-
×
Duwyenie, Preston - Shifting Sand Bowl with Cloud Design Silver Lid
1 × $ 1,800.00 -
×
Lucas, Steve - 12" Wide Moth Design Jar (2015) Ribbon
1 × $ 5,000.00
Duwyenie, Preston - Shifting Sand Bowl with Cloud Design Silver Lid 
Lucas, Steve - 12" Wide Moth Design Jar (2015) Ribbon 
Earles, Chase Kahwinhut -“Hay-aa’-nuh” Effigy Caddo Jar
Hay-aa'-nuh: The Being Effigy Jar: 5.5"w x 9.5"h
$ 1,600.00
Chase “Kawinhut” Earles is one of the few Caddo potters working today. He has created a series inspired by Indigenous Futurism as a way to understand and focus on historic Caddo vessels and designs. His current show is entitled “Ancient Ancestors”. This is figure is entitled: “Hay-aa’-nuh: The Being“. It is a Caddo effigy jar. The jar is coil-built, carved, stone-polished and pit fired. It is made from Caddo clay and thin-walled and has a great coloration from the firing. The jar is a companion piece to ay to understand and focus on historic Caddo vessels and designs. His current show is entitled, “Ancient Ancestors”. This is two separate pieces. One is “Hay-aa’-bee-yun:The Hairy Man”, as it is a classic reflection of classic Caddo pottery effigy forms.
Chase said of these pieces:
“Starting in the 50’s the phenom of Bigfoot hit the pop culture of America in a big way. Americans again “discovered” something new. The knowing of the being known as Hairy Man, had already been truth of the Native people going back millennia in our culture and stories. He exists, he was of another tribe. We made being effigies for thousands of years.”
Chase says of his current show, “Ancient Ancestors“:
“Over the past several years, I have explored Native American Futurism within the context of Star Wars imagery. Recently, I have tried to reconcile that the ideas of Bigfoot or UFO’s are some new phenomena. The truth is these have long been part of Native American cultural identity. We have revered the “Sky People” and “Hairy Man” for over 1000 years. Much of what is “paranormal” in contemporary culture is “normal” in ours. I prefer to think that it was our ancestors, not the “ancient aliens” who were the creators of amazing ancient architecture and art in the Americas. Maybe they were impressed with our works when they visited and maybe we even supplied them with ideas. We were the Ancient Ancestors.”
The Caddo were a tribal group throughout the Oklahoma, Texas, and Louisiana areas. Chase draws inspiration from the ancient Caddo pieces and yet they are not replicas. The connection in the ancient work is in the clay, firing, and shapes. He is primarily self-taught both as a potter and in his research of the Caddo ceramic past. He has sought out the clay sources and each piece is coil built. They are then slipped with a clay and mussel shell mixture and then burnished three times. The result is a shiny surface with flecks of shell reflecting light. Each piece is then pit-fired which not only hardens the clay but gives them fire clouds and color variations on the surface. After they are fired Chase etches into the surface of the clay to create intricate designs. The delicate designs are almost a surprise considering the hardness of the clay after the firing.
Chase Kawinhut Earles: “Ancient Ancestors”
Out of stock
Description
Chase “Kahwinhut” Earles is one of the few Caddo potters working today. He has created a series inspired by Indigenous Futurism as a way to understand and focus on historic Caddo vessels and designs. His current show is entitled “Ancient Ancestors”. This is figure is entitled: “Hay-aa’-nuh: The Being“. It is a Caddo effigy jar. The jar is coil-built, carved, stone-polished and pit fired. It is made from Caddo clay and thin-walled and has a great coloration from the firing. The jar is a companion piece to ay to understand and focus on historic Caddo vessels and designs. His current show is entitled, “Ancient Ancestors”. This is two separate pieces. One is “Hay-aa’-bee-yun:The Hairy Man”, as it is a classic reflection of classic Caddo pottery effigy forms.
Chase said of these pieces:
“Starting in the 50’s the phenom of Bigfoot hit the pop culture of America in a big way. Americans again “discovered” something new. The knowing of the being known as Hairy Man, had already been truth of the Native people going back millennia in our culture and stories. He exists, he was of another tribe. We made being effigies for thousands of years.”
Chase says of his current show, “Ancient Ancestors“:
“Over the past several years, I have explored Native American Futurism within the context of Star Wars imagery. Recently, I have tried to reconcile that the ideas of Bigfoot or UFO’s are some new phenomena. The truth is these have long been part of Native American cultural identity. We have revered the “Sky People” and “Hairy Man” for over 1000 years. Much of what is “paranormal” in contemporary culture is “normal” in ours. I prefer to think that it was our ancestors, not the “ancient aliens” who were the creators of amazing ancient architecture and art in the Americas. Maybe they were impressed with our works when they visited and maybe we even supplied them with ideas. We were the Ancient Ancestors.”
The Caddo were a tribal group throughout the Oklahoma, Texas, and Louisiana areas. Chase draws inspiration from the ancient Caddo pieces and yet they are not replicas. The connection in the ancient work is in the clay, firing, and shapes. He is primarily self-taught both as a potter and in his research of the Caddo ceramic past. He has sought out the clay sources and each piece is coil built. They are then slipped with a clay and mussel shell mixture and then burnished three times. The result is a shiny surface with flecks of shell reflecting light. Each piece is then pit-fired which not only hardens the clay but gives them fire clouds and color variations on the surface. After they are fired Chase etches into the surface of the clay to create intricate designs. The delicate designs are almost a surprise considering the hardness of the clay after the firing.
