Sarah Sense (b.1980) received a BFA from California State University, Chico (2003), and an MFA from Parsons The New School for Design, New York (2005). Sense’s visual art practice is weaving photographs with traditional Chitimacha basketry techniques. Since 2010, Sense has been traveling and researching contemporary Indigenous arts throughout North, Central, and South America and Southeast Asia. She recently published her first book, Weaving the Americas, A Search for Native Art in the Western Hemisphere, a project based on a seven-month journey from Canada to Chile. The project garnered her first traveling solo exhibition, Weaving the Americas, Tejiendo las Amerícas, premiering at Museo de Arte Contempráneo, Universidad Austral, Valdivia, Chile (2011). Another project, Weaving Water premiered in Bristol, the UK at Rainmaker Gallery, with curatorial support from Max Carocci of British Museum (2013). Other exhibitions include First Continental Biennale of Contemporary Native Arts, Museo de Nacional Culturas Populares, Mexico City (2012), HIDE: Skin As Material and Metaphor, Smithsonian Institution, National Museum of the American Indian, New York (2010); Pieces of Home, Evergreen State College, Olympia, Washington (2010); Reimagining the West, Scottsdale Museum of Contemporary Art, Scottsdale, AZ (2010); In/SIGHT, Chelsea Art Museum, New York, (2010). Collections include the Smithsonian Institution, National Museum of the American Indian, the Chitimacha Tribal Museum, Eaton Corporation, Tweed Museum of Art at the University of Minnesota; and private collections in Australia, Canada, Chile, Colombia, Germany, England, and the United States.