Loading the content... Loading depends on your connection speed!

Scottsdale 480.481.0187 | Santa Fe 480.440.3912
kgs@kinggalleries.com
Shopping Cart - $ 0.00

No products in the cart.

chris youngblood
Chris Youngblood

Chris Youngblood 2017

Chris Youngblood, (b 1989)

Chris Youngblood is a great-grandson of Margaret Tafoya and a son of Nancy Youngblood.  His mother, Nancy, taught him to make pottery. He has won the "Best of Class - Youth Award" at Santa Fe Indian Market and the prestigious “Best of Pottery” in 2014.  He was featured in the 2010 Native People's Magazine as one of the "Generation Next Emerging Potters" and recently featured in Native Art Magazine in 2016 as one of the “Three Potters Under 30” to watch.  His "Best of Pottery" jar was featured in the book, "Spoken Through Clay".
Chris says that he focuses on each piece, taking the time to work on the shape and stone polish the surface to a high shine, often polishing a piece several times to get it right. Chris comes to the clay focused on expanding the technical and artistic boundaries of his illustrious family.  His manipulation of the clay surface through his technically inspired imagery expands the art in new directions.

Showing all 7 results

grid
list
Youngblood, Christopher – Square Box with Four Melon Rib Designs

Christopher Youngblood creates intricately carved vessels which reflect a perfect balance of matte and polished surfaces with intricately carved designs.   This box is square in shape. Creating boxes is always technically difficult as the flat sides can easily crack during drying or firing.  This piece is fully carved on the outside and the inside of the box has a micaceous clay slip. The side of the box has four different styles of melon ribs.  Each goes a different direction or has a variation in the swirl but they each flow seamlessly into the next side!  Carving and the polishing to create this seamless flow is difficult but the results are striking.  The lid has additional melon ribs extending down on both sides.  The piece was traditionally fired (see the last two photos) inside a metal box to keep out smoke and create a more consistent coloration. The result, however, is a striking coloration to the red and the contrasting matte surface.  It is signed on the bottom in the clay.  I’m pleased that I have been working with Chris since 2010 when I wrote the first article on him for Native People’s magazine.  It is exciting to see how his work has progressed over the years and the awards for his pottery, including the 2104 “Best of Pottery” at Santa Fe Indian Market.  He was featured in the book, Spoken Through Clay, and continues to be one of the leading young potters working today.

$ 6,800.00
Youngblood, Christopher – 16 Rib Swirl Melon Bowl with Kiva Step Lid

Christopher Youngblood creates intricately carved vessels which reflect a perfect balance of matte and polished surfaces with intricately carved designs.   This is a classic swirl melon bowl.  It has 16 ribs, each carved into the clay and each stone polished. The ribs are very highly polished with an amazing shine and flow from the rim to the base.  The lid has a kiva step design, which is polished on both sides.  Take a closer look at the photos and note the precision and glassy appearance from the polishing.  The remainder of the lid is matte in contrast to the polished surfaces.  The last two photos are of the box being fired outside in the flames along with the manure being poured over the piece to turn it black.  It is signed on the bottom in the clay.  I’m pleased that I have been working with Chris since 2010 when I wrote the first article on him for Native People’s magazine.  It is exciting to see how his work has progressed over the years and the awards for his pottery, including the 2104 “Best of Pottery” at Santa Fe Indian Market.  He was featured in the book, Spoken Through Clay, and continues to be one of the leading young potters working today.

$ 4,000.00
Youngblood, Christopher – Elongated Box with Avanyu & Avanyu Lid

Christopher Youngblood creates intricately carved vessels which reflect a perfect balance of matte and polished surfaces with intricately carved designs.   This box is rectangular in shape. Creating boxes is always technically difficult as the flat sides can easily crack during drying or firing.  This piece is fully carved on the outside and the inside of the box has a micaceous clay slip. The side of the box has two avanyu encircling the piece.  The body of each avanyu consists of rain and lightning designs. The Avanyu, or water serpent, is a design often seen in Santa Clara Pueblo pottery and is part of a story where the avanyu saves the village from a flood.  The lid is as exceptional as the box, as it is flat and fully carved.  The sides of the finial each have a water serpent as the design.  The flat part of the lid has swirling water designs.  Note the smooth matte areas in contrast to the highly polished relief areas.  The last photos are of the bowl being traditionally fired black. It is signed on the bottom in the clay.  I’m pleased that I have been working with Chris since 2010 when I wrote the first article on him for Native People’s magazine.  It is exciting to see how his work has progressed over the years and the awards for his pottery, including the 2104 “Best of Pottery” at Santa Fe Indian Market.  He was featured in the book, Spoken Through Clay, and continues to be one of the leading young potters working today.