Learn More
Chase Earles
Chase is one of the only Caddo potters working today. He says of his pottery, "My traditional Caddo pottery is built from handmade local and native clays. Most of the clay I use comes from sources on the White, Washita, and Red Rivers that I harvested and processed using ancient methods. After processing and preparing the clay with a temper of river mussel, sand, or bone, I hand coil the clay into form. Once the bottle or bowl has dried sufficiently, I pit fire the piece inside an open bonfire. This is the proper traditional method of ancient Caddo pit-firing.
Chase Earles says of his art form, "My contemporary Caddo pottery is inspired by my native tribe's ancient and unique heritage. It is their legacy that they wish to keep alive and advance by interpreting our ancient designs and symbols in a new and modern way using the methods and materials of our time. These pots of commercially produced clays are fired in a kiln using contemporary and experimental methods to produce striking surface effects and colors. However, no glaze is used. Instead, these pots are still all hand built using the coil method, built in the traditional shape and design of the Caddos, and hand-burnished to a glass-like sheen using a stone."
He has won numerous awards for his pottery, from Santa Fe Indian Market to the Cherokee Art Market.
Chase Earles further says, "Born in Oklahoma; I have always been an artist as long as I can remember, from the day the art teacher in kindergarten pulled me aside to draw something for the school. From then on, I was always drawing and painting, but until I found pottery, I didn't have a voice or a reason. Even as I decided to pursue pottery as a more hands-on approach and a closer-to-earth approach to art, I still lacked meaning. I had considered creating Pueblo pottery from the southwest, as that inspired me until I realized that because I am not a Pueblo native, I would be simply replicating Pueblo pottery and not truly creating it. That is until I connected with my tribe and heritage and learned of the true grandeur of our tradition and how it has been lost and hidden from the public. I then set forth almost obsessively learning the methods and designs of our tribe, creating works of art that are modernized to educate my tribe's people and the public about our tradition.
All of my tribe's ancient traditional pottery was hand-coiled from clay that was handmade from the local river source, which most notably included the Red River and the Arkansas River. These pottery pieces are then hand-burnished with a rock to look like glass without any glaze. The final touch before firing is the hand carving of the ancient scrolling designs, which include motifs centered around the origin stories of my Caddo people. Objects in the motifs include feathers, serpents, the sun and moon, and everlasting fire. What motivates me and challenges me to push the limits of describing our culture in my pottery art is the desire to truly educate people about what sets our tribe's tradition apart from all the other Southeastern tribes and to reveal to people the extent to which the Caddo's tradition was cherished by everyone across the nation in prehistoric and historic times."
ARTIST NEW ADDITION SUBSCRIPTION>
Brand
Earles, Chase Kahwinhut (b. 1976)
Chase Earles
Chase is one of the only Caddo potters working today. He says of his pottery, "My traditional Caddo pottery is built from handmade local and native clays. Most of the clay I use comes from sources on the White, Washita, and Red Rivers that I harvested and processed using ancient methods. After processing and preparing the clay with a temper of river mussel, sand, or bone, I hand coil the clay into form. Once the bottle or bowl has dried sufficiently, I pit fire the piece inside an open bonfire. This is the proper traditional method of ancient Caddo pit-firing.
Chase Earles says of his art form, "My contemporary Caddo pottery is inspired by my native tribe's ancient and unique heritage. It is their legacy that they wish to keep alive and advance by interpreting our ancient designs and symbols in a new and modern way using the methods and materials of our time. These pots of commercially produced clays are fired in a kiln using contemporary and experimental methods to produce striking surface effects and colors. However, no glaze is used. Instead, these pots are still all hand built using the coil method, built in the traditional shape and design of the Caddos, and hand-burnished to a glass-like sheen using a stone."
He has won numerous awards for his pottery, from Santa Fe Indian Market to the Cherokee Art Market.
Chase Earles further says, "Born in Oklahoma; I have always been an artist as long as I can remember, from the day the art teacher in kindergarten pulled me aside to draw something for the school. From then on, I was always drawing and painting, but until I found pottery, I didn't have a voice or a reason. Even as I decided to pursue pottery as a more hands-on approach and a closer-to-earth approach to art, I still lacked meaning. I had considered creating Pueblo pottery from the southwest, as that inspired me until I realized that because I am not a Pueblo native, I would be simply replicating Pueblo pottery and not truly creating it. That is until I connected with my tribe and heritage and learned of the true grandeur of our tradition and how it has been lost and hidden from the public. I then set forth almost obsessively learning the methods and designs of our tribe, creating works of art that are modernized to educate my tribe's people and the public about our tradition.
All of my tribe's ancient traditional pottery was hand-coiled from clay that was handmade from the local river source, which most notably included the Red River and the Arkansas River. These pottery pieces are then hand-burnished with a rock to look like glass without any glaze. The final touch before firing is the hand carving of the ancient scrolling designs, which include motifs centered around the origin stories of my Caddo people. Objects in the motifs include feathers, serpents, the sun and moon, and everlasting fire. What motivates me and challenges me to push the limits of describing our culture in my pottery art is the desire to truly educate people about what sets our tribe's tradition apart from all the other Southeastern tribes and to reveal to people the extent to which the Caddo's tradition was cherished by everyone across the nation in prehistoric and historic times."
ARTIST NEW ADDITION SUBSCRIPTION>