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Quotskuyva, Dextra – Bowl with Migration Pattern (1977)

Quotskuyva, Dextra – Bowl with Migration Pattern (1977)

6.75"w x 4.25"h
$ 3,600.00
Availability: In stock

Dextra Quostkuyva Nampeyo is certainly one of the most influential Hopi-Tewa potters of the last 50 years. Not only has she taught numerous potters (Steve Lucas, Yvonne Lucas, Les Namingha, Loren Ami, Hisi Nampeyo, to name just a few), but her creative designs and forms changed have dramatically influenced the pottery itself.  This is an exceptional early bowl from 1977  It is very thin walled and classic bowl shape. The piece is painted with the migration pattern.  Dextra said of this design:

“This is the one design that was really stressed for us to use, the migration pattern. Nothing but lines, representing the migration of all the people to all the places, including down below and up above. It has seven points at the top and bottom. All the x’s represent life from the bottom and top, telling you the universe is one. The thin lines, I just wanted to paint them real fast and real close to try and include everyone.”  Dextra Quotskuyva Nampeyo, Spoken Through Clay

The bowl has deep red clay near the rim and the remainder is painted with bee-weed (black).  The lines are very thin and close, as would be expected from her pottery!  This bowl is signed on the bottom, “Dextra Quotskuyva”.  It is in excellent condition with no chips, cracks, restoration or repair. Simple, elegant and a classic!

In stock



Quotskuyva, Dextra Nampeyo (1928-2019)

Dextra Quotskuyva Nampeyo Few potters to have had such impact on their art as Dextra Quotskuyva Nampeyo.  She is a great-granddaughter of Nampeyo of Hano, descending through her eldest daughter, Annie Healing.  For almost forty years, she has been one of the most creative, innovative and influential potters at Hopi.  She is also the mother of famed painter Dan Namingha and potter Hisi Quotskuyva.  She taught Steve Lucas, Loren Ami, Yvonne Lucas and Les Namingha to make pottery, resulting in a nearly unprecedented influence in Hopi pottery. Dextra continues to use the bee-weed plant for the black and native clay slips for the red. Dextra's pottery can be found in the permanent collection of numerous museums and has been the subject of a book and exhibition at the Wheelwright Museum, entitled, "Painted Perfection."  Dextra uses only traditional Hopi pottery methods in hand coil construction, stone polish, paint, and open fire.
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