Loading the content... Loading depends on your connection speed!

Scottsdale 480.481.0187 | Santa Fe 480.440.3912
kgs@kinggalleries.com
Shopping Cart - $ 0.00

No products in the cart.

Rainy Naha

Rainy Naha learned to make pottery from her mother, Helen "Featherwoman" Naha, and Rainy is the grand-daughter of Hopi-Tewa pottery matriarch, Paqua Naha, the first "Frogwoman". The traditional designs of her pottery go back to the early works made by Paqua.  Her sister Sylvia and brother Burel Naha are also well-known potters and they use much the same styles and colors as Rainy. Each piece of Rainy's work is made in the traditional hand-coiled method, then shaped, sanded and polished before painting with bee-weed (black) and native clay slips and native fired. Rainy continues to innovate and also create her own voice among Hopi-Tewa potters. She has won numerous awards, including "Best of Pottery" at Santa Fe Indian Market in 2007.  She signs her pottery with the traditional feather hallmark used by her mom and then adds her first name.  We are pleased to carry Rainy in our Gallery both in Scottsdale an Santa Fe.

Showing all 5 results

grid
list
Naha, Rainy – Awatovi Star & Solstice Design

This is a complex jar by Rainy Naha.  She learned to make pottery from her mother, Helen “Featherwoman” Naha.  Rainy continues is a similar style using a white clay slip as the foundation for her work.  This jar is a classic Sikyatki style with a wide sloping shoulder.  The jar is slipped with a white clay and then painted with natural clay slips and bee-weed (black).  The design on the jar combines two of Rainy’s most famous patterns. There is the Awatovi Star in at the very top of the bowl.  Awatovi was a village near Hopi which created black-on-white pottery and it was revived by Rainy’s mother. The spikes of the star are the hatchwork designs in black-on-white.  Note to the side of them are four triangles with different colors, representing the four seasons.  Separating the spikes of the star are four of the solstice panels with the four phases of the moon.  Around the shoulder is a band of Hopi-Tewa designs including an eternity design, snow rain, and colors representing the four directions.  Some of the colors are polished and some are left matte, but there are over six different colors used on this piece!  The painting on the surface is wonderfully intricate and varied.  The jar is signed on the bottom with her name and feather hallmark.

$ 1,000.00
Naha, Rainy – Jar with Ten Interlocking Parrots

The “interlocking” or “tumbling” parrots is a design originated by Rainy Naha. This piece has a very round shoulder and slight neck.  This shape allows both the top and bottom parrots to be easily seen. The bowl is fully polished with a white clay slip and then there are five sections of interlocking birds for a total of ten.  Each bird is painted with various Hopi-Tewa designs and then additional clay slips for the color.  Note the variety of designs in the birds with small hatchwork patterns and even four directional color sets.  Rainy uses bee-weed (black) and natural clay slips for her colors. The jar is traditionally fired.  Rainy learned to make pottery from her mother, Helen “Featherwoman” Naha.  The bowl is signed on the bottom with the feather hallmark and “Rainy”.  Rainy has won numerous awards for her pottery at Santa Fe Indian Market and the Heard Market and her work continues to be a creative inspiration in Hopi-Tewa pottery.

$ 1,600.00
Naha, Rainy – Jar with Awatovi Mural Parrot and Hero Twin Figures

Rainy Naha is well known for her creative and intricately designed pottery.  This jar is a new design for her and it is inspired by the Awatovi murals.   Awatovi was a Hopi village from around 1300 to 1700.  In the 1930’s J. O. Brew of the Peabody Museum conducted extensive archeological excavations at Awatovi.  Most of the murals were actually removed and are now at the Peabody Museum.  The last image is one of the actual murals.  Rainy Naha has depicted two of the katsina figures on the murals on this jar.  One side has one of the Hero Twins with the rainbow over the back of the figure. The other side has a figure holding a parrot with prayer sticks and another parrot off to the side.  Both are very intricate and complex designed pieces!   They are painted much as depicted in the murals and some of her own stylized designs.  They are intricately painted and all the various colors are from natural clay slips.  Separating the two figures are bands of Hopi-Tewa designs.  Each of the squares has a different design from classic Hopi-Tewa pottery.  So why the Awatovi designs? Rainy’s mother, Helen “Feather Woman” Naha, lived on a ranch in the Jeddito Valley, below the Awatovi Ruins and Helen was the first revivalist of their black and white pottery.  Rainy has continued this revival with her innovative designs.  The jar is painted with vairous clay slips along with bee-weed, which is the black.  It was traditionally fired and it is signed on the bottom with a feather and “Rainy”.  Rainy has won numerous awards for her pottery at Santa Fe Indian Market and the Heard Market and her work continues to be a creative inspiration in Hopi-Tewa pottery.

$ 2,100.00
Naha, Rainy – Jar with Awatovi Star Design

Rainy Naha is known for her delicately painted Hopi-Tewa pottery.  This bowl is one of her classic shapes with a wide shoulder and just a slight neck.  The design is the “Awatovi Star” pattern, which was revived by her mother, Helen “Featherwoman” Naha.  Awatovi is one of the ruins near Hopi where a white slipped style of pottery was made.  It is a fascinating place as it was where Coronado made contact with the Hopi in 1540.  During the excavations in the 1930’s the whiteware pottery was rediscovered.  It was the imagery from his work which inspired much of Helen’s early pottery, as opposed to the more classic Sikyatki inspired pottery of Nampeyo of Hano.  This bowl has the “Awatovi Star” pattern painted on the top and the bottom.  Around the shoulder is her “eternity band” design.  The bowl has been traditionally fired and there is some variation to the color with the fired cloud, which certainly adds to the beauty of the piece.  It is tightly painted using bee-weed (black) on a white kaolin clay surface. There is a balance of the design on the surface as the piece is turned which is simply beautiful!  It is signed on the bottom with a feather and her name.

$ 975.00
Naha, Rainy – Jar with Awatovi Mural Katsina Figures

Rainy Naha is well known for her creative and intricately designed pottery.  This jar is a new design for her and it is inspired by the Awatovi murals.   Awatovi was a Hopi village from around 1300 to 1700.  In the 1930’s J. O. Brew of the Peabody Museum conducted extensive archeological excavations at Awatovi.  Most of the murals were actually removed and are now at the Peabody Museum.  The last image is one of the actual murals.  Rainy Naha has depicted two of the katsina figures on the murals on this jar.  One side has an Aholi katsina, while the other one Rainy said she was uncertain who it depicted. They are painted much as depicted in the murals and some of her own stylized designs.  They are intricately painted and all the various colors are from natural clay slips.  Separating the two figures are a band of Hopi-Tewa designs.  Each of the squares has a different design from classic Hopi-Tewa pottery.  So why the Awatovi designs? Rainy’s mother, Helen “Feather Woman” Naha, lived on a ranch in the Jeddito Valley, below the Awatovi Ruins and Helen was the first revivalist of their black and white pottery.  Rainy has continued this revival with her innovative designs.  The jar is painted with various clay slips along with bee-weed, which is black.  It was traditionally fired and it is signed on the bottom with a feather and “Rainy”.  Rainy has won numerous awards for her pottery at Santa Fe Indian Market and the Heard Market and her work continues to be a creative inspiration in Hopi-Tewa pottery.

$ 2,000.00
Mobile version: Enabled