Antonio, Frederica – Five Color “Plentiful Harvest” Infinity Rim Jar
$ 2,800.00
Frederica Antonio calls this shape of a bowl with the inturned rim, an “Infinity Rim”. This jar is coil-built, and as she is building it, she turns the rim down into the bowl. The result is a striking appearance with the feel of the designs flowing into the piece. She uses a series of fine vertical and horizontal lines, which are then filled in to create larger images in the squares. This piece has three different colors of clay, along with the black (bee-weed). This piece is entitled, “Plentiful Harvest”. One side represents the corn stalks and the other the kernels of corn. Why corn? Corn is a symbol of prosperity. On the colorful areas of square corn, she first paints the lines, then adds the color, and finally goes over the lines again so that the colors and squares are more delineated. It takes more time but creates a more elegant appearance. Interestingly, Frederica said that she has to use a different yucca brush for the inturned part of the rim because of the angle of the painting! The base of the jar is concave, reminiscent of historic Acoma jars that were carried on the head. This combination of thin walls, classic shape, and tightly painted design creates a piece that is visually stunning! The jar is signed on the bottom, “F. V. Antonio”.
In stock
Frederica Antonio calls this shape of a bowl with the inturned rim, an “Infinity Rim”. This jar is coil-built, and as she is building it, she turns the rim down into the bowl. The result is a striking appearance with the feel of the designs flowing into the piece. She uses a series of fine vertical and horizontal lines, which are then filled in to create larger images in the squares. This piece has three different colors of clay, along with the black (bee-weed). This piece is entitled, “Plentiful Harvest”. One side represents the corn stalks and the other the kernels of corn. Why corn? Corn is a symbol of prosperity. On the colorful areas of square corn, she first paints the lines, then adds the color, and finally goes over the lines again so that the colors and squares are more delineated. It takes more time but creates a more elegant appearance. Interestingly, Frederica said that she has to use a different yucca brush for the inturned part of the rim because of the angle of the painting! The base of the jar is concave, reminiscent of historic Acoma jars that were carried on the head. This combination of thin walls, classic shape, and tightly painted design creates a piece that is visually stunning! The jar is signed on the bottom, “F. V. Antonio”.
