Al Qoyawayma calls the shape of this jar his “Serenity vase”.  It is a distinctive form with two overlapping spouts.  Both spouts are polished.  The jar is made from traditional red Hopi clay.  The piece is stone polished in a vertical manner, which is often referred to as an “onion skin” polish.  There is a single carved section with carved corn.  The contrast of the matte and polished surfaces works to enhance the design and form.  It is in excellent condition with no chips, cracks, restoration or repair.  It is signed on the bottom in the clay, “Al Qoyawyama”.

“The earliest corn motif is found on pottery in Ecuador dating to 1900 BC.  The technique was to push out from the inside of the pottery the basic form of the corn ear shape and then sculpt the kernel decoration or relief.  Al and Elizabeth White (his aunt) saw an exhibit of “Ancient Ecuador, CUlture, clay, and creativity” at the Field Museum in Chicago in 1975.  They realized that they were creating a similar technique at Hopi.  Elizabeth began using this motif in the early 1960s.  The corn motif is used in sacred respect of the corn in sustaining Native Americans over at least the last several thousand years.”  Al Qoywayama, Hopi Potter, 1984