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Richard Zane Smith

Richard Zane Smith was born in Georgia, and grew up in St. Louis Missouri, he has a degree from the Kansas City Art Institute, where he studied ceramics. As a young man, he taught at a Navajo mission school, where he was exposed to native clay and Ancient Pueblo pottery.  These remnants, and their coiled construction, as well as his Wyandot heritage, are what continue to inspire his work to this day. Richard Zane Smith 's works can be found in museums nationwide and has been featured in numerous exhibits, including the Heard Museum's exhibit, "Breaking the Surface", the Philbrook Museum in Tulsa, Oklahoma, the San Diego Museum of Man, and the Denver Art Museum.   Richard's work has been featured in numerous books and magazine articles, including "The Art of Clay". His corrugated basket style designs are similar to pre-historic corrugated pottery, but using delicate lines, coils, and colors in each layer, makes his pottery resemble Wyandot basketry.  He continues to work to breathe life into recreating his interpretations, and presents each work with a naturalistic style, shape, and design story

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Zane Smith, Richard – Corrugated Plate with Stand (2006)

This a striking corrugated plate by Richard Zane Smith.   For his plates, the coils are smoothed out on one inside but left exposed on the other.  This distinctive style of pottery  is a revival of the pre-historic concept of corrugated pottery.  The earliest corrugated pieces were often baskets which had clay applied to them and then fired, creating a “corrugated” appearance.  The small coils are used as part of the design and give each piece a textural feel.  The plate provides a striking presentation of the corrugated style.  They ebb and flow across the surface creating small shadows when the plate is turned.  The coloration variation changes across the surface, creating a rainbow-like appearance.  The rim is incised to give the appearance of leather and the back in impressed with interlocking designs.  It is signed on the back, “Ricard Zane Smith”.  It is in excellent condition with no chips, cracks, restoration or repair.  There is a wood stand which Richard made for the plate and which he also signed.

$ 6,000.00
Zane Smith, Richard – Garden Set of 6 Pieces (2001)

This an exceptional group of corrugated pieces by Richard Zane Smith.  Each piece is coil built using very thin coils.  The coils are smoothed out on the inside but left exposed on the outside of the vessel.  This distinctive style of pottery  is a revival of the pre-historic concept of corrugated pottery.  The earliest corrugated pieces were often baskets which had clay applied to them and then fired, creating a “corrugated” appearance.  The small coils are used as part of the design and give each piece a textural feel.  There is a large open bowl with a corrugated rim. The inside of the bowl has five pieces.  Each piece has a different shape and style of corrugation.  The variety of shapes reflect some of the different forms for which Richard is well known.  The individual pieces sit in the sand, so they can be positioned in various ways.  The set is from 2001.  It is signed on the bottom, “Ricard Zane Smith”.  It is in excellent condition with no chips, cracks, restoration or repair.

$ 10,500.00
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King, Charles S., “Spoken Through Clay”

Spoken Through Clay

A NEW  RELEASE SPECIAL:  $95.00, including shipping (US)! Check out the new review in the Denver Post!

 Just a few things which make this book unique!
*   The size!  The book is 11.75″ x 14.25″ and weights over 8 pounds!
*  The photography of the pottery is stunning, emphasizing the individual pieces.
*  Each caption is the artist discussing the individual piece on the page.
*  The artist “biographies” are from interviews with the artists and they discuss their art, culture, lives and history.
*  Organization: The book is not organized by pueblo or family, but entails new ways to think about the future of Native pottery.
*  Printing in Italy gives the book very high quality color and paper.
* The photos of the living artists were taken by Will Wilson using a tin-type process. He was a recipient of the 2107 New Mexico Governor’s Award for the Arts in photography!
*  The book features work by more than 30 contemporary potters and more than a dozen important historic potters.
*  There are essays by myself, Peter Held and Eric Dobkin.  They add to the overall understanding of the project a historic perspective.

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August 18, Pasatiempo Review

“Charles S. King’s new book, Spoken Through Clay: Native Pottery in the Southwest, The Eric S. Dobkin Collection, is spectacularly heavy —which is a problem from a practical standpoint, because once you open it, you won’t want to put it down. With dreamy tintype artist portraits by Diné photographer Will Wilson, dazzlingly crisp images from Addison Doty, and intimate first-person essays written by dozens of artists, the book is a visually delicious, intellectually consuming foray into historic and contemporary Southwestern pottery. In short, prepare to swoon.

