Naranjo-Morse, Nora – Cloud Figures and Pueblo Scene (1980s)
$ 1,500.00
Nora Naranjo-Morse is known for creative clay figures and sculptural work. This is a creative piece with three sculpted “cloud beings’. Each is different in style and they are sculpted into the clay. Near the base is an etched scene with a Pueblo Church, Kiva, and Pueblo house. The figures hare highlighted with red clay. It is signed “Nora”. It is in excellent condition with no chips, cracks, restoration or repair.
“There is no word for art in the Tewa language … There is though the concept for an artful life, filled with inspiration and fueled by labor and thoughtful approach.” Nora Naranjo-Morse
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Nora Naranjo-Morse is known for creative clay figures and sculptural work. This is a clay figure, and one of her “Mud Woman” series. The figure is meant to be hung on a wall. She has a tablita on her head and clay slipped earrings. The body has a clay painted to create a shawl. It is signed on the back, “Nora”. It is in excellent condition with no chips, cracks, restoration or repair.
“There is no word for art in the Tewa language … There is though the concept for an artful life, filled with inspiration and fueled by labor and thoughtful approach.” Nora Naranjo-Morse
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Naranjo-Morse, Nora (b. 1953)
Nora Naranjo-Morse[/caption]
Nora Naranjo Morse is a daughter of noted potter Rose Naranjo. She is also a sister of potters Jody Folwell, Dolly Naranjo and sculptor Michael Naranjo. Her daughter, Eliza, is a well known graphic artist. Nora is known for her poetry from her book, "Mud Women" and also for her contemporary clay work.
Nora Naranjo-Morse, born in 1953, is a potter and a poet with an unusual world view, though she lives a traditional life at Santa Clara Pueblo. Her pointedly satirical figures and huge conceptual installations make her one of the most exciting Indian artists of her generation.
"For hundreds of years Pueblo people have treasured their powerful relationship with clay," writes Nora in the preface to her book of poetry, Mud Woman. "Veins of colored earth run along the hillsides of New Mexico, covering remote trails with golden flecks of mica. Channels of brown and scarlet mud wash across the valleys, dipping and climbing with the sprawling landscape. Intricately woven patterns of clay fan out under the topsoil, carrying the life of pottery to the Pueblo people."
Nora, youngest daughter of Rose Naranjo, a well-known Santa Clara-Laguna potter, has eight siblings, all of whom have made pottery at one time or another in their lives. Nora remembers that years ago they gathered clay together and while their mother was making a pot, she gave pieces of clay to her children to work too.
One of Nora's important recollections is of watching her mother one night when Rose was sitting on a small stool making a huge pot out of micaceous clay that was "testing her boundaries." Nora was so impressed with Rose's wondrous look of peace and accomplishment that she never forgot it. Rose's serene countenance that night inspired Nora to work with clay.
After Taos High School and the College of Santa Fe, taking ten years to get her bachelor's degree, Nora traveled and wrote poetry. Then she married, had two children - girl and boy twins, who she says have changed her life - and built her own house. Today she is confident that she can do almost anything she wants. The major events in her life have made her more zealous and directed in her own way. - Courtesy Susan Peterson, Pottery by American Indian Women