanciful carved pottery and use of unique shapes.  This seedpot is oval in shape.  It is fully carved with cloud pattern on one end.  The clouds are polished tan and matte. Above the clouds are circular rain drops and a triangular sun pattern. As the seedpot is turned there is a galaxy style swirling behind the rays of the sun. The bottom has an additional swirl of clouds.  Note the depth of the carving and the various shapes and use of different clay slips.  Exceptional! It is signed on the bottom in the clay.

$ 1,500.00
Borts-Medlock, Autumn  – Seedpot with Flowers

Autumn Borts-Medlock is known for her often fanciful carved pottery and use of unique shapes.  This seedpot is fully carved with three flowers as the design.  The flowers are each fully polished and there is a white clay slip used for the center of each.  She has also used a green clay slip for the leaves of the plants.  Separating each fo the flowers are swirling cloud designs.  Above the flowers is a lighting, cloud and rain design polished red.  She has carved her signature “circles” into the clay and they are highlighted with a mauve clay slip.  Note as well how she has used a micaceous clay slip for the background matte area.  This adds just a bit of sparkle to the piece in the right light!  The bowl is nearly completely carved!  In addition, the carving is sharp and it has an amazing feel when it is held.  It is signed on the bottom in the clay.

$ 2,200.00
Borts-Medlock, Autumn & Linda Cain  – Elk Skull Jar with Turquoise

This is a extraordinary piece by Autumn Borts-Medlock and her mother, Linda Cain. Over the years they have created some extraordinary collaborative pieces.  This jar has a carved elk skull which is deeply carved, etched and highlighted with a white clay slip on the front of the piece.  The antlers of the elk are also carved and polished red.  In the center of the skull is a large inset piece of turquoise.  As the jar is turned, the antlers extend to the back and there are two crossed arrows with a single inset piece of turquoise.  The area surrounding the carved surfaces has a micaceous clay slip. The use of the mica is a perfect contrast to the polished surfaces.  The top of the jar is carved with a kiva step pattern.  The scale of the jar along with the complexity of the carving make this a exceptional piece of their art.  Autumn is a sister of noted potter Tammy Garcia.  Both Autumn and Linda have won numerous awards for their pottery, recognizing their creative and contemporary style of carving.

$ 6,500.00
Borts-Medlock, Autumn & Linda Cain  – Large Asymmtrical Figurative Jar

This is a fascinating piece by Autumn Borts-Medlock and her mother, Linda Cain. Over the years they have created some extraordinary collaborative pieces.  This large jar is very feminine in shape and this follows through to the design.  The jar has a series of women surrounded by large flowers.  The design is intricately carved into the clay.  It is polished red and tan and there are white and purple matte clay areas.  It is definitely a fun and fanciful jar!  The piece was made in 2004 and it is in excellent condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay.  The scale of the jar along with the complexity of the carving make this a exceptional piece of their art.  Autumn is a sister of noted potter Tammy Garcia.  Both Autumn and Linda have won numerous awards for their pottery, recognizing their creative and contemporary style of carving.

$ 9,800.00
Borts-Medlock, Autumn & Linda Cain  – Turtle Tall Kiva Jar

This is a extraordinary piece by Autumn Borts-Medlock and her mother, Linda Cain. Over the years they have created some extraordinary collaborative pieces.  This jar has kiva steps carved into the rim of the piece. The center of the piece is carved with a flower, which is matte and has small pin-point indentions.  The center of the flower has a turtle and a single inset piece of turquoise on its back.  There are three lightning arrows, which are polished, extruding from the petals of the flower. The remainder of the piece has a micaceous clay slip. The matte, polished and micaceous slipped areas creates a striking appearance for this jar!  Autumn is a sister of noted potter Tammy Garcia.  Both Autumn and Linda have won numerous awards for their pottery, recognizing their creative and contemporary style of carving.

$ 3,800.00
Browning, Ashley – “Generation Hands” Digital Photograph

Ashley Browning creatively uses her photographic and graphic skills to create imagery that captures a moment or life in contemporary Pueblo culture.  This digital photo is called, “Generation Hands”.  It is certainly one of the most powerful of her digital photos.  Ashley says, “The models are  (Top to bottom) Samantha Whitegeese, Mindy Little Yellow Bird, Tina Whitegeese, Michele Tapia Browning and Lu Ann Tafoya.  It is a portrait of four generations of strong women, a Student, a disabled woodworker, a corporate person, an artist and a potter. On their arms is the tewa words that represents their relations to me. So it goes from top to bottom: younger relation (no real tewa word for cousin), relation (no real tewa word for sister), aunt, mother and grandma.”  The original photo was taken and then overlayed with the words in Tewa.   The first in this series won a FirstSecond Place at Santa Fe Indian Market in 2014. There are 10 pieces in the edition and it is framed in a black frame.

$ 325.00
Browning, Ashley – “Juxtaposition” Digital Photo

Ashley Browning creatively uses her photographic and graphic skills to create imagery that captures a moment in Pueblo culture.  This digital photo is called, “Juxaposition”.  The model is Samatha Whitegeese (a daughter of Daryl Whitegeese).  Ashley says of this piece, “This photo is about young woman who is balancing her contemporary lifestyle and her traditional pueblo life. It is an everyday challenge that almost every young person deals with while going to school and participating in traditions.”  She took multiple photos of Samantha and combined them together to create this image.  The first in this series won a First Place at Santa Fe Indian Market in 2013. There are 10 pieces in the edition and it is framed in a black frame.

$ 325.00
Browning, Ashley – “NDN iPhone” Digital Photograph

Ashley Browning creatively uses her photographic and graphic skills to create imagery that captures a moment or life in contemporary Pueblo culture.  This digital photo is called, “NDN iPhone”.  The hand model is Shaandiin Tome.  Ashley says of this piece, “It has hand drawn icons that are a Native version of iPhone apps, it is placed that are set on top of Montana Tee Pees.  So cool, it should be made into an actual apps.”  Take a closer look a few of the apps, as they certain capture the life of many Native artists.  Ashley certainly has an extraordinary sense of cultural critique in her artwork.  The first in this series won a Second Place at Santa Fe Indian Market in 2015. There are 10 pieces in the edition and it is framed in a black frame.

$ 325.00
Browning, Ashley – “NDN-opoly” Digital Photograph

Ashley Browning creatively uses her photographic and graphic skills to create imagery that captures a moment or life in contemporary Pueblo culture.  This digital photo is called “NDN-opoly”.  Ashley writes of this piece, “It is a hand drawn illustration of a Native American Monopoly. It represents Pueblos (the Man on the top and the Pueblo homes), Navajos (the man in the middle holding the sheep and fry bread), and Plains Indian (the tee pees). I think this is such a cool idea they should make an actual game!”.  The first in this series won a Second Place at Santa Fe Indian Market in 2015. There are 10 pieces in the edition and it is framed in a black frame.