If you’re thinking of this as a coffee-table book, you’ll need to imagine a decently sized coffee table. The book is more than a foot tall and, when opened, two feet wide, but its outsize appearance belies the often delicate beauty of its contents: hundreds of individual pieces of pottery from Eric S. Dobkin’s exquisitely curated collection — arguably the largest and most important of its kind. Gallery owner, author, and Pueblo pottery expert King designed Spoken Through Clay to be approachable for those unfamiliar with Native American pottery. “In the age of social media, I wanted to make the book both visually striking and personal,” King said. The book opens with essays by King, Dobkin, and curator Peter Held, who calls clay “the most archival of materials … seductive, sensuous, responsive, geologic, and malleable.”

“I wanted the end result of the book to be that the reader would connect with the artists in a personal way, beyond just the art, and understand the time it takes to become an artist, to achieve success,” King said. Sprawling yet intimate, Spoken Through Clay introduces its readers not just to the beauty of Southwestern pottery but also to the fascinating stories of the people who make it.Iris McLister, Pasatiempo

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“It’s one of the things that makes us who we are. It’s what holds our family together. We are a family of potters. It’s our identity. People don’t realize how much work goes into it just processing the clay and making it. You have to do it with your heart.”—Linda Tafoya-Sanchez

 

FEATURED ARTISTS Grace Medicine Flower • Dextra Quotskuyva • Autumn Borts-Medlock • Jody Naranjo • Harrison Begay Jr. • Jordan Roller • Sara Fina Tafoya • Lonnie Vigil • Margaret Tafoya • Steve Lucas • LuAnn Tafoya • Loren Ami • Toni Roller • Popovi Da • Linda Tafoya-Sanchez • Mark Tahbo • James Ebelacker• Yvonne Lucas • Jeff Roller • Lisa Holt • Harlan Reano • Nampeyo • Jacquie Stevens • Nathan Youngblood • Jacob Koopee Jr. • Jennifer Moquino • Christopher Youngblood • Maria Martinez • Tony Da • Tammy Garcia • Virgil Ortiz • Joseph Lonewolf • Johnathan Naranjo • Nancy Youngblood • Les Namingha • Russell Sanchez • Christine McHorse • Richard Zane Smith • Rondina Huma • Susan Folwell • Dominique Toya • Jody Folwell

Spoken Through Clay features the pottery of iconic Native American artists from historic potters Nampeyo and Maria Martinez, to contemporary potters Tammy Garcia, Virgil Ortiz, and many others, are featured in a new book published by the Museum of New Mexico Press. Spoken Through Clay: Native Pottery of the Southwest showcases nearly three hundred pottery vessels from the acclaimed Eric S. Dobkin Collection, covering a wide range of mostly Pueblo artists from the Southwest.

“The physical scale of the vessels combined with the depth of the contemporary collection [is] breathtaking,” says author Charles S. King. The book is part of a “transitional process of looking to the clay, the vessel, and the potter’s voice and allowing the pieces to stand on the merit of their artistic integrity.”

The book includes portraits and voices of renowned potters speaking about their artistry and technique, families, culture, and traditions. Many of the artists are connected by Pueblos, generations, or family members. Dynamic color photography captures the depth and dimension of the pieces, while the artists provide an illuminating perspective through narrative captions. Artists, academics, collectors, family members, and gallerists add additional insight about the lives, historical context, and importance of these potters and their work.

SPOKEN THROUGH CLAY Native Pottery of the Southwest The Eric S. Dobkin Collection
By Charles S. King Essay by Peter Held

Artist portraits by Will Wilson
ISBN: 978-0-89013-624-9

352 pages, 320 color plates, 40 artist portraits

Publication Date: August 01, 2017
ABOUT THE AUTHOR Charles S. King is the author of Born of Fire: The Life and Pottery of Margaret Tafoya, The Life and Art of Tony Da, Virgil Ortiz: Revolt 1680/2180, and numerous articles on Pueblo pottery. He has served on boards of art associations, judged pottery at prestigious events, and lectures about the art form. His business King Galleries represents many of today’s leading Native potters and important historic works in clay. Charles lives in Scottsdale, Arizona.

$ 125.00 $ 95.00
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