Lonewolf, Joseph – “Wild Ones” Seedpot with Mimbres Animals and Figures (1985-6)
$ 2,400.00
This a very complex seedpot by Joseph Lonewolf. It is from 1985-6 and it is highly polished and fired red. On one side are two Mimbres figures. They are holding arrows and clubs and sitting on a fur rug. As the piece is turned, there are three “wild” Mimbres animals. There is a wolf, a mountain lion, and a bear. Their fur is sharply edged, which is how Joseph would depict the wild animals. They are each etched with design and highlighted with yellow, green, and white clay slips. The two figures have additional brown and black clays as part of their design. The piece has an amazing amount of design etched into the clay! Near the base are two of the yearly symbols, indicating that this piece was completed over two years. There is the 1985 symbol of a star, and the 1986 symbol of a heart. The piece is very highly polished and intricately designed. It is signed on the bottom, “Joseph Lonewolf”. It is in excellent condition with no chips, cracks, restoration, or repair.
Deciphered: The Yearly Symbols of Joseph Lonewolf
In stock
This a very complex seedpot by Joseph Lonewolf. It is from 1985-6 and it is highly polished and fired red. On one side are two Mimbres figures. They are holding arrows and clubs and sitting on a fur rug. As the piece is turned, there are three “wild” Mimbres animals. There is a wolf, a mountain lion, and a bear. Their fur is sharply edged, which is how Joseph would depict the wild animals. They are each etched with design and highlighted with yellow, green, and white clay slips. The two figures have additional brown and black clays as part of their design. The piece has an amazing amount of design etched into the clay! Near the base are two of the yearly symbols, indicating that this piece was completed over two years. There is the 1985 symbol of a star, and the 1986 symbol of a heart. The piece is very highly polished and intricately designed. It is signed on the bottom, “Joseph Lonewolf”. It is in excellent condition with no chips, cracks, restoration, or repair.
Joseph Lonewolf said of his use of Mimbres imagery in his pottery:
“I regard the Mimbres as my ancestors. Though I refine their designs, each design must have meaning for me. In my dreams I see how to use the design, how to make the pot happen. Then when I work the clay, everything flows. Some people wonder why I keep changing styles, colors, forms. But I can’t just sit there and make pots. Like any artist, I must try different things, different techniques. I must meet the challenge with my hands. The patterns and the methods I see in my mind during my dreams.” —Joseph Lonewolf, 1974, Spoken Through Clay
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Lonewolf, Joseph (1932-2014)
Joseph Lonewolf
Joseph Lonewolf was a son of noted potters Camilio and Agapita Tafoya and the brother of Grace Medicine Flower. In the early 1970s, Joseph revolutionized the world of Santa Clara pottery by incorporating his sgraffito (lightly etching the surface of the clay) and incised (more deeply cut into the clay) designs in his work.
When Joseph and his family gather clay, they do it with the utmost respect. Before the clay can be taken from Mother Earth, they must say a prayer, asking to take the clay and tell the clay mother that they will take her and make her into a beautiful pot. The clay is brought home, and water is added to turn the clay into a liquid form known as slip. The slip is then strained to take out any rocks or debris, and then the clay can be dried, kneaded, and used.
Joseph was awarded numerous awards throughout his career, and his work can be found in museums worldwide. He has been featured in multiple books, including "The Art of Clay." He received the prestigious New Mexico Governor's Award for Excellence in the Arts in 2009 and the SWAIA Lifetime Achievement Award.