$ 325.00
Browning, Ashley – “Paper Doll” Digital Photo

Ashley Browning uses her photographic and innovative graphic skills to create her unique digital photo compositions. This piece is entitled, “Paper Doll” and utilized Leslie Browning Tafoya as the model.  Ashley says of this piece, “After playing with paper dolls as a child, I always wanted to play with a pueblo paper doll, especially a paper doll from my pueblo of Santa Clara. I inspired it from the summer side, where there is a mix of different style and colors.”  The piece is creative with the various traditional clothes from Santa Clara. She ended up dressing the model three different times for the clothing ‘options’.  Native People’s Magazine wrote about Ashely and this piece,

 “I like to make people feel, to remember something—experience something meaningful,” says Ashley Browning, 21, of Pojoaque and Santa Clara pueblos in New Mexico. In 2013 she won first prize at Indian Market for best computer-generated graphics with her “real-life” paper doll, which featured a digitally altered photo of her model with interchangeable traditional and contemporary attire. With it, Browning used the digital present to evoke memories of the previous generation’s analog world.”

The first piece in this series won first place ribbon at Santa Fe Indian Market in 2013.  It is an edition of 10 and framed in a black frame.

$ 325.00
Cain, Linda – Carved Jar with Avanyu

This is a beautifully carved jar by Linda Cain. The jar has a wide shoulder and a short neck.  The design in an avanyu (water serpent), which encircles the piece. The carving is deep and complicated with imagery extending up the neck.  The rim is fully polished while the neck has a micaceous clay slip. There are additional matte areas which are designed as clouds which have a mica slip.  The bottom of the jar is fully polished.  The jar is signed on the bottom in the clay.

$ 1,200.00
Cain, Linda – Jar with Avanyu & Rain Drops

This unique shape vessel by Linda Cain.  Linda is a daughter of Mary Cain and the mother of Tammy Garcia and Autumn Borts-Medlock.  It is carved with an avanyu on one side, with a very stylized circular appearance.  The opposite side has a water design carved into the clay.  The carved areas are polished red while the remainder of the jar is a matte tan.  The contrast of the matte and polished surfaces creates a striking distinction and emphasizes the imagery.

$ 1,100.00
Cain, Linda – Lidded Square Seedpot with Bird & Clouds

This is an intricately carved square seedpot by Linda Cain.  She is a daughter of Mary Cain and the mother of potters Tammy Garcia and Autumn Borts-Medlock. This seedpot has flat sides and each side is deeply carved with designs.  There is a bird. cloud and rain designs. She has used polished and micaceous surfaces to create visual contrasting with her carved designs.  The top of the seedpot has a flower pattern and the lid is the stem of the flower, creating an unique 3D appearance.  The seedpot is signed on the bottom.

$ 1,800.00
Cain, Linda – Miniature Jar with Avanyu

This is an intricately carved miniature jar by Linda Cain. Linda is a daughter of Mary Cain and the mother of Tammy Garcia and Autumn Borts-Medlock.  The jar has a striking round shape with a carved avanyu as the design. The neck is carved with asymmetrical feathers.  She has created a distinctive contrast between the matte and polished surfaces.  For such a small piece, she has carved deeply into the clay, which is always more difficult.  The jar is signed on the bottom.

$ 800.00
Cain, Linda – Mountain Lion Jar

This is one of the larger pieces we have had by Linda Cain.  She is the mother of noted potters Tammy Garcia and Autumn Borts-Medlock.  The jar is very deeply carved with two mountain lions as the design.  They are both inside the cave and the tan micaceous rectangular “door” is the opening to the mouth of the cave.  The neck of the jar is also micaceous and the rim of the jar is polished red.  The two mountain lion figures are surrounded by carved geometric patterns.  The contrast of the polished red surface and the micaceous slips is visually striking.  The wonderful story of this jar is certainly enchanting in both the shape and design.  The jar is signed on the bottom in the clay.

$ 3,800.00
Candelaria, Daryl – Pottery “Shard” Design Bowl

Daryl Candelaria is one of the few potters working at San Felipe Pueblo.  He studied both historic and contemporary pottery at the School of American Research in Santa Fe, NM.  This jar is one of his classic “Shard” pots.  It is coil built and each of the “shards” is carved into the clay.  What makes it so extraordinary is that each shard is either painted, polished or carved in a representative manner the various Pueblos.  Few potters have the technical ability to create so many diverse surfaces, let alone on one vessel!  As the jar is turned the classic Zia, Jemez and Hopi designs.  The carved and polished red section with the avanyu head is reminiscent of San Ildefonso.  The figure and parrot are inspired by the Awatovi murals.  There are San Felipe geometric designs along with a red polished and micaceous section.  Note as well the red-on-red section and the black-on-black section.  Amazingly the various styles and techniques blend beautifully on the jar.   It is signed by the artist and it is in excellent condition with no chips, cracks, restoration or repair.  What a perfect way to portray the history and techniques of Pueblo pottery in one vessel!

$ 1,800.00
Candelario, Hubert – Puzzle Seedpot (2004)

Hubert Candelario is one of the few potters working at San Felipe Pueblo.  This is one of his “puzzle pots” which has a deeply carved design which encircles the entire surface of the piece.  The interior of the carved designs is slipped with a black mineral clay.  The surface is slipped with a micaceous clay which gives it the color and shine.  There is a modern fell about this unique design which has a very free flowing motion across the surface of the seedpot.  This seedpot is from 2004 and it is in excellent condition with no chips, cracks restoration or repair.

$ 1,200.00
Cerno, Barbara & Joseph  – Large Jar with Parrots & Rainbow

Barbara & Joseph Cerno are known for their large coil built vessels.  This large jar is a striking shape and painted with  birds and surrounded by rainbows.  The various colors are derived from natural clay slips.  The flow of design and the intricacy of the painting is simply stunning!   The jar is from 1986 and it is in very good condition with no chips, cracks, restoration or repair. There is some spalling from the clay which can be seen in the photos.   Barbara & Joseph remain among the most renown contemporary Acoma potters for their revival of historic patterns..

$ 3,500.00
Chavarria, Denise – Lightning Rib Melon jar

Denise Chavarria is a daughter of noted potter Stella Chavarria.  This jar has vertical melon ribs. On one section there is a Lightning band. The jar is highly polished and fired it a deep black.  It is signed on the bottom.

$ 125.00
Chinana, Lorraine – Bowl with “Op-Art” Butterfly Design

Lorraine Chinana (b. 1955) has been making pottery since 1981.  She learned to make pottery from her grandmother Reyes S. Toya.  This bowl is fully polished and etched into the clay with an “op-art” style of design of butterflies.  Each wing of the butterfly is connected to the next.  It is a delicate but beautiful pattern.  The bowl is signed on the bottom in the clay.

