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Blue Corn - Black Jar with 47 Feathers (1970s)
1 × $ 775.00 -
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Kahe, Val - Bowl with Stars and Lightning
1 × $ 500.00
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Cling, Alice - Tall Jar with Rounded Rim
1 × $ 300.00
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Tapia, Mae - Black and Sienna Seedpot with Rabbit, Quail, and Flute Player
1 × $ 250.00
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Naranjo, Nicolasa - Jar with Avanyu and Rain Designs (1960s)
1 × $ 550.00
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Gutierrez, Kathy - Black Bowl with Avanyu
1 × $ 275.00
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Naranjo-Garcia, Sharon - Black Rainbow Ridge Water Jar with Bear Paws
1 × $ 550.00
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Nampeyo, Elva Tewaguna - 11" Wide Jar with 14 Bird Wing Migration Pattern (1960s)
1 × $ 1,500.00
Blue Corn - Black Jar with 47 Feathers (1970s) 
Kahe, Val - Bowl with Stars and Lightning 
Cling, Alice - Tall Jar with Rounded Rim 
Tapia, Mae - Black and Sienna Seedpot with Rabbit, Quail, and Flute Player 
Naranjo, Nicolasa - Jar with Avanyu and Rain Designs (1960s) 
Gutierrez, Kathy - Black Bowl with Avanyu 
Naranjo-Garcia, Sharon - Black Rainbow Ridge Water Jar with Bear Paws 
Nampeyo, Elva Tewaguna - 11" Wide Jar with 14 Bird Wing Migration Pattern (1960s) 
Scott, Rain – Origami Water Jar with Avanyu, Turquoise, and Coral Lid
6"w x 12"h (w/ lid)
$ 3,400.00
Rain Scott is the son of jeweler Raynard Scott (Navajo) and a descendant of Marie Z. Chino of Acoma. He says that growing up in Arizona, he wanted to learn to make pottery but didn’t have anyone to teach him. In 2011, he began working with origami, the art of creating objects with folded paper. From 2013 to 2018, he experimented with the art form and, in 2018, made his first vessel, an Acoma jar. He calls his style “contemporary Indigenous origami.” Each piece is made from thick paper and creates a corrugated texture.
Rain used white 8 1/2 x 11 sheets of paper to make the design. Each full sheet is folded to make each section! The jar has an elegant form with a high shoulder and elongated neck. The piece is made from black and white paper. The white paper creates the avanyu. The lid sits into the piece and has a piece of coral attached to the top. There is an inset piece of turquoise for the eye of the avanyu. Rain keeps on innovating his art form with each new piece! Believe it or not, thousands of pieces of paper were used to make this jar! The piece is signed on the bottom, “Rain Scott”. It’s exciting to have such innovative work in the gallery.
Most recently, Rain’s indigenous origami has been featured in First American Art magazine and Native Art Magazine. He has won “Best of Baskets” at the 2025 Gallup Ceremonials!
“I call my work contemporary origami pottery. I came up with them as I wanted to learn to make traditional pottery. I never had a teacher to show me how to get the clay or slips. I was always creative with paper. I started out with swans and then one day wanted to see how I could make a vase. It took a lot of experimentation”. Rain Scott
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Description
Rain Scott is the son of jeweler Raynard Scott (Navajo) and a descendant of Marie Z. Chino of Acoma. He says that growing up in Arizona, he wanted to learn to make pottery but didn’t have anyone to teach him. In 2011, he began working with origami, the art of creating objects with folded paper. From 2013 to 2018, he experimented with the art form and, in 2018, made his first vessel, an Acoma jar. He calls his style “contemporary Indigenous origami.” Each piece is made from thick paper and creates a corrugated texture.
