Fields, Anita (b. 1951)
Anita FieldsAnita Fields is a fascinating potter who works with non-traditional clay to create abstracted images of traditional clothing and artifacts along with imagery intended to honor all women, particularly those of Indian descent. Anita was influenced by traditional Osage ribbon work, clothing, and blankets. She also studied the objects and ceremonial dress of other tribes. The personal and emotional elements in these textile designs led Anita to use them symbolically in clay, translating the personality of these vestments into her work. About one of her recent series, Native American Dresses, which are coil-and slab-built installations, Anita says: "The dresses convey my attitudes toward the strength of women and how native peoples show remarkable resourcefulness and adaptability toward their environment. The clothing Indian women created shows great pride, dignity, and hope in a culture facing insurmountable odds." Over the years Anita has spent a good part of her life traveling and collecting seemingly insignificant items. From these items, these memories, she creates original stamps. Anita has won numerous awards for her pottery and her work can be found in the permanent collection of museums such as The Heard Museum, the Denver Art Museum and others. She was featured in the book, “Pottery by American Indian Women”. Most recently she won “Best of Pottery” at the 2012 Heard Indian Market.
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King, Charles S.
Naranjo-Morse, Nora (b. 1953)
Ortiz, Virgil (b.1969)
Virgil OrtizVirgil Ortiz is one of the most innovative potters working today. He is a son of noted potter Seferina Ortiz and grandson of Laurencita Herrera. His sisters Janice, Inez, and Joyce are also potters and his niece, Lisa Holt. He encourages his nieces and nephews also to continue making traditional pottery. His work has been featured in numerous museum exhibits nationwide, and he is also known for his fashion designs. He has won multiple awards at Santa Fe Indian Market, the Heard Museum Indian Market, and other events. His pottery can be found in museums worldwide. “The thought has never crossed my mind to be anything other than an artist and fashion designer. Art is in my blood”, says Virgil Ortiz, a Cochiti Pueblo Native. Sought by celebrities, royalty, and collectors, American Indian artist Virgil Ortiz artworks move into a new era combining art, décor, fashion, video, and film. Hailing from a family of celebrated Pueblo potters. From the National Museum of the American Indian in New York, and Denver Art Museum, to the Hertogenbosch Museum in The Netherlands, and Foundation, and Cartier’s Paris, France. Virgil Ortiz’s exquisite clay works are exhibited worldwide. Born in 1969, the youngest of six children, Ortiz grew up in a creative environment. Storytelling, collecting clay, gathering wild plants, and producing figurative pottery was part of everyday life. His grandmother Laurencita Herrera and his mother, Seferina Ortiz, were both renowned Pueblo potters. “I didn’t even know it was art that was being produced while I was growing up,” he remembers. Virgil Ortiz, who works and lives in Cochiti Pueblo, New Mexico, has worked very hard and has had a few lucky breaks. His efforts have propelled him to a preeminent place among contemporary Native artists. After a highly successful collaboration with fashion mogul Donna Karan, he developed boldly patterned textiles based on his graphic decorative painting. Ortiz launched his fashion line. His designs are captivating, provocative, and edgy, thus creating a high demand. His sharp laser-cut leather jackets, swinging taffeta skirts, cashmere sweaters, and silk scarves echo the Pueblo pottery's voluminous contours and sinuous motifs. He showcases the richness of indigenous, high fashion, and compelling storytelling of Pueblo culture and history. Virgil Ortiz debut Colorblind, his all-new T-shirt collection blending art, vibrant colors, and graphic images. Each of which portrays his interpretation of the historic Pueblo Revolt of 1680 – the First American Revolution. “I want to pay tribute to our great leader Po’pay and ancestors that lived and walked on our lands, and respect that their spirit will live on through me.” Creating a global awareness of Pueblo culture is reflected in the design components that reach past a traditional Ortiz sculpture. His art form delves into an untapped age of décor elements that honor a prosperous civilization with skill and vision. Ortiz also designed 'Indigenous Imprints'®, a carpet collection designed exclusively for Aqua Hospitality Carpets. This collection consists of twenty unique patterns. His design concepts are a fascinating balance between contemporary and traditional for guest rooms, corridors, and public spaces in some of the most exclusive hotels and resorts worldwide. 'Indigenous Imprint's® is a natural progression toward leading-edge furnishings and adornment that capture the elegance and spirit of Ortiz’s inspiration. Beyond the notoriety of his artistic talent, Ortiz’s professional agenda centers on a lifelong dream to create opportunities for children in his tribal community that reflects his ancestors' legacy. “It’s important to recognize that Pueblo communities are very much alive. They have a vitality level that speaks to generations of strength, persistence, brilliance, and thriving energy. I have something vital to do before I go. I want to preserve my culture and inspire our youth to accomplish whatever it is they dream of being.” – Virgil Ortiz
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Swentzell, Roxanne (b. 1962)
Roxanne Swentzell (b. 1962) continues to be one of the pivotal Pueblo artists, and her work continues to be among the most dynamic and innovative in contemporary figurative pottery. She is a granddaughter of Rose Naranjo, a niece of Nora Naranjo-Morse, Michael Naranjo and Jody Folwel. She is a cousin to Jody Naranjo, Susan Folwell, Forrest Naranjo, and others. She is part of one of the most innovative families at Santa Clara Pueblo. Roxanne has won numerous awards for her work, along with being the subject of several museum exhibitions and books, such as "Women Potters: Transforming Traditions".Roxanne's first public exhibition was at Santa Fe Indian Market in 1984. In 1994, she won the Santa Fe Indian Market Creative Excellence in Sculpture award. Her sculptures have shown at the White House and currently show in many museums and galleries. A few of her collections include works at the Smithsonian, Cartier in Paris, and Santa Fe Convention Center.