Adelle Nampeyo is known for her stylistic use of traditional Hopi designs.  This jar has a high shoulder and a flat top.  It has a migration pattern painted in two sections on the bowl.  Separating them are rain cloud designs.  The lines are delicately painted with bee-weed (black). There is an additional red clay slip as part of the design. The migration design is a classic Hopi-Tewa pattern revived by Nampeyo of Hano and tells the story of the migration of people around the world.  The bowl is traditionally fired to create coloration on the surface of the jar.  The coloration reveals shades from white to orange.  It is signed on the bottom, “Adelle Nampeyo”.

Dextra Quotskuyva Nampeyo said of  the migration pattern:

“This is the one design that was really stressed for us to use, the migration pattern. Nothing but lines, representing the migration of all the people to all the places, including down below and up above.  All the x’s represent life from the bottom and top, telling you the universe is one. The thin lines, I just wanted to paint them real fast and real close to try and include everyone.”  Dextra Quotskuyva Nampeyo, Spoken Through Clay

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Nampeyo, Adelle Lalo (b. 1959)

Adelle Lalo Nampeyo

Adelle Lalo Nampeyo (b.1959) is a daughter of Elva Tewaguna Nampeyo, a granddaughter of Fannie Nampeyo, and a great-granddaughter of Nampeyo of Hano.  She is as sister to potters Miriam Nampeyo, Elton Tewaguna and Neva Nampeyo.  She learned to make pottery from her mother and grandmother. Adelle is known for her stylistic use of traditional Hopi designs.