Lonewolf, Joseph – Large Seedpot with Bird, Fish, and Relief Carving (1977)
$ 2,200.00
This is a complex large seedpot by Joseph Lonewolf. The piece is fully polished and fired red and it is from 1977. 1977 is one of the key years of Joseph’s pottery, as he created a majority of his relief carved pieces during the 1976-77 period. The piece has several layers of design. There is a Mimbres bird holding a Mimbres fish. Behind the fish are carved cloud designs that are polished tan. The next layer back is the rounded lines that are slipped with blue clay. It is a creative but difficult use of layers of design and various colors. There are blue, green, red, and white clay slips. The remainder of the piece is fully polished red. There is a small, realistic butterfly as part of the design and it is slipped with light green clay. The seedpot is signed on the bottom in the clay, “Joseph Lonewolf”. It is in excellent condition with no chips, cracks, restoration, or repair.
I think what collectors saw and recognized was his special relationship with Clay Woman, the spirit who lives in the clay. His belief and respect for her allowed him to tap into his own creative energy, that inexplicable ‘groove’ that every artist seeks but only sometimes reaches. These two elements, Dad’s energy combined with Clay Woman to form these incredible pieces, so alive and realistic that you expected the images to walk right off the pots.” Rosemary Lonewolf ,Spoken Through Clay
In stock
Johnston Jr, Don - Oval Baleen Basket with Whale Tail Lid
Sunn, Mabel - White Bowl with Frogs (1950's)
Johnson, Barbara - Bowl with Mountain Designs (1970s) 







Joseph Lonewolf was a son of noted potters Camilio and Agapita Tafoya and the brother of Grace Medicine Flower. In the early 1970s, Joseph revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs in his work.
When Joseph and his family gather clay, they do it with the utmost respect. Before the clay can be taken from Mother Earth, they must say a prayer, asking to take the clay and tell the clay mother that they will take her and make her into a beautiful pot. The clay is brought home, and water is added to turn the clay into a liquid form known as slip. The slip is then strained to take out any rocks or debris, and then the clay can be dried, kneaded, and used.
Joseph was awarded numerous awards throughout his career, and his work can be found in museums worldwide. He has been featured in multiple books, including "The Art of Clay." He received the prestigious New Mexico Governor's Award for Excellence in the Arts in 2009 and the SWAIA Lifetime Achievement Award.