Rain used white 8 1/2 x 11 sheets of paper to make the design. Each full sheet is folded to make each section! The jar has an elegant form with a high shoulder and elongated neck. The copper colored paper in the center of the white paper sections creates an avanyu (water serpent). The piece has an elongated neck. The lid sits into the piece. The feathers are tied onto the top in a manner similar to how feathers are tied during Pueblo dances. There is an inset piece of turquoise for the eye of the avanyu. Rain keeps on innovating his art form with each new piece! Believe it or not, thousands of pieces of paper were used to make this jar! The piece is signed on the bottom, “Rain Scott”. It’s exciting to have such innovative work in the gallery. Most recently, Rain’s indigenous origami has been featured in First American Art magazine and Native Art Magazine.
“I call my work contemporary origami pottery. I came up with them as I wanted to learn to make traditional pottery. I never had a teacher to show me how to get the clay or slips. I was always creative with paper. I started out with swans and then one day wanted to see how I could make a vase. It took a lot of experimentation”. Rain Scott
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Rain Scott is half Navajo and half Acoma. Growing up, he would watch his father, Navajo silversmith Raynard Scott, make countless jewelry pieces out of silver, turquoise, and other precious gemstones. His upbringing sparked a passion for art, taking a particular interest in painting and still life drawing. In 2011, he developed a new interest in Japanese origami art and traditional Acoma Pueblo ceramics. For the next couple of years, he tried and failed to find a teacher to teach him the traditional art form of Acoma pottery. Instead of giving up on his aspirations, he called upon his talent for origami art and knowledge of conventional Acoma pottery designs. As a result, he created an entirely new style of Native American art.
From 2013 to 2018, Rain experimented with his newfound artform. He sculpted simple peacock and swan forms, ultimately winning a youth award in the 2014 Heard Museum student art show. In 2018, he cut his first contemporary origami vessel in the shape of a white corrugated Acoma pot with a rounded shoulder and a short neck and finished with a simple black rim. Thus, his art form was born.
Since 2018, Rain Scott has combined the traditional Acoma Pueblo pottery designs with individually cut and folded origami modules into an art form that he calls “contemporary Indigenous origami.” The thick, sturdy walls and corrugated texture of his origami pottery make every piece pleasing to the eye and gratifying to touch. He pushes the boundaries further with every art piece he creates, incorporating new designs, shapes, colors, and components, including parrot feathers, turquoise, and natural sinew. Rain Scott’s creations have been awarded many awards at juried art shows in the Southwest, including the 2020 Alan Houser Innovation Award at the Heard Museum Guild Indian Fair and Market.
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Scott, Rain (b. 1998)
Rain Scott is half Navajo and half Acoma. Growing up, he would watch his father, Navajo silversmith Raynard Scott, make countless jewelry pieces out of silver, turquoise, and other precious gemstones. His upbringing sparked a passion for art, taking a particular interest in painting and still life drawing. In 2011, he developed a new interest in Japanese origami art and traditional Acoma Pueblo ceramics. For the next couple of years, he tried and failed to find a teacher to teach him the traditional art form of Acoma pottery. Instead of giving up on his aspirations, he called upon his talent for origami art and knowledge of conventional Acoma pottery designs. As a result, he created an entirely new style of Native American art.
From 2013 to 2018, Rain experimented with his newfound artform. He sculpted simple peacock and swan forms, ultimately winning a youth award in the 2014 Heard Museum student art show. In 2018, he cut his first contemporary origami vessel in the shape of a white corrugated Acoma pot with a rounded shoulder and a short neck and finished with a simple black rim. Thus, his art form was born.
Since 2018, Rain Scott has combined the traditional Acoma Pueblo pottery designs with individually cut and folded origami modules into an art form that he calls “contemporary Indigenous origami.” The thick, sturdy walls and corrugated texture of his origami pottery make every piece pleasing to the eye and gratifying to touch. He pushes the boundaries further with every art piece he creates, incorporating new designs, shapes, colors, and components, including parrot feathers, turquoise, and natural sinew. Rain Scott’s creations have been awarded many awards at juried art shows in the Southwest, including the 2020 Alan Houser Innovation Award at the Heard Museum Guild Indian Fair and Market.