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Medicine Flower, Grace & Camillio Tafoya – Red & Black Jar with Figures & Avanyu (1970’s)

Medicine Flower, Grace & Camillio Tafoya – Red & Black Jar with Figures & Avanyu (1970’s)

5"w x 4.5"h
$ 775.00
Availability: In stock

This an unusual collaborative piece by Grace Medicine Flower and her father, Camilio Tafoya.  It is from the early 1970’s and it was fired “black-and-red”.  It is a distinctive firing technique where the piece is covered before the manure is put on to turn it black.  The jar was made by Camilio and polished by Grace. She would then etch the designs into the clay before it was fired.  This piece has a lightly etched avanyu on two sides.  Separating them are two red medallions.  One has a Mudhead Clown figure and the other a Rain Dancer.  There is a striking coloration of the red against the black.  It is signed on the bottom in the clay, “Grace Medicne Flower and Camilio Tafoya”.   The jar is in excellent with no chips,cracks, restoration or repair.

In stock



Medicine Flower, Grace (b. 1938)

grace medicine flowerGrace Medicine Flower

Grace Medicine Flower

Her name alone describes her work and her persona...Grace. Grace Medicine Flower is an elegant beauty among Santa Clara potters who continues to be one of the most innovative and influential potters working today. Her intricately designed butterflies and hummingbirds remind the viewer of our delicate relationship with nature. Each piece is a reflection of her connection to the earth and the Clay Lady and the traditional and history of the Santa Clara Pueblo. As a child, Grace was surrounded by potters such as her mother Agapita, her father Camilio Tafoya and her aunt, Margaret Tafoya. She began to work in clay making traditionally styled pottery. In the late 1960’s, Grace and her brother Joseph were among the first on Santa Clara to begin using the sgraffito technique to carve their designs into the clay. Amazingly, Grace uses a knife or a specially sharpened nail to carve and create her masterpieces. Grace recounts how her first piece of sgraffito pottery sold for $11.00, much more than her other traditional pieces. Her early pieces were signed, “Grace Hoover”, then they were signed with “Grace and a four petal flower. Today, she signs her work, “Grace Medicine Flower”, with a flower beneath her name. All of her work is made in the traditional coil method and then pit fired outside. Grace Medicine Flower has been greatly honored throughout her career for her innovative work. She has been visited by Jackie Kennedy-Onassis, invited to the White House and has pieces in collections and museums around the world. In the 1970’s, Grace and her brother Joseph were both honored by the state of New Mexico with the production of a medal in honor of their contribution to Santa Clara pottery. In addition to these honors, Grace has won major awards at Gallup Ceremonials and other major events. Grace’s work continues to evolve. Moving from small round seed pots with incised animal designs, Grace now creates a larger bowl, which combines deep carving with intricately incised sections. Her latest innovation is the, “basket weave” bowls, which gives the effect of an exposed basket lying just underneath the surface of the clay. One can only suspect that Grace has even more innovations ready to be presented to the public. To say that Grace Medicine Flower has changed the face of pueblo pottery would not be an understatement. To own one of her pieces it to own a part of history. While she produces less than 15 pieces a year, the demand among collectors for her new pieces continues to rise with each new year and new innovation.

Tafoya, Camilio "Sunflower" (1902-1995)

Camilio Tafoya

Camilio "Sunflower" Tafoya (1902-1995) was a son of noted potter Sara Fina Tafoya and Geronimo Tafoya.  He was a brother of Margaret Tafoya and Christina Naranjo.  Two of his children, Grace Medicine Flower and Joseph Lonewolf became renowned potters each working with wonderful scraffito Native designs.  Camilio was married to Agapita Tafoya and made carved pottery in the 1950's and 60's, he worked with both Grace and Joseph on many of his works.  In the 1970's he began to create miniatures pottery first in collaboration with Grace and then later on his own.  His pottery combined stories of the pueblo along with creative and antidotal Pueblo life images and animals scenes.  His pottery can be found in many collections and is displayed at multiple museums worldwide.
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