Claw, Silas and Bertha – Clay Pipe with Relief Bear (1990s)
$ 125.00
This is a traditional clay pipe by Silas Claw and Bertha Claw. Bertha would make the pottery and the applique designs were applied and painted by Silas. They began working together in 1968. The pipe is a larger one and sits at an angle. The bear is in relief across the entire bowl of the pipe and is in relief. The piece was traditionally fired so that there are fire clouds on the clay surface. The colors were often oil paint applied after the firing to give the pieces a more “realistic” appearance. The piece would then be coated with varnish or a more traditional pinon pitch. This vase is signed, S. B. Claw” on the bottom. It is in excellent condition with no chips, cracks, restoration or repair.
In stock
This is a traditional clay pipe by Silas Claw and Bertha Claw. Bertha would make the pottery and the applique designs were applied and painted by Silas. They began working together in 1968. The pipe is a larger one and sits at an angle. The bear is in relief across the entire bowl of the pipe and is in relief. The piece was traditionally fired so that there are fire clouds on the clay surface. The colors were often oil paint applied after the firing to give the pieces a more “realistic” appearance. The piece would then be coated with varnish or a more traditional pinon pitch. This vase is signed, S. B. Claw” on the bottom. It is in excellent condition with no chips, cracks, restoration or repair.
Brand
Claw, Silas (1913-2002) & Bertha Claw (b. 1926)
Silas Claw and Bertha Claw were from the Shonto/Cow Springs region of the Navajo Reservation. Although both her grandmother and stepmother were potters, Bertha did not make pottery until early 1970s when she learned the craft from her neighbor Rose Williams. She began by making traditional Navajo style pottery and cooking vessels.
In 1968, Silas began making pottery and was one of the few Navajo men involved in the craft. Bertha assisted him throughout his career. Together they made pottery in a variety of shapes and styles. Bertha would make the pottery while Silas would create the designs. The designs are applique, which means the clay is added to the surface of the vessel. The colors were often oil paint applied after the firing to give the pieces a more “realistic” appearance. They would then be coated with varnish or a more traditional pinon pitch.