$ 100.00
Cling, Alice –  Jar with Asymmetrical Rim

This jar by Alice Cling has a narrow base and has an asymmetrical rim. The idea is that the rim looks like the mountains and mesas in the Southwest.  This jar is fully polished red and then fired outdoors.  The striking variation in the color are from the smoke and fire.   The colors on this piece are extraordinary as there are areas which range from red to black.  The piece was covered in pine-pitch after the firing, a continuation of the traditional Navajo pottery when pitch was used to make the pottery water proof. Alice has won numerous awards for her pottery and been featured in books such as “Legacy of Generations.”

$ 225.00
Cling, Alice – Lightning Rim Jar with Green Rim

This jar by Alice Cling has a lightning carved shape to the rim.  The remainder of the jar is highly polished red but note that she has added a band of green clay slip around the rim of the jar.  It creates a striking visual contrast after the firing.  The jar is traditionally fired and ranges in color from deep red to black. The piece was covered in pine-pitch after the firing, a continuation of the traditional Navajo pottery when pitch was used to make the pottery water proof. Alice has won numerous awards for her pottery and been featured in books such as “Legacy of Generations.”

$ 225.00
Cling, Alice – Long Neck Jar

This jar by Alice Cling has a high, round shoulder and a slight neck.  The shape is inspired by the traditional Navajo “tus”, which was a water jar with a narrow base that would be stood in the ground.  Here, Alice has flattened the bottom but kept the stylized form. The entire jar is highly polished red. It is then outdoor fired and the stunning variation in the color are from the smoke and fire.   The piece was covered in pine-pitch after the firing, a continuation of the traditional Navajo pottery when pitch was used to make the pottery water proof. Alice has won numerous awards for her pottery and been featured in books such as “Legacy of Generations.”

$ 125.00
Cling, Alice – Long Neck Water Jar

This jar by Alice Cling has a round shoulder and a long neck.  The shape is elegant with the proportions.  The entire jar is highly polished red. It is then outdoor fired and the stunning variation in the color are from the smoke and fire.   The piece was covered in pine-pitch after the firing, a continuation of the traditional Navajo pottery when pitch was used to make the pottery water proof. Alice has won numerous awards for her pottery and been featured in books such as “Legacy of Generations.”

$ 175.00
Cling, Alice – Water Jar with Square Mouth

This jar by Alice Cling has a high shoulder and a square mouth.  The jar is highly polished red. It is then outdoor fired and the stunning variation in the color are from the smoke and fire.  Note the color variation from a deep red to dark black.  The square mouth adds to the overall strength of the form. The piece was covered in pine-pitch after the firing, a continuation of the traditional Navajo pottery when pitch was used to make the pottery water proof. Alice has won numerous awards for her pottery and been featured in books such as “Legacy of Generations.”

$ 175.00
Crank, Susie – Long Neck Water Jar

Susie Crank is a daughter of Rose Williams and a sister of Alice Cling.  This is one of her classic shaped water jars.  The jar is slipped with a red clay and then traditionally fired. The various colorations are created from the smoke in the outdoor firing.  The piece was covered in pine-pitch after the firing, a continuation of the traditional Navajo pottery when pitch was used to make the pottery water proof.  It has striking color variations from red to black.  It is signed on the bottom.

$ 200.00
Curran, Dolores – Large Box with Butterflies and Bear Lid

This is an extraordinary box by Dolores Curran.  She continues to create intricately incised and painted pottery.  This piece combines both the incised polychrome pottery inspired by her late husband, Alvin Curran, and her delicately painted buff-on-red style. The painted areas of the box are amazingly time consuming, as everything has to  be repainted at least four times for the color to appear solid!  The outside of the box is fully polished and has a butterfly pattern surrounded by cloud, rain and feather designs.  Note the very tiny but very intricately painted rain clouds!  The top of the box has an incised polychrome avanyu and the remainder is polished and painted.  The rim of the lid has a feather pattern separated by a mountain and rain design.  The center of the box is a fully polished bear.  The area around the bear is also fully painted with rain designs.  Again, on the bear, note the tiny heartline!  The heartline signifies the center of the bear and its healing strength.  The “surprise” of the box is the inside of the lid, which is fully incised and painted with various clay slips.  Note the depth of the incised designs on the butterfly and the swirl of the outside pattern.  It is simply extraordinary  detail and imagery!  The box is signed on the bottom in the clay.

$ 2,500.00
Curran, Dolores – Large Jar with Sun & Moon Design, Bear Lid

Dolores Curran contineus to create intricately incised and painted pottery.  She was inspired to create these red polychrome incised and painted by her husband, Alvin Curran.  He was known for his incised San Juan style pottery in the 1990’s.  This is one of her larger pieces and it is extraordinary in its design!  The jar has a polished neck and base.  Around the center of the piece it is fully designed.  Just above the shoulder is an incised water serpent (avanyu).  It is slipped with a red clay and surrounded by a micaceous clay.  Around the side there are very intricately incised feathers, each with additional designs from cloud to lightning to rain patterns.  Opposite from one another are a sun and moon pattern.  The sun has the red face and the moon the white.  All the various colors are derived from natural clay slips. All the designs are incised (cut very shallow) into the clay!  They are then highlighted with the clay slips.  Near the base, there are little red-on-red dragonflies painted on the jar.  The lid is fully polished and has a micaceous clay slipped bear on the top.  On the polished part of the lid there is a water pattern and a little old style dragonfly!  Amazing detail and imagery!  The jar is signed on the bottom in the clay.

$ 4,000.00
Sale!
Daubs, Dennis – Jar with Avanyu

Dennis Daubs is known for his intricately incised pottery.  Each piece is coil built, stone polished and the imagery is etched into the surface of the clay.  This jar has a water serpent around the shoulder of the piece.  Above and below are eternity belt patterns.  The designs are very intricately etched and note the precision of the lines.

$ 300.00 $ 200.00
de la Cruz, Juan and Lois Gutierrez  – Grandmother Spider & Blue Corn Sisters Jar

Juan Cruz is creating some beautifully painted polychrome pottery.  He is a son of noted potter Lois Gutierrez.  Lois made the jar and Juan, who is noted for his illustrations, painted the design using natural clay slips..  The jar is a classic water jar with a low shoulder and elongated neck.  Juan wrote a description of the jar as follows,

“This piece depicts a scene from a story of the two Blue Corn sisters who receive a special song that Grandmother Spider promises to bestow upon them.  It relates how the song they were taught was sung: Formerly we were Blue Corn women, now we are Morning Star.  With this song and other aid provided by Grandmother Spider, they were prepared for the forthcoming battle.”

