Loading the content... Loading depends on your connection speed!

Scottsdale 480.481.0187 | Santa Fe 480.440.3912
kgs@kinggalleries.com
Shopping Cart - $ 0.00

No products in the cart.

Mark Tahbo

Mark Tahbo Mark Tahbo was a Hopi-Tewa member of the Tobacco Clan.  He had been an active potter since 1978. He learned to make pottery from his great-grandmother, GraceChapalla.  His sisters Diana and Pam were also potters.  Mark was influential in the early 1990’s in recognition of traditional firing of Hopi pottery and keeping it as a practice among Hopi-Tewa pottery. Mark had won numerous awards for his pottery at events such as Santa Fe Indian Market, the Heard Indian Market, and Gallup Ceremonials.  In 1991, he won Overall Prize at Santa Fe Indian Market.  In 1992 he was awarded Best of Division at the Heard Museum Indian Fair. Awards continued to be presented to him in 1993 and 1994 and later. His pottery is featured in books such as "Talking with the Clay" and "Collecting Authentic Indian Art." He is remembered as one of the exceptional traditional innovators of Hopi pottery!  His pieces reflect the wonderful symmetry and thin walls of an excellent potter. The designs are painted using native clay slips and bee-weed (a plant) for the black. Sadly, Mark passed away in December 2017.  We were lucky to work with him at King Galleries for over 20 years.  His creativity and artistic genius will be missed.

Showing all 5 results

grid
list
Tahbo, Mark  – Open Bow with Bird Man and Hummingbirds (2000)

This is a large open bowl which is fully painted by Mark Tahbo.  He learned to make pottery from his great grandmother, Grace Chapella.  His pieces reflect the wonderful symmetry and thin walls of an excellent potter. The designs are painted using native clay slips and bee-weed (a plant) for the black. The bowl is shallow and has a slight extended rim.  On the inside is one of his anthropomorphic “bird men”.  He made this figures in place of using katsinas on his pottery.  They were part of the stories he would tell about his work and certainly an influence came from the Awatovi murals. This figure has a bird head and is holding a white bird and a gourd canteen. The rim of the bowl is painted with a checkerboard pattern.  It is the surprise of the back which is so dynamic.  The center is a very tightly painted hatchwork flower.  There are four hummingbirds encircling the flower.  The bodies of each are painted with various colored clay slips.  There is a distinctive rainbow band with four different colors connecting each bird.  Mark would seek out the various colors used on his pottery and the mauve clay (the bottom rainbow band) was always the most difficult to find.  The plate was traditionally fired and has dynamic colored blushes across the surface.  The plate is signed on the rim, “Mark Tahbo 2000”.  It won a “Challenge Award” at the 2000 Santa Fe Indian Market.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 2,800.00
Tahbo, Mark  – Plate with Four Birds (2002)

This is an unusual plate by Mark Tahbo.  The plate is recessed with a small rim.  It is fully polished and the center is fully painted. The design has four Hopi birds encircling the piece.  The center square is slipped with the mauve clay he was using at this time. The square styling is similar to that used by Nampeyo of Hano in the painting on the top of her pottery.  Note on the birds and the delicately painted lines.  The plate was traditionally fired and has some great blushes on the surface.  It was painted with bee-weed (black) and then clay slips. The plate is signed on the back rim, “Mark Tahbo” and dated 2002.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 1,600.00
Tahbo, Mark  – 16″ Wide Eagle Tail Shoulder Jar (1999)