$ 6,500.00
Youngblood, Christopher – Oval Bowl with Rain and Cloud Swirls

Christopher Youngblood creates intricately carved vessels which reflect a perfect balance of matte and polished surfaces with intricately carved designs.   This oval bowl is a shape which perfectly lends itself to his carved designs.  The long sides of the bowl have three different style of melon ribs.  There are vertical, swirl and “s” swirl.  On the ends are round cloud swirls.  The ribs are deeply carved and very highly polished.  Their precision is accentuated by the shape of the bowl.  The base of the bowl is matte.  The last photos are of the bowl being traditionally fired. It is signed on the bottom in the clay.  I’m pleased that I have been working with Chris since 2010 when I wrote the first article on him for Native People’s magazine.  It is exciting to see how his work has progressed over the years and the awards for his pottery, including the 2104 “Best of Pottery” at Santa Fe Indian Market.  He was featured in the book, Spoken Through Clay, and continues to be one of the leading young potters working today.

$ 5,500.00
Youngblood, Christopher – Plate with Carved Eagle

Christopher Youngblood is one of the exciting younger potters working today.  This large plate is carved in the center with a classic eagle design. The wings and tail of the eagle are each carved and rounded out and fully polished. The remainder of the piece is slipped with a micaceous clay.  The contrast of the matte micaceous areas and the polished carved surfaces is visually striking. The symbolism of the eagle in Native culture is especially significant with meanings of courage, wisdom and strength along with its purpose as the messenger to the Creator.  Chris is a perfectionist with the matte areas of his pottery, as they perfectly balance the highly polished designs.  Chris says that he focuses on each piece, taking the time to work on the shaped and stone polish the surface to a high shine, often polishing a piece several times to get it right. He has won numerous awards for his pottery, including the 2104 “Best of Pottery” at Santa Fe Indian Market.

$ 4,000.00
Sale!
King, Charles S., “Spoken Through Clay”

Spoken Through Clay

A NEW  RELEASE SPECIAL:  $95.00, including shipping (US)! Check out the new review in the Denver Post!

 Just a few things which make this book unique!
*   The size!  The book is 11.75″ x 14.25″ and weights over 8 pounds!
*  The photography of the pottery is stunning, emphasizing the individual pieces.
*  Each caption is the artist discussing the individual piece on the page.
*  The artist “biographies” are from interviews with the artists and they discuss their art, culture, lives and history.
*  Organization: The book is not organized by pueblo or family, but entails new ways to think about the future of Native pottery.
*  Printing in Italy gives the book very high quality color and paper.
* The photos of the living artists were taken by Will Wilson using a tin-type process. He was a recipient of the 2107 New Mexico Governor’s Award for the Arts in photography!
*  The book features work by more than 30 contemporary potters and more than a dozen important historic potters.
*  There are essays by myself, Peter Held and Eric Dobkin.  They add to the overall understanding of the project a historic perspective.

_____________________________________________

August 18, Pasatiempo Review

“Charles S. King’s new book, Spoken Through Clay: Native Pottery in the Southwest, The Eric S. Dobkin Collection, is spectacularly heavy —which is a problem from a practical standpoint, because once you open it, you won’t want to put it down. With dreamy tintype artist portraits by Diné photographer Will Wilson, dazzlingly crisp images from Addison Doty, and intimate first-person essays written by dozens of artists, the book is a visually delicious, intellectually consuming foray into historic and contemporary Southwestern pottery. In short, prepare to swoon.

If you’re thinking of this as a coffee-table book, you’ll need to imagine a decently sized coffee table. The book is more than a foot tall and, when opened, two feet wide, but its outsize appearance belies the often delicate beauty of its contents: hundreds of individual pieces of pottery from Eric S. Dobkin’s exquisitely curated collection — arguably the largest and most important of its kind. Gallery owner, author, and Pueblo pottery expert King designed Spoken Through Clay to be approachable for those unfamiliar with Native American pottery. “In the age of social media, I wanted to make the book both visually striking and personal,” King said. The book opens with essays by King, Dobkin, and curator Peter Held, who calls clay “the most archival of materials … seductive, sensuous, responsive, geologic, and malleable.”

