Naranjo, Jody – 12″ Tall Jar with Nine Peacocks (1999)
$ 3,600.00
This large jar by Jody Naranjo is from 1999. The jar has a sloping side and an elongated neck. The neck is fully polished, and the body of the jar is matte. The jar was fired in a striking brown coloration. The neck is etched with star designs. The central band has nine large peacocks as the design, etched into the clay. Each bird is also lightly etched with designs. It is signed, “Jody Naranjo” and it is in excellent condition with no chips, cracks, restoration, or repair.
Jody says of her pottery:
“The clay is cathartic. I spend a lot of time carving. That’s my peace. That’s the time I release my energy, any good or bad energy. If I have some issue going on, I focus and the whole world goes away. I can sit there and build this piece from nothing. It makes me happy. You should do the part you like more. If you like it, you are good at it. I started carving in the center where the polish didn’t meet and then my polish still looked nice. My carving in the middle was on the matte surface. Before you know it the matte surfaces started getting bigger, and it was less about masking my polishing and more about making my carving larger. Bigger pieces tend to overwhelm me in the amount of designing I have to do.” Jody Naranjo, Spoken Through Clay
In stock
This large jar by Jody Naranjo is from 1999. The jar has a sloping side and an elongated neck. The neck is fully polished, and the body of the jar is matte. The jar was fired in a striking brown coloration. The neck is etched with star designs. The central band has nine large peacocks as the design, etched into the clay. Each bird is also lightly etched with designs. It is signed, “Jody Naranjo” and it is in excellent condition with no chips, cracks, restoration, or repair.
Jody says of her pottery:
“The clay is cathartic. I spend a lot of time carving. That’s my peace. That’s the time I release my energy, any good or bad energy. If I have some issue going on, I focus and the whole world goes away. I can sit there and build this piece from nothing. It makes me happy. You should do the part you like more. If you like it, you are good at it. I started carving in the center where the polish didn’t meet and then my polish still looked nice. My carving in the middle was on the matte surface. Before you know it the matte surfaces started getting bigger, and it was less about masking my polishing and more about making my carving larger. Bigger pieces tend to overwhelm me in the amount of designing I have to do.” Jody Naranjo, Spoken Through Clay