This is a striking very large wide shoulder jar by Mark Tahbo.  The jar is a classic Hopi or Sikytaki shape, with the wide shoulder and a slight neck. The neck is just slightly turned out, which for Mark, it was the little details in his pottery which were important to him.  The shoulder of the jar is painted with an intricate eagle tail design.  Mark would often try and stylize patterns so that they were not just a repetition of previous work.  Here, the tail feathers can be seen in the center of the design, and then the wings extruding outward and mottled.  The jar was painted with bee-weed (black) and then clay slips.  Note that he used a deep red clay, but also a mauve clay slip in the center areas.  It was only around 1998-9 that he began to use the mauve clay, which he found near Hopi.  It was difficult to use and he didn’t have much, so he used it as an accent in his designs.  The jar is traditionally fired and the blushes are simply amazing!  The color variations range from white to orange almost red!  Mark worked diligently to create blushes on the surface of the pottery so that they would almost function as another design element!  The jar is signed on the bottom, “Mark Tahbo” and dated ’99.  The jar is in excellent condition with no chips, cracks, restoration or repair. The owners of the jar acquired it directly from Mark. Finding pieces of his this size, design and coloration is a great testament to his skill as a potter and painter!

$ 5,000.00
Tahbo, Mark  – Large Jar with 16 Kastsina Masks (1998)

This is an exceptional large jar by Mark Tahbo. It came from a collector who purchased it directly from Mark. It looked very familiar and when I went though some old photos, I realized I had been at Hopi the day it was fired!  Mark had been firing pieces for Santa Fe Indian Market in1998 and asked me to come up and photograph some of the firings.  At the end of the photos are some photos of this being taken out of the firing! What an amazing coincedence!  It’s no surprise that this jar is thin walled and a great shape.  The entire surface is fully polished. The jar was made in 1998 and it was one of the first times he had deviated from more classic Sikyati designs of Nampeyo and his great-grandmother Grace Chapella.  Here each of the figures around the shoulder has a different katsina mask including the grandmother katsina, hornet, cloud, star, and others.  Note how the mask of each one is different and painted with both red, white and mauve clay slips!  The band closer to the neck has star, bird, corn, raincloud, butterfly and flower patterns.  Again, they are painted with the various clay slips!  The complexity in design and the variations in color are certainly a hallmark of this period of his pottery. The jar was traditionally fired and there are great blushes on the surface. Mark fired his pottery outdoors using sheep dung and the smoke created the intense colorations.  He was always fascinated with the blushes in the clay and worked hard to give his pottery a rich appearance. This jar is in excellent condition with no chips, cracks, restoration or repair.  It is signed and dated on the bottom. 

$ 3,000.00
Sale!
King, Charles S., “Spoken Through Clay”

Spoken Through Clay

A NEW  RELEASE SPECIAL:  $95.00, including shipping (US)! Check out the new review in the Denver Post!

 Just a few things which make this book unique!
*   The size!  The book is 11.75″ x 14.25″ and weights over 8 pounds!
*  The photography of the pottery is stunning, emphasizing the individual pieces.
*  Each caption is the artist discussing the individual piece on the page.
*  The artist “biographies” are from interviews with the artists and they discuss their art, culture, lives and history.
*  Organization: The book is not organized by pueblo or family, but entails new ways to think about the future of Native pottery.
*  Printing in Italy gives the book very high quality color and paper.
* The photos of the living artists were taken by Will Wilson using a tin-type process. He was a recipient of the 2107 New Mexico Governor’s Award for the Arts in photography!
*  The book features work by more than 30 contemporary potters and more than a dozen important historic potters.
*  There are essays by myself, Peter Held and Eric Dobkin.  They add to the overall understanding of the project a historic perspective.

_____________________________________________

August 18, Pasatiempo Review

“Charles S. King’s new book, Spoken Through Clay: Native Pottery in the Southwest, The Eric S. Dobkin Collection, is spectacularly heavy —which is a problem from a practical standpoint, because once you open it, you won’t want to put it down. With dreamy tintype artist portraits by Diné photographer Will Wilson, dazzlingly crisp images from Addison Doty, and intimate first-person essays written by dozens of artists, the book is a visually delicious, intellectually consuming foray into historic and contemporary Southwestern pottery. In short, prepare to swoon.