The jar is truly polychrome (more than three colors of clay).  Note the intricacy of the painted designs and especially how he depicts Grandmother Spider with her basket and the web.  There is an open section of the jar and the intricate designs and the Blue Corn are tightly painted and utilize a variety of colors. There is simply a striking flow of design as the jar is turned and captures the sophistication of Juan’s painting style.  The jar has been traditionally fired outdoor and overall is a striking coloration.  It is signed on the indented bottom of the jar by both Juan and Lois.  The description is written on the back of a hand painted graphic of a Pueblo woman.  What a phenomenal addition to this piece and the painting helps to better understand how exceptional Juan is with his art.

$ 1,000.00
de la Cruz, Juan and Lois Gutierrez  – Jar with Pueblo Woman and Hummingbirds

This is the second painted jar by Juan Cruz.  He is a son of noted potter Lois Gutierrez.  Lois made the jar and Juan, who is noted for his illustrations, painted the design using natural clays.  The jar is a classic water jar with a low shoulder.  Juan wrote a description of the jar as follows,

This piece depicts a woman calling forth the monsoon storms, bearing her prayer feather  bundle in her right hand and carrying a ceremonial water vessel in her left.  The cloud motif above the prayer feather bundle represnets the storms that are coming to bring rain to the budding flowers and vegetation that the first hummingbird is extracting nectar from.  The second hummingbird connects with the woman through the rainbow that spans out from its colorful tail feathers, a second represnation of the rain that comes with the monsoon storms.

The jar is truly polychrome (more than three colors of clay).  Note the intricacy of the painted designs int he dress, bracelet and wings of the hummingbirds.  There is simply a striking flow of design as the jar is turned and captures the sophistication of Juan’s painting style.  The jar has been traditionally fired outdoor and overall is a striking coloration.  It is signed on the indented bottom of the jar by both Juan and Lois.

$ 1,000.00
Diaz, Tina – Red & Tan Jar with Avanyu

Tina Diaz has skillfully created her own unique style of carving pottery.  She is one of only a handful of Santa Clara potters who has mastered the technique of polishing her pottery tan.  The tan is the natural color of the clay and the most difficult to polish to achieve a high shine.  This red and tan jar with a as a classic avanyu (water serpent) encircling the piece.  It is intricately carved with elaborate designs for the body of the piece.  Note the various sections which create swirls and various angles for the design.   It is always technically difficult to carve such sharp angles and delicate edges into the clay.  The background has the traditional cream colored slip, which few potters use today because it is difficult to apply.

$ 700.00
Diaz, Tina – Red & Tan Jar with Rain & Prayer Feather Pattern

Tina Diaz has skillfully created her own unique style of carving pottery.  She is one of only a handful of Santa Clara potters who has mastered the technique of polishing her pottery tan.  The tan is the natural color of the clay and the most difficult to polish to achieve a high shine.  This red and tan jar is fully carved with very sharp geometric patterns.  The jar has rain patterns which are the melon ribs extending across the design.  The remainder of the piece consists of tan polished prayer feather patterns. The number of individual sections makes this a very complex piece for both carving and polishing!  It is always technically difficult to carve such sharp angles and delicate edges into the clay.  The background has a red colored slip for contrast with the tan.  The piece is signed on the bottom, “Tina Diaz”. 

$ 600.00
Diaz, Tina – Red & Tan Jar with Rain Swirls

Tina Diaz has skillfully created her own unique style of carving pottery.  She is one of only a handful of Santa Clara potters who has mastered the technique of polishing her pottery tan.  The tan is the natural color of the clay and the most difficult to polish to achieve a high shine.  This red and tan jar is fully carved with a rain swirl design on one side polished tan. There is a stylized bird next in tan with a red lightning pattern.  Next is a cloud near neck neck with rain and plant designs near the base.  Finally there is a fed polished lightning pattern as the design returns to the tan rain swirls.  This jar is very intricately carved with elaborate designs for the body of the piece.  Note the various sections which create swirls and various angles for the design.   It is always technically difficult to carve such sharp angles and delicate edges into the clay.  The background has the traditional cream colored slip, which few potters use today because it is difficult to apply.

$ 1,000.00
Duwyenie, Debra – Seedpot with Sunface

Debra Duwyenie is well known for her wonderful miniatures and incised designs.  Each piece is stone polished and then it is etched before it is fired!  This seedpot was made by Preston Duwyenie (her husband) and Debra polished the central medallion while the remainder of the piece is slipped with a micaceous clay.  The design on the medallion is a sunface surrounded by a feather pattern.  Around the outside are cloud designs.  Note that the lighter red matte areas are where Debra has only etched away the polished surface but not down as far as the tan color of the clay.  Debra is attentive to the little details, like the background tan area where she tightly etches the vertical lines to accentuate the polished design.

$ 375.00
Duwyenie, Debra & Preston – Seedpot with Hummingbirds, Sun & Silver Lid

Debra Duwyenie is well known for her wonderful miniatures and incised designs. Each piece is stone polished and then it is etched before it is fired! This seedpot is a larger piece for Debra and amazingly complicated with its designs!  The matte red areas are parts of the design in which the polished slip is scratched away leaving the matte red.  Note in the tan area of the background that more deeply incised lines.  The complexity of the design is amazing on this piece, especially how the flowers and bird wings all seem to interconnect!  There are birds and flower across the entire surface of the piece. On one side is a sun or Tewa design with the surrounding feather pattern and the opposite has a rainbow.  The lid is made by Preston Duwyenie.  It is silver cast against cuttlefish bone to create the design.  The bottom of the silver lid and the bottom of the seedpot are both signed.  It is stunning in the complexity, polishing and complement of the lid with the imagery on the piece!

$ 1,100.00
Duwyenie, Debra & Preston – Seedpot with Turtles and Silver Lid

Debra Duwyenie is well known for her wonderful miniatures and incised designs. Each piece is stone polished and then it is etched before it is fired! This seedpot has a feather pattern on the top. There are various fish and  turtles as the design below.  Each of the turtles has a different design on the back.  Note the one with the wavy lines, that one is meant to represent Preston Duwyenie, her husband, who is known for his “shifting sand” pottery.  Note that the lighter red matte areas are where Debra has only etched away the polished surface but not down as far as the tan color of the clay. Debra also pays close attention to the little details like the tan background area and how evenly she etches the vertical lines.  The lid is made by her husband Preston.  It is case from cuttlefish bone and cast in silver.  It has the same “shifting sand” style pattern as the back of the one turtle. The bottom of the lid is stamped with Preston’s hallmark.

$ 950.00
Duwyenie, Debra & Preston – Shoulder Jar with Turtles

This jar was made by Perston Duwyenie and polished and incised by Debra Duwyenie.  The jar is one of Preston’s classic wide shoulder pieces with the asymmetrical mouth.  The body of the piece is slipped with a red micaceous clay.  The top of the shoulder has been fully polished and etched by Debra.  There are 7 larger turtles and 6 smaller ones. Each turtle has a different design on the back.  Note that there is always one which represent Preston with the wavy lines on the back (for his shifting sand designs).  There are stars surrounding the turtles as they are swimming!  It is a beautifully designed piece and complex in the variety of designs.  The jar is signed on the bottom with Preston’s hallmark and Debra’s name.

