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joe aguilar potteryJoe Aguilar

Joe Aguilar married Rosalie Aguilar in 1922. Together they had 11 children. Joe painted most of their pieces of pottery as well as those of his mother, Susana Aguilar. After Rosalie's death in 1946 Joe continued to make pottery on his own with distinctive shapes and polycrome painted designs. Joe and His wife were neighbors of noted San Ildefonso matriarch Rose Gonzales, and they learned the fundamentals of traditional pottery making from her.  Joe would carve pots for his wife Rosalie, then sand the edges of the carved areas to create a "cameo" effect. Joe also painted pottery his mother, Suzanna Martinez Aguilar.  Kenneth Milton Chapman, author of  'The Pottery of San Ildefonso,'  listed Joe Aguilar as among 15 potters at San Ildefonso who painted pottery before 1940.  Joe’s son, Alfred Aguilar, said that his dad formed pots as well as painted them.  If so, he would have been among the earliest males to do so.

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Aguilar, Rosalie & Joe – Carved Jar with Storm Designs (1930’s)

Rosalie and Joe Aguilar created some exceptional pottery throughout their time working together.  In the 1930’s they began to make carved pottery.  This large jar is carved with two different designs. There is a rain and lighting design and it is separated by a cloud and lightning design.   The carving is done into the negative space creating a visually strong appearance.  The remainder of the jar is fully polished and fired to a gunmetal coloration. The metallic surface and the matte black areas of the carving are beautiful on this jar.  The jar is in is in very good condition with no chips, cracks, restoration or repair.  It is signed, “Rosalie + Joe” on the bottom in the clay.

Click here to read more about the “Early San Ildefonso Innovators”

$ 1,000.00
Aguilar, Rosalie & Joe – Carved Red Jar with Rain Designs (1930’s)

Rosalie and Joe Aguilar created some exceptional pottery throughout their time working together.  In the 1930’s they began to make carved pottery.  This jar has a carve rain and lightning pattern separated by a negative space mountain design.  The jar is polished red and the background area is a matte red clay slip.  The style of the carving is known as “cameo carving”, which was typical at San Ildefonso in the 1930’s. The jar is in is in very good condition with no chips, cracks, restoration or repair.  It is signed, “Rosalie + Joe” on the bottom in the clay.

Click here to read more about the “Early San Ildefonso Innovators”

$ 600.00
Aguilar, Rosalie & Joe – Plate with Avanyu Designs (1920’s)

Rosalie and Joe Aguilar created some exceptional pottery during brief career working together.  It is often their plates which are the most visually striking and complex of their work.  This plate is a complicated and fascinating design. There are two avanyu heads on either side where the circle is the eye and each has an elongated tongue. They are connected with a water design and the step pattern is the mountain. The “x” design in the center is the turkey track.  The fineline checkerboard areas area exceptionally well painted.  The piece has a very modern appearance with the placement of the imagery yet it is one from the 1920’s.  This plate is in very good condition with no chips, cracks, restoration or  repair.  There are a few light surface scratches.  It is signed on the back, “Rosalie + Joe”.

Click here to read more about the “Early San Ildefonso Innovators”

$ 1,400.00
Aguilar, Joe – Plate with Koshari Clown and Dog (1950’s)

This is a charming plate by Joe Aguilar.  He began his career painting pottery for his mother, Susana Aguilar,  He also made pottery with his wife, Rosalie, through the 1940’s.  In the 1950’s, after the passing of Rosalie, he created a fascinating group of polychrome pottery including both plates and vessels.  He was one of the few potters at the time still using traditional techniques for the polychrome or black-on-white pottery. This plate is painted with a stylized koshari clown as the design.  Off to the side is a dog sitting, watching the dancer.  It is an unusual design, as koshari are rarely if ever depicted in Pueblo pottery.  I was told that he was part of the clown group and so that is why he was able to paint the clowns on his pottery.  The plate is in very good condition with no cracks, restoration or repair.   It is signed on the back, “Joe Aguilar”.  It is from the Dick Howard collection and his inventory number is still on the back.

For more information on the

Early San Ildefonso Innovators, Click Here.

$ 800.00
Aguilar, Joe – Terrace Bowl with Avanyus (1950’s)

This is certainly one of the most exceptional pieces we have seen by Joe Aguilar.  He began his career painting pottery for his mother, Susana Aguilar,  He also made pottery with his wife, Rosalie, through the 1940’s.  In the 1950’s, after the passing of Rosalie, he created a fascinating group of polychrome pottery including both plates and vessels.  He was one of the few potters at the time still using traditional techniques for the polychrome or black-on-white pottery. This unique piece is a terraced bowl. The mountain steps are on one side and the center of the bowl is meant to represent the lake below the mountains. There are two avanyu painted along the interior sides of the bowl.  The bowl was traditionally fired and there is a slight dark cast to the cream colored clay due to the smoke in the firing. The interesting part of the firing, however, is that on the bottom you can see fingerprints of where he handled the bowl before it was fired!  The bowl is in very good condition with no cracks, restoration or repair.   It is signed on the bottom, “Joe Aguilar”.

For more information on the

Early San Ildefonso Innovators, Click Here.

$ 950.00
Aguilar, Joe – Bowl with Rain Cloud Designs (1950’s)

Joe Aguilar began his career painting pottery for his mother, Susana Aguilar,  He also made pottery with his wife, Rosalie, through the 1940’s.  In the 1950’s, after the passing of Rosalie, he created a fascinating group of polychrome pottery including both plates and vessels.  He was one of the few potters at the time still using traditional techniques and designs for his work. This wide bowl is slipped red on the inside and creame on the outside.  It is painted in black with a rain cloud and rain designs. The use of the lines in his design was a signature of his painting.  On this bowl the pattern is repeated four times.  The bowl is in very good condition with no cracks, restoration or repair.   It is signed on the bottom, “Joe Aguilar”.

For more information on the

Early San Ildefonso Innovators, Click Here.

$ 650.00
Aguilar, Joe – Whirling Water Design Polychrome Plate (1950’s)

Joe Aguilar began his career painting pottery for his mother, Susana Aguilar,  He also made pottery with his wife, Rosalie, through the 1940’s.  In the 1950’s he created a fascinating group of polychrome pottery including both plates and vessels.  He was one of the few potters at the time still using traditional techniques and designs for his work. This is an exceptional plate painted with polychrome designs. The center is a fineline pattern, which was often seen in the earlier black-on-black pottery. The central medallion then becomes a whirling circle of water with the extensions of the plant designs.  The plate is in very good condition with no cracks, restoration or repair. There are two small areas where the white slip has flaked away.  It is signed on the back, “Joe Aguilar”.

For more information on the Early San Ildefonso Innovators, Click Here.

$ 850.00
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