If you’re thinking of this as a coffee-table book, you’ll need to imagine a decently sized coffee table. The book is more than a foot tall and, when opened, two feet wide, but its outsize appearance belies the often delicate beauty of its contents: hundreds of individual pieces of pottery from Eric S. Dobkin’s exquisitely curated collection — arguably the largest and most important of its kind. Gallery owner, author, and Pueblo pottery expert King designed Spoken Through Clay to be approachable for those unfamiliar with Native American pottery. “In the age of social media, I wanted to make the book both visually striking and personal,” King said. The book opens with essays by King, Dobkin, and curator Peter Held, who calls clay “the most archival of materials … seductive, sensuous, responsive, geologic, and malleable.”

“I wanted the end result of the book to be that the reader would connect with the artists in a personal way, beyond just the art, and understand the time it takes to become an artist, to achieve success,” King said. Sprawling yet intimate, Spoken Through Clay introduces its readers not just to the beauty of Southwestern pottery but also to the fascinating stories of the people who make it.Iris McLister, Pasatiempo

____________________________________

“It’s one of the things that makes us who we are. It’s what holds our family together. We are a family of potters. It’s our identity. People don’t realize how much work goes into it just processing the clay and making it. You have to do it with your heart.”—Linda Tafoya-Sanchez

 

FEATURED ARTISTS Grace Medicine Flower • Dextra Quotskuyva • Autumn Borts-Medlock • Jody Naranjo • Harrison Begay Jr. • Jordan Roller • Sara Fina Tafoya • Lonnie Vigil • Margaret Tafoya • Steve Lucas • LuAnn Tafoya • Loren Ami • Toni Roller • Popovi Da • Linda Tafoya-Sanchez • Mark Tahbo • James Ebelacker• Yvonne Lucas • Jeff Roller • Lisa Holt • Harlan Reano • Nampeyo • Jacquie Stevens • Nathan Youngblood • Jacob Koopee Jr. • Jennifer Moquino • Christopher Youngblood • Maria Martinez • Tony Da • Tammy Garcia • Virgil Ortiz • Joseph Lonewolf • Johnathan Naranjo • Nancy Youngblood • Les Namingha • Russell Sanchez • Christine McHorse • Richard Zane Smith • Rondina Huma • Susan Folwell • Dominique Toya • Jody Folwell

Spoken Through Clay features the pottery of iconic Native American artists from historic potters Nampeyo and Maria Martinez, to contemporary potters Tammy Garcia, Virgil Ortiz, and many others, are featured in a new book published by the Museum of New Mexico Press. Spoken Through Clay: Native Pottery of the Southwest showcases nearly three hundred pottery vessels from the acclaimed Eric S. Dobkin Collection, covering a wide range of mostly Pueblo artists from the Southwest.

“The physical scale of the vessels combined with the depth of the contemporary collection [is] breathtaking,” says author Charles S. King. The book is part of a “transitional process of looking to the clay, the vessel, and the potter’s voice and allowing the pieces to stand on the merit of their artistic integrity.”

The book includes portraits and voices of renowned potters speaking about their artistry and technique, families, culture, and traditions. Many of the artists are connected by Pueblos, generations, or family members. Dynamic color photography captures the depth and dimension of the pieces, while the artists provide an illuminating perspective through narrative captions. Artists, academics, collectors, family members, and gallerists add additional insight about the lives, historical context, and importance of these potters and their work.

SPOKEN THROUGH CLAY Native Pottery of the Southwest The Eric S. Dobkin Collection
By Charles S. King Essay by Peter Held

Artist portraits by Will Wilson
ISBN: 978-0-89013-624-9

352 pages, 320 color plates, 40 artist portraits

Publication Date: August 01, 2017
ABOUT THE AUTHOR Charles S. King is the author of Born of Fire: The Life and Pottery of Margaret Tafoya, The Life and Art of Tony Da, Virgil Ortiz: Revolt 1680/2180, and numerous articles on Pueblo pottery. He has served on boards of art associations, judged pottery at prestigious events, and lectures about the art form. His business King Galleries represents many of today’s leading Native potters and important historic works in clay. Charles lives in Scottsdale, Arizona.

$ 125.00 $ 95.00
Mobile version: Enabled