$ 1,200.00
Duwyenie, Preston – “Three Maiden” Double Shoulder Water Jar

Stunning!  This is an exquisite water jar by Preston Duwyenie.  The water jar is made from micaceous clay and slipped with a micaceos clay mixed with red Santa Clara clay.  The coloration is a striking red with the sparkle of the mica. The water jar has a double shoulder and a fluted or “Rain drop” rim. The undulating shape of the rim is always technically difficult to create. The jar has six inset piece of silver, each cast from cuttlefish bone. The silver pieces are inset into the jar after the firing and represent three maidens with tablitas on their heads. The area around the silver pieces are lightly etched with additional designs.  The angles created by the shape of the jar along with the color of the clay and the complement of the mica and silver give the jar its stunning appearance!  The jar is signed on the bottom in the clay with Preston’s hallmark, which means “carried in beauty”.  There is certainly something both modern and ancient about this striking piece!   Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.  He is married to pottery Debra Duwyenie and now resides at Santa Clara Pueblo.  Preston has won numerous awards for pottery, including “Best of Show” at the Heard Indian Market.

$ 3,300.00
Duwyenie, Preston – Red “Earth in Balance” Bowl

This piece by Preston Duwyenie is made from red Hopi clay. The shape is inspired by early Sikyatki pottery with wide, low shoulders.  The body of the piece is fully polished with a matte area near the top.  The polished area is meant to represent the earth, the raised area the waters and the higher matte areas the land and mountains.  It is “the earth in balance” as all three are connected.  The bowl is rounded on the bottom and there is an acrylic base which comes with the piece to hold it steady.  The bowl is signed on the bottom in the clay with Preston’s hallmark which is a woman carrying a child.  Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.

$ 900.00
Duwyenie, Preston – Red Shifting Sand Plate with Coral

This piece by Preston Duwyenie is made from red Hopi clay found near Third Mesa at Hopi.  The plate is stone polished on the back and matte on the front. The front is etched with very tight lines to have the appearance of shifting sands.  There is a single inset piece of coral within the bands of the sand design.

Why the shifting sand designs? Preston says he remembers watching a smooth pebble caught in sand being shifted by the wind, “there was beauty in its isolation within the sea of sand. It was like an island.  The endless sands of time, and the fact that people, too are tossed about by the wind. There is always rippling in our lives”.

The plate is signed on the back in the clay with Preston’s hallmark which is a woman carrying a child.  Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.

$ 225.00
Duwyenie, Preston – Shifting Sand Design Jar with 3 Silver Insets

Preston Duwyenie is know for his Hopi pottery which blends modern and traditional aspects of the art. This jar is made from a white clay which he finds near Second Mesa at Hopi.  The body of the piece is fully polished.  The top area above the shoulder has the shifting sand design is carved into the clay so that it have a very natural appearance.  What makes the sand area so fascinating is how he carves it so that it has very natural appearance.  Separating each of the three panels are rectangular sections, each with a single inset piece of silver, which Preston casts from cuttle-fish bone (a type of squid).  The casting creates a a similar style of ‘shifting sand’ design to complement the clay areas!  The thin walls of the bowl, the organic feel of the shifting sand and the strength of the silver insets are perfect on this piece.  The piece is signed on the bottom in the clay with Preston’s hallmark which is a woman carrying a child and his Hopi name, which means “carried in beauty”.   Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.

Why the shifting sand designs? Preston says he remembers watching a smooth pebble caught in sand being shifted by the wind, “there was beauty in its isolation within the sea of sand. It was like an island.  The endless sands of time, and the fact that people, too are tossed about by the wind. There is always rippling in our lives”.

$ 1,600.00
Duwyenie, Preston – Shifting Sand Seedpot with Silver Corn Plant Lid

Preston Duwyenie is know for his Hopi pottery which blends modern and traditional aspects of the art. This seedpot is made from a red clay which he finds near Second Mesa at Hopi.  The clay fired a tan coloration.  The body of the piece is fully polished.  The top area above the shoulder has the shifting sand design.  What makes the sand area so fascinating is how he carves it so that it has very natural appearance.  It flows around the entire surface, just as if the clay has been swept away. The top view of the piece shows the design nicely and the shadows the design creates.  The lid is made from silver and cast against cuttlefish bone. Preston cut the lid so that it has a stylized corn plant shape.  The casting creates a a similar style of ‘shifting sand’ design to complement the clay areas!  The the seedpot and the silver lid are signed on the bottom with Preston’s hallmark which is a woman carrying a child and his Hopi name, which means “carried in beauty”.   Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.

Why the shifting sand designs? Preston says he remembers watching a smooth pebble caught in sand being shifted by the wind, “there was beauty in its isolation within the sea of sand. It was like an island.  The endless sands of time, and the fact that people, too are tossed about by the wind. There is always rippling in our lives”.

$ 725.00
Duwyenie, Preston – Shifting Sand Seedpot with Silver Quail Lid

Preston Duwyenie is know for his Hopi pottery which blends modern and traditional aspects of the art. This seedpot is made from a red clay which he finds at Hopi.  The clay fired a tan colorattion.  The body of the piece is fully polished.  The top area above the shoulder has the shifting sand design.  What makes the sand area so fascinating is how he carves it so that it has very natural appearance.  It flows around the entire surface, just as if the clay has been swept away. The top view of the piece shows the design nicely and the shadows the design creates.  The lid is made from silver and cast against cuttlefish bone. Preston cut the lid so that it has the shape of a quail.  The casting creates a a similar style of ‘shifting sand’ design to complement the clay areas!  The the seedpot and the silver lid are signed on the bottom with Preston’s hallmark which is a woman carrying a child and his Hopi name, which means “carried in beauty”.   Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.

Why the shifting sand designs? Preston says he remembers watching a smooth pebble caught in sand being shifted by the wind, “there was beauty in its isolation within the sea of sand. It was like an island.  The endless sands of time, and the fact that people, too are tossed about by the wind. There is always rippling in our lives”.

$ 800.00
Duwyenie, Preston – Shifting Sand Seedpot with Silver Road Runner Lid

Preston Duwyenie is know for his Hopi pottery which blends modern and traditional aspects of the art. This seedpot is made from a red clay which he finds near Second Mesa at Hopi.  The clay fired a tan coloration.  The body of the piece is fully polished.  The top area above the shoulder has the shifting sand design.  What makes the sand area so fascinating is how he carves it so that it has very natural appearance.  It flows around the entire surface, just as if the clay has been swept away. The top view of the piece shows the design nicely and the shadows the design creates.  The lid is made from silver and cast against cuttlefish bone. Preston cut the lid so that it has the shape of a road runner.  The casting creates a a similar style of ‘shifting sand’ design to complement the clay areas!  The the seedpot and the silver lid are signed on the bottom with Preston’s hallmark which is a woman carrying a child and his Hopi name, which means “carried in beauty”.   Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.

