Blue Corn - Water Jar with 16 Wide Feathers (1970s)
Blue Corn - Water Jar with 16 Wide Feathers (1970s) - Image 2
Blue Corn - Water Jar with 16 Wide Feathers (1970s) - Image 3
Blue Corn - Water Jar with 16 Wide Feathers (1970s) - Image 4
Blue Corn - Water Jar with 16 Wide Feathers (1970s) - Image 5

Blue Corn – Water Jar with 16 Wide Feathers (1970s)

6.5"w x 8"h

$ 1,500.00

This is a classic long neck jar by Blue Corn.  She is certainly one of the most creative potters of her time, and she used a variety of clays and firing techniques to create her distinctive pottery.  This jar has a low shoulder and an elongated neck.  There is a geometric design painted around the neck and 16 wide feathers around the shoulder.  It was stone polished to a high shine and then painted.  The jar was traditionally fired to a glassy black coloration.  It is signed on the bottom in the clay, “Blue Corn”.   It is in very good condition with no chips, cracks, restoration, or repair.

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Brand:Blue Corn (1921 - 1999)

This is a classic long neck jar by Blue Corn.  She is certainly one of the most creative potters of her time, and she used a variety of clays and firing techniques to create her distinctive pottery.  This jar has a low shoulder and an elongated neck.  There is a geometric design painted around the neck and 16 wide feathers around the shoulder.  It was stone polished to a high shine and then painted.  The jar was traditionally fired to a glassy black coloration.  It is signed on the bottom in the clay, “Blue Corn”.   It is in very good condition with no chips, cracks, restoration, or repair.

Brand

Blue Corn (1921 - 1999)

Blue Corn Crucita Calabaza

Blue Corn

Blue Corn was born "Crucita Calabaza" at San Ildefonso Pueblo. She learned to make pottery from her mother.  She attended school in Pueblo in her early years.  She then went to Santa Fe Indian School, 24 miles from home.  While attending Indian School in Santa Fe, her mother and father died, and she was sent to live with relatives in Southern California.  Here she worked as a maid for a short time in Beverly Hills. At 20, she married Santiago 'Sandy' Calabaza, a silversmith from Santo Domingo pueblo.  Together they settled at San Ildefonso, where she bore and raised ten children.  During World War II, Blue Corn worked as a housecleaner in Los Alamos for the physicist J. Robert Oppenheimer.  She was renowned for her polychrome Blue Corn pottery and her distinctive blackware. She made black-on-black, redware, and polychrome pots during her career.  In the late 1950s, Santiago Calabaza quit his day job and began working full-time with her, carving, painting, and designing.  In 1972 Joseph began working with Blue Corn after Santiago passed away.  Blue Corn is especially noted for her finely polished slips and her experiments with clays and colors, creating exceptional polychrome pottery. In 1981 she won the "Governor's Award," New Mexico's highest artistic honor.  Blue Corn Pottery was so exacting and innovative in her designs that over a decade after her passing, her pottery continues to be influential and highly sought after.  In both a testament to her skill as a potter and a reflection of her creativity, she was posthumously awarded the 2008 "Lifetime Achievement Award" by SWAIA.  Her work can also be found in "Legacy of Generations."
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