Naranjo-Morse, Nora – “A Sister’s Dream” 31″ Tall Clay Figure, Published (1990s)
$ 4,800.00
Nora Naranjo-Morse is known for creative clay figures and sculptural work. This is one of her larger figures that is published on page 90 of her book, “Mud Woman: Poems from the Clay”. The poem attached to the piece is in the final photo. The figure is large with flowing layers of clay creating her shawl. The poem is about her and her six sisters. Looking on the piece and power of her poetry, makes it a remarkable work in clay. It is signed, “Nora” on the back. It is in excellent condition with no chips, cracks, restoration or repair. Today, Nora makes fewer clay pieces. She has been the recent recipient of the 2025 SHIFT award along with works in the 2025 Santa Fe Biennial and numerous museum exhibitions. Having one of the pieces published in her book here in the gallery is always exciting!
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Nora Naranjo-Morse is known for creative clay figures and sculptural work. This is one of her larger figures that is published on page 90 of her book, “Mud Woman: Poems from the Clay”. The poem attached to the piece is in the final photo. The figure is large with flowing layers of clay creating her shawl. The poem is about her and her six sisters. Looking on the piece and power of her poetry, makes it a remarkable work in clay. It is signed, “Nora” on the back. It is in excellent condition with no chips, cracks, restoration or repair. Today, Nora makes fewer clay pieces. She has been the recent recipient of the 2025 SHIFT award.
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Naranjo-Morse, Nora (b. 1953)
Nora Naranjo-Morse[/caption]
Nora Naranjo Morse is a daughter of noted potter Rose Naranjo. She is also a sister of potters Jody Folwell, Dolly Naranjo and sculptor Michael Naranjo. Her daughter, Eliza, is a well known graphic artist. Nora is known for her poetry from her book, "Mud Women" and also for her contemporary clay work.
Nora Naranjo-Morse, born in 1953, is a potter and a poet with an unusual world view, though she lives a traditional life at Santa Clara Pueblo. Her pointedly satirical figures and huge conceptual installations make her one of the most exciting Indian artists of her generation.
"For hundreds of years Pueblo people have treasured their powerful relationship with clay," writes Nora in the preface to her book of poetry, Mud Woman. "Veins of colored earth run along the hillsides of New Mexico, covering remote trails with golden flecks of mica. Channels of brown and scarlet mud wash across the valleys, dipping and climbing with the sprawling landscape. Intricately woven patterns of clay fan out under the topsoil, carrying the life of pottery to the Pueblo people."
Nora, youngest daughter of Rose Naranjo, a well-known Santa Clara-Laguna potter, has eight siblings, all of whom have made pottery at one time or another in their lives. Nora remembers that years ago they gathered clay together and while their mother was making a pot, she gave pieces of clay to her children to work too.
One of Nora's important recollections is of watching her mother one night when Rose was sitting on a small stool making a huge pot out of micaceous clay that was "testing her boundaries." Nora was so impressed with Rose's wondrous look of peace and accomplishment that she never forgot it. Rose's serene countenance that night inspired Nora to work with clay.
After Taos High School and the College of Santa Fe, taking ten years to get her bachelor's degree, Nora traveled and wrote poetry. Then she married, had two children - girl and boy twins, who she says have changed her life - and built her own house. Today she is confident that she can do almost anything she wants. The major events in her life have made her more zealous and directed in her own way. - Courtesy Susan Peterson, Pottery by American Indian Women