“Why the shifting sand designs? Preston says he remembers watching a smooth pebble caught in sand being shifted by the wind, “there was beauty in its isolation within the sea of sand. It was like an island.  The endless sands of time, and the fact that people, too are tossed about by the wind. There is always rippling in our lives”.

$ 750.00
Duwyenie, Preston – Traditional Ladle with Silver Inset

This is a traditional ladle or spoon by Preston Duwyenie.  It is made from a red clay found near Hopi.  The entire piece is fully polished. There is an inset piece of silver on the handle. The silver is meant to represent the shifting sands found in the areas around Hopi.  The silver is cast against cuttle-fish bone (a type of squid).  The silver is inset after the firing and there is a design etched on both ends.  The ladle is signed on the back in the clay with Preston’s hallmark which is a woman carrying a child.  Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.

$ 275.00
Duwyenie, Preston – White Shifting Sands Plate with Coral

This piece by Preston Duwyenie is made from white Hopi clay found near Third Mesa at Hopi.  The clay is stone polished and when fired has an eggshell white appearance.  The back of the plate is polished and the front is carved to have the appearance of shifting sands.  There is a single inset piece of coral within the bands of the sand design.  The plate is signed on the back in the clay with Preston’s hallmark which is a woman carrying a child.  Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.

$ 300.00
Duwyenie, Preston – White Shoulder Jar with Silver Inset

This piece by Preston Duwyenie is made from white Hopi clay found near Third Mesa at Hopi.  The clay is stone polished and when fired has an eggshell white appearance.  There is a single piece if inset silver on the top of the shoulder.  The silver is meant to represent the shifting sands around Hopi.  It is cast against cuttle-fish bone (a type of squid).  This process creates a similar style of shifting sand design to complement the clay.  The bowl is rounded on the bottom and there is an acrylic base which comes with the piece to hold it steady.  The bowl is signed on the bottom in the clay with Preston’s hallmark which is a woman carrying a child.  Preston is from Third Mesa at Hopi, and taught ceramics for years at Institute of American Indian Art (IAIA) in Santa Fe.e.

$ 1,500.00
Early, Max – “Ears of Corn: Listen” Book of Poetry

Congratulations to Max Early for the publication of his first book of poetry.  Max is a well known potter but also quickly become as famous for his poetry!

We currently have signed copies in the gallery!

“In Ears of Com: Listen, Native American potter and poet Max Early gracefully details both the everyday and the extraordinary moments of family and community life, work and art, sadness and celebration at the Laguna Pueblo of New Mexico.With in the four seasons-Ty’ee-Tro, Kushra-Tyee,Heyya-Ts’ee, and Kooka—the beauty of Early’s writing beckons the reader to accompany him on the journey between ancient and modern times.Including an historical Preface by the author,an Introduction by Simon J. Ortiz, and photographs of Early’s family and award-winning art, this debut poetry book is profound in its welcome and its teachings.

 ‘Early’s poems take us into the cultural continuum of a contemporary Laguna Pueblo artist. Each poem is pottery of words, complete with designs to bring rain, to remember and praise the earth and sky path we humans travel. Early’s poems are earthy, real and compelling. I keep hearing them, like songs emerging from the creative earth.”

-Joy Harjo, “Crazy Brave”, Mvskoke poet and musician

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‘We are thankful for these poems that cup us through the seasons,past the drought f a spiritual slumber. Like a weathered olla recalling the hold of cold water,we are replenished and bathed anew.We should heed our want and need to the bounty of their beauty and submit ourselves to the lessons therein. Shhh…the poems are speaking:Listen!”

-Levi Romero, “A Poetry of Remembrance and In the Gathering of Silence”, New Mexico Centennial Poet

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‘Poetry and pottery are art forms simultaneously ancient and yet made for the moment. The words flow like coils of clay to surround the reader and build a vision of the mind and soul of the poet. Potter Max Early’s poetry in ‘Ears of Corn: Listen” reveals much about life in his native Laguna Pueblo. More importantly it gives a modern voice to an ancient culture making it relevant for both a new generation and also those outside the Pueblo. The poems tell his story of how, “Breaking gender taboos didn’t turn me to stone” and the delicate balance he finds between embracing modernity and reveling in the past. The use of native Laguna words adds grace to the poems, much like a perfectly painted vessel; they lyrically draw the eye, create balance and provide a connection to the viewer. Not only is Max’s collection of poems worth a read, but a second read as well. The first time they may just seem pretty, but the second time the novelty is gone and the substance remains. Much like Max’s pottery.’
Charles S. King, Author of “Born of Fire: The Pottery of Margaret Tafoya” and “The Life and Art of Tony Da”

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Max Early was born into a tradition of potters and clay. He creates traditional pottery in order to help save the art of pottery making in Laguna Pueblo.When hbegan to focus on writing, he continued his passion for celebrating his family, culture, language,and the enchanting New Mexico landscape.

Honors and awards for Early in pottery include a Fellowship from the Southwestern Association for Indian Arts;a Native American Community Scholar Appointment: Office of Fellowships and Grants,Smithsonian Institution, Washington, D.C.; the Museum Guild Indian Fair & Market judge’s Award in Sculpture; the Gallup Inter-Tribal Indian Ceremonial-First in Effigies/Special Elkus Memorial Award; and the Santa Fe Indian Market-First in Traditional Pottery/Wedding Vases.

$ 25.00
Early, Max – Jar with Fine-Line Patterns

Max Early is one of the few traditional potters working today at Laguna Pueblo.  His work combines tradition forms with a blend of contemporary and traditional designs.  This jar is inspired by an older Laguna jar with fine-line patterns.  The center of the jar has  bold geometric forms which are painted with lines.  The lines are both red and black. They are separated by cloud and mountain patterns.  The neck of the jar has cloud and rain forms along with small corn designs.  The jar is a beautiful shape with a slightly elongated neck and a rounded base. The the rounded bottom harkens back to the traditional Laguna pottery when the water jars were meant to be carried on one’s head.  Note as well his use of the various clays to create a “three color” jar!   The jar is also traditionally fired, which adds to the overall difficulty of the piece.  It is certainly exciting to see a potter who is inspired by traditional shapes and designs and yet has the artistry to create his own distinctive variation!