“I wanted the end result of the book to be that the reader would connect with the artists in a personal way, beyond just the art, and understand the time it takes to become an artist, to achieve success,” King said. Sprawling yet intimate, Spoken Through Clay introduces its readers not just to the beauty of Southwestern pottery but also to the fascinating stories of the people who make it.Iris McLister, Pasatiempo

____________________________________

“It’s one of the things that makes us who we are. It’s what holds our family together. We are a family of potters. It’s our identity. People don’t realize how much work goes into it just processing the clay and making it. You have to do it with your heart.”—Linda Tafoya-Sanchez

 

FEATURED ARTISTS Grace Medicine Flower • Dextra Quotskuyva • Autumn Borts-Medlock • Jody Naranjo • Harrison Begay Jr. • Jordan Roller • Sara Fina Tafoya • Lonnie Vigil • Margaret Tafoya • Steve Lucas • LuAnn Tafoya • Loren Ami • Toni Roller • Popovi Da • Linda Tafoya-Sanchez • Mark Tahbo • James Ebelacker• Yvonne Lucas • Jeff Roller • Lisa Holt • Harlan Reano • Nampeyo • Jacquie Stevens • Nathan Youngblood • Jacob Koopee Jr. • Jennifer Moquino • Christopher Youngblood • Maria Martinez • Tony Da • Tammy Garcia • Virgil Ortiz • Joseph Lonewolf • Johnathan Naranjo • Nancy Youngblood • Les Namingha • Russell Sanchez • Christine McHorse • Richard Zane Smith • Rondina Huma • Susan Folwell • Dominique Toya • Jody Folwell

Spoken Through Clay features the pottery of iconic Native American artists from historic potters Nampeyo and Maria Martinez, to contemporary potters Tammy Garcia, Virgil Ortiz, and many others, are featured in a new book published by the Museum of New Mexico Press. Spoken Through Clay: Native Pottery of the Southwest showcases nearly three hundred pottery vessels from the acclaimed Eric S. Dobkin Collection, covering a wide range of mostly Pueblo artists from the Southwest.

“The physical scale of the vessels combined with the depth of the contemporary collection [is] breathtaking,” says author Charles S. King. The book is part of a “transitional process of looking to the clay, the vessel, and the potter’s voice and allowing the pieces to stand on the merit of their artistic integrity.”

The book includes portraits and voices of renowned potters speaking about their artistry and technique, families, culture, and traditions. Many of the artists are connected by Pueblos, generations, or family members. Dynamic color photography captures the depth and dimension of the pieces, while the artists provide an illuminating perspective through narrative captions. Artists, academics, collectors, family members, and gallerists add additional insight about the lives, historical context, and importance of these potters and their work.

SPOKEN THROUGH CLAY Native Pottery of the Southwest The Eric S. Dobkin Collection
By Charles S. King Essay by Peter Held

Artist portraits by Will Wilson
ISBN: 978-0-89013-624-9

352 pages, 320 color plates, 40 artist portraits

Publication Date: August 01, 2017
ABOUT THE AUTHOR Charles S. King is the author of Born of Fire: The Life and Pottery of Margaret Tafoya, The Life and Art of Tony Da, Virgil Ortiz: Revolt 1680/2180, and numerous articles on Pueblo pottery. He has served on boards of art associations, judged pottery at prestigious events, and lectures about the art form. His business King Galleries represents many of today’s leading Native potters and important historic works in clay. Charles lives in Scottsdale, Arizona.

$ 125.00 $ 95.00
Youngblood, Christopher – Bowl with Red Flame Design

Christopher Youngblood creates dynamic pottery designs within the context of his traditional techniques.  This creative bowl uses the technique of carving the melon ribs give a more free flowing appearance.  Here the bowl has flames which are carved into the clay and climb up the side of the bowl.  Note in areas how they overlap and raise further off the surface!  The bowl is delicately carved and highly polished. The matte background area adds to the depth of appearance of the brownish-red color of the flames. The bowl has been traditionally fired.  It is exciting to see such innovative designs and precision carving balanced with innovative concepts.  Christopher has won numerous awards for his pottery including “Best of Pottery” win at Santa Fe Indian Market in 2014.

$ 4,200.00
Mobile version: Enabled