Namingha, Jocelyn Quam - Jar with Eagle Feathers and Rising Sun 
Atencio, Luteria – Incised Polychrome Jar with Cloud and Feather Designs (1950s)
$ 950.00
Luteria Atencio is one of the early revivalists in San Juan pottery. This jar is the “second phase” of incised pottery at San Juan. The Potsuwi’i linear incised pieces quickly became the incised and slipped polychrome pottery of the late 1930s. This allowed the potters to create new imagery. The top and base are typically polished red while the central band has matte (unpolished) clay colors of red, white, and tan. This jar is polished red on the top and bottom. The central band is incised with cloud designs. The clouds have feathers or rain patterns. They are highlighted with white or red clay slips. It is signed on the bottom in the clay, “Luteria Atencio”. The jar is in very good condition with no chips, cracks, restoration, or repair.
Luteria was one of the original Eight San Juan potters who revived the art form in the 1930s. She is a fascinating personality who promoted San Juan pottery and art throughout her career. Her grandson, Mike Bird, is a well-known jeweler. At San Juan, the Pueblo was renowned for their pottery but by about 1890 there were no potters left. In 1930 Regina Cata organized a pottery study group at San Juan Pueblo with the intent of revitalizing pottery production. The group studied ancient potsherds of wares made at San Juan in earlier times and selected Potsuwi‘i Incised Ware (1450-1500) as a basis for a contemporary pottery type.
“Revival Rising” Ohkay Owingeh Pottery 1930s-60s
In stock
Luteria Atencio is one of the early revivalists in San Juan pottery. This jar is the “second phase” of incised pottery at San Juan. The Potsuwi’i linear incised pieces quickly became the incised and slipped polychrome pottery of the late 1930s. This allowed the potters to create new imagery. The top and base are typically polished red while the central band has matte (unpolished) clay colors of red, white, and tan. This jar is polished red on the top and bottom. The central band is incised with cloud designs. The clouds have feathers or rain patterns. They are highlighted with white or red clay slips. It is signed on the bottom in the clay, “Luteria Atencio”. The jar is in very good condition with no chips, cracks, restoration, or repair.
Luteria was one of the original Eight San Juan potters who revived the art form in the 1930s. She is a fascinating personality who promoted San Juan pottery and art throughout her career. Her grandson, Mike Bird, is a well-known jeweler. At San Juan, the Pueblo was renowned for their pottery but by about 1890 there were no potters left. In 1930 Regina Cata organized a pottery study group at San Juan Pueblo with the intent of revitalizing pottery production. The group studied ancient potsherds of wares made at San Juan in earlier times and selected Potsuwi‘i Incised Ware (1450-1500) as a basis for a contemporary pottery type.
Brand
Atencio, Luteria (1891-1982)
Luteria Atencio was one of the original Eight Ohkay Owingeh potters in 1930. She was known for her intricately incised pottery. In 1968 she helped Geronima Montoya found the O’ke Oweenge Crafts Cooperative. By 1976 she had become blind and was no longer making pottery.
She won numerous awards for her innovative pottery. On August 26, 1961, the Albuquerque Journal wrote, “Indian Market winners, pottery Luteria Atencio of San Juan Pueblo. Other winners Margaret Tafoya, Santana and Adam, Rose Gonzales. Lela and Luther, Lucy Lewis.”. In 1954 the Gallup Independent wrote of the Ceremonials winners, “Second grand prize was given to Luteria Atencio of San Juan, judged for a group of pieces including “very symmetrical” burnished redware.”