$ 1,800.00
Early, Max – Jar with Hummingbirds

Max Early is one of the few traditional potters working today at Laguna Pueblo.  His work combines tradition forms with a blend of contemporary and traditional designs.  This jar has as series of hummingbirds and flowers as the design.  The flowers, especially around the neck of the jar, are very traditional in Laguna style.  Note as well his use of the various clays to create a “three color” jar!   The jar is also traditionally fired, which adds to the overall difficulty of the piece.  It is certainly exciting to see a potter who is inspired by traditional shapes and designs and yet has the artistry to create his own distinctive variation!

$ 600.00
Ebelacker, James – Double Shoulder Water Jar

James Ebelacker is a son of noted potter Virginia Ebelacker and a grandson of Margaet Tafoya.  He is known for his larger vessels, but this is one of his few smaller pieces. It is a classic double shoulder water jar.  It is very highly polished and has the classic rainbow ridge for the double shoulder. The jar is polished to a very high shine and traditionally fired black.  Even the inside of the neck is polished!  The jar is signed on the bottom in the clay.

$ 575.00
Ebelacker, James – Long Neck Jar with Kiva Design

James Ebelacker is a son of noted potter Virginia Ebelacker.  He is known for his large vessels and beautifully polished pottery. This long neck jar is a graceful shape with a low shoulder and slightly turned out rim.  The design is a kiva step pattern which is carved into the clay.  Note the beauty of the polishing and depth of the carving.  James also polished the inside of the neck, which is always technically more difficult.

$ 2,000.00
Ebelacker, Jason –  Jar with Swirling Cloud Designs

Jason Ebelacker is a son of Richard Ebelacker, a grandson of Virginia Ebelacker and a great-grandson of Margaret Tafoya.  Jason is known for his traditional pottery shapes.  This jar has a classic water jar form with the low shoulder and slightly turned out rim. It is deeply carved with a swirling cloud pattern which extends from the rim to the sharp shoulder. The carving is deep and the jar is fully polished.   The entire piece has to polished at one time and it has a high shine and great angle of reflection from the shape.   Jason is certainly one of the younger potters to watch!

$ 1,200.00
Ebelacker, Jason –  Wide Rainbow Ridge Shoulder With Long Neck

Spectacular!  This jar by Jason Ebelacker is an extraordinary vessel, which finds its reference in a very historical form. There are classic Santa Clara jars made by Jason’s great-great grandmother SaraFina Tafoya, which had a low shoulder and a “triple” rainbow band.  Each band circles out from the neck of the jar, almost as if they are ripples in water.  Jason has created this form with a very flat and wide base.  each ridge is just a bit higher than the next and the jar has an elongated neck.  The neck is just slightly flared out and it is even polished on the inside!  There are bear paws carved into the clay on both sides, signifying the significance of the jar has a water vessel.  Note as well the exceptionally stone polished surface. The time to polish the various levels of the jar and achieve such a dynamic polish is something few potters are able to achieve today.  How well is the jar polished, note in the photo how the neck is reflected onto the shoulder!  Yes, stunning!  Jason is a son of noted potter Richard Ebelacker and grandson of Virginia Ebelacker.  Jason has won numerous awards for his pottery and continues to be one of the important younger potters to watch.  Pottery at this level of creativity and quality are certainly a reflection of both his talent and the future!

$ 2,200.00
Ebelacker, Jason – Red Carved Box with Avanyu & Avanyu Lid

This is an exceptional lidded box by Jason Ebelacker.  He is a son of Richard Ebelacker and grandson of Virginia Ebelacker.  Jason has been focusing on traditional shapes for his pottery.  This box is fully carved around the side with a water serpent (avanyu) design, which encircles the entire piece.  It is difficult to create boxes, especially larger ones, as the flat sides tend to crack in drying and firing.  The design here flows around the surface and yet changes in each panel! It is beautifully designed. The surprise to the piece is the lid, where he has carved in reverse another water serpent! The polishing and clean carved lines are striking on the piece.   Jason is certainly one of the younger potters to watch!

$ 2,200.00
Ebelacker, Sarena  – “Lightning Lace” Bowl

This bowl by Sarena Ebelacker is deeply carved.  It has a square feather pattern around the neck and a stylized lightning bolt carved into the clay.  The lightning is a micaceous clay while the remainder of the piece is polished red. Sarena is a daughter of noted potter James Ebelacker, a granddaughter of Virginia Ebelacker and a great-granddaughter of Margaret Tafoya.  Her pottery uses traditional techniques but with a contemporary appearance. 

$ 275.00
Eckelberry, Victor – Jar with Carved Avanyu

Victor Eckelberry is known for his deeply carved pottery.  This wide shoulder jar has a carved water serpent (avanyu), encircling the piece.  The neck has a water design.  The jar is signed on the bottom.

$ 225.00
Estevan, Paula – Basket Weave Design Jar

This jar is thin walled and very tightly painted with an “op-art” basket pattern. The weave lines are in black, red and white and spiral around the surface of the jar.  The imagery goes from small at the rim to larger at the shoulder and then small again at the base. The jar has a classic water jar shape with the round shoulder and slight neck.   Paula has a wonderful ability to match the shape and designs of her work perfectly!

$ 575.00
Estevan, Paula – Basket Weave Design Jar

This is a thin walled jar by Paula Estevan.  It is very tightly painted with an “op-art” basket pattern. The weave lines are in black against the white clay background.  They spiral around the surface of the jar.  The imagery goes from small at the rim to larger at the shoulder and then small again at the base. The jar has a classic water jar shape with the round shoulder and slight neck.   Paula has a wonderful ability to match the shape and designs of her work perfectly!

$ 500.00
Eteeyan, Mary Louise – Bowl with Butterfly Lid

Mary Louise Eteeyan is known for her delicately painted pottery and carved lids.  This bowl is painted around the body of the piece with a kiva step and plant design.  Mary Louise uses classic Jemez clays to create her designs.  The lid has a polished rim and a sculptured butterfly on top.  Note the detail in the design and shape of the butterfly!  The base of the bowl is also fully polished red.

$ 125.00
Eteeyan, Mary Louise – Bowl with Butterfly Lid and Feather Pattern

Mary Louise Eteeyan is known for her delicately painted pottery and carved lids.  This bowl is painted around the body of the piece with a kiva step and plant design.  Mary Louise uses classic Jemez clays to create her designs.  The lid has a polished rim and a sculptured butterfly on top.  Note the detail in the design and shape of the butterfly!  The base of the bowl is also fully polished red.

$ 100.00
Fender, Erik – Open Bowl with Avanyu & Feather Pattern

Erik Fender is the son of Martha Appleleaf and the grandson of noted potter Carmelita Dunlap. Erik combines classic San Ildefonso imagery with his own creative style. His pottery is signed, with his Tewa name, “Than Tsideh”.  This open bowl is carved on the outside with an avanyu and has a micaceous clay slip. The inside of the bowl is very fully painted with a feather, rain and cloud pattern.  It is a striking contrast between the polished interior and the mica exterior.  However, it is the complexity of a fully designed piece which makes this bowl so extraordinary.  It is signed on the bottom.

$ 900.00
Fields, Anita – “Being Human” Clay Figure

This piece by Anita Fields is an amazing combination of clay and paper and articulation.  The figure is part of her “Being Human” series. The front of the figure has white clay stripes while the back has white clay dots. The center is wrapped in paper after the firing.  It is an exceptional piece combining culture and clay together.   It is in excellent condition with no chips, cracks, restoration or repair.  It can be hung on a wall or we had a museum mount made for the piece so that it can stand independently. 

$ 850.00
Fields, Anita – Articulated Clay Doll on a Chair

This piece by Anita Fields is an amazing combination of clay, cloth and articulation.  The clay “doll” has separate arms and legs which have been joined together inside the body.  They are articulated so that they actually move!  The body of the figure and the chair are all one piece.  Anita has then added the cloth dress onto the figure.  She says of the dress and clothing, “Anita was influenced by traditional Osage ribbon work, clothing, and blankets. She also studied the objects and ceremonial dress of other tribes. The personal and emotional elements in these textile designs led Anita to use them symbolically in clay, translating the personality of these vestments into her work. About one of her recent series, Native American Dresses, which are coil-and slab-built installations, Anita says: “The dresses convey my attitudes toward the strength of women and how native peoples show remarkable resourcefulness and adaptability toward their environment. The clothing Indian women created shows great pride, dignity, and hope in a culture facing insurmountable odds.”  It is an exceptional piece combining culture and clay together.   It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,800.00
Fields, Anita – Large Clay Dress

This is an exceptional piece by Anita Fields.  It is a very large dress made from clay with designs on both sides.  The use of clothing and traditional dresses is a focus of her work. This piece has the classic “elk tooth” style on one side and a figure on the other.  “Anita was influenced by traditional Osage ribbon work, clothing, and blankets. She also studied the objects and ceremonial dress of other tribes. The personal and emotional elements in these textile designs led Anita to use them symbolically in clay, translating the personality of these vestments into her work. About one of her recent series, Native American Dresses, which are coil-and slab-built installations, Anita says: “The dresses convey my attitudes toward the strength of women and how native peoples show remarkable resourcefulness and adaptability toward their environment. The clothing Indian women created shows great pride, dignity, and hope in a culture facing insurmountable odds.”  It is an exceptional piece combining culture and clay together.   It is in excellent condition with no chips, cracks, restoration or repair.

$ 5,500.00
Folwell, Jody –  “Hopi Snake Dance” Vessel

Spectacular!  This is phenomenal vessel by Jody Folwell for the show, “Peering Through Taos Light”. This piece was inspired by an E.I Couse painting entitled, “Moki Snake Dance”. Jody took the idea to a masterful level. The vessel itself was fully coil built. She then wet the top and bottom so that the clay dissolved.  The remaining piece was then fired.  Jody said that she wanted to create a appearance of the piece being a piece of masonry or an old adobe brick, from a wall at Hopi.  Given the shape she created, she then painted her version of the Couse “Snake Dance” painting on one side.  The opposite side has a Hopi bird pattern. The form, concept and color all work perfectly on this piece. It is signed..well, it is signed on the painting, of course!

$ 7,250.00
Folwell, Jody –  Santa Clara Gunmetal Water Jar

This is a classic Santa Clara water jar Jody Folwell.  This jar is inspired by a classic Santa Clara water jar used in an EI Couse painting. Seeing this jar set against a reproduction of the painting certainly captures Jody’s intent. The double shoulder and flared neck create a beautiful balance.  The jar it fired and has gunmetal colorations, which were often seen on pieces from the early 1900’s due to the high temperature of the firing.  Amazingly, they flow around the entire surface of the jar and are beautifully reflect the light.  The jar is signed on the bottom in the clay.

$ 4,400.00
Folwell, Jody – Asymmetric Bowl with Corn Designs

Jody Folwell is known for her creative pottery shapes and designs.  This is a classic style for her pottery with a fully polished surface and the asymmetrical mouth.  The rim of the mouth extends down to the shoulder and it is fully polished. The designs are etched into the surface of the clay and various etching techniques are used to create the coloration.  The corn plant pattern is the main imagery and it is surrounded by cloud, rain and Pueblo designs.  The various colorations from black to dark red are all from the traditional outdoor firing.  The bowl is signed on the bottom in the clay, “Jody”.

$ 600.00
Folwell, Jody – Avanyu Bowl with Flower & Avanyu

Jody Folwell is known for her creative pottery shapes and designs.  This bowl is one of her classicforms with an asymmetrical polished rim.  The design on one side is a water serpent pattern which is etched into the clay.  The opposite side has a flower motif in the clay.   The bowl is fired brown with various colorations from the firing.  It is signed on the bottom, “Jody”.   It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,000.00
Folwell, Jody – Jar with Avanyu/Lizard

Jody Folwell is known for her creative pottery shapes and designs.  This bowl is one of her unique shapes with with an asymmetrical rim, a round body and one flat side!  The flat side has the etched design.  Jody says the figure is a cross between a water serpent and a lizard.  There are additional corn and star patterns on the side.   The jar is fired brown with various colorations from the firing.  It is signed on the bottom, “Jody”.   It is in excellent condition with no chips, cracks, restoration or repair.

$ 300.00
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Folwell, Jody – Jar with Figures, River and Tree

This is a fascinating jar from Jody Follwell. The shape is one of her distinctive water jar with a wide shoulder and elongated neck. The jar is polished red around the neck and base while it is matte tan around the shoulder. The jar is designed with both etched and incised imagery.  Around the neck of the jar is female figure sitting by a tree along with a ground hog. Around the shoulder is a figure floating in a river surrounded by fish.  There are also additional feather and star patterns which are etched into the clay.  The bottom of the jar is fully polished and it is signed on the bottom, “Jody”.

$ 1,500.00 $ 1,000.00
Folwell, Jody – Large NW Coast Design Bowl (1999)

Jody Folwell is known for her creative pottery shapes and designs.  This a massive piece of her pottery with her classic shape and style.  The rim is asymmetrical and it is polished.  The body of the bowl is rag polished so that it has a slight shine but not as much as the polished surface.  The neck of the bowl is etched with a series of Northwest Coast inspired fish.  They are each intricately designed with both Northwest Coast and Pueblo imagery on the body.  There is a beauty to the flow of the designs on the rim of this jar.  It is not often that she makes such large vessels and they are perfect in thickness and form.  Jody was one of the first Pueblo potters to be begin using Northwest Coast designs after visits to the area.   It is signed on the bottom, “Jody”.   It is in excellent condition with no chips, cracks, restoration or repair.

$ 6,800.00
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