Artist Media Series
Living Artists
Historic
$ 4,800.00
This is a striking carved water jar by Margaret Tafoya. The jar was made in the late 1940s with a lighter weight clay and the earlier deep red slip on the surface. The jar is coil-built and has a low shoulder and elongated neck. There is a water serpent carved encircling the jar. The mouth and eye are painted “red-on-red”. The background area is slipped with the traditional white clay. The neck, base, and avanyu are all polished with a deep red clay. This clay was primarily used in the 1930s-40s and then was lost and the new slip for polishing was more orange than red. The jar was traditionally fired with slight color variations to the surface. It’s exciting to come across such creative pieces of her early pottery! It is signed on the bottom, “Margaret”. It is in very good condition with no chips, cracks, restoration, or repair. Definitely a piece of Pueblo history in clay!
In stock
This is a striking carved water jar by Margaret Tafoya. The jar was made in the late 1940s with a lighter weight clay and the earlier deep red slip on the surface. The jar is coil-built and has a low shoulder and elongated neck. There is a water serpent carved encircling the jar. The mouth and eye are painted “red-on-red”. The background area is slipped with the traditional white clay. The neck, base, and avanyu are all polished with a deep red clay. This clay was primarily used in the 1930s-40s and then was lost and the new slip for polishing was more orange than red. The jar was traditionally fired with slight color variations to the surface. It’s exciting to come across such creative pieces of her early pottery! It is signed on the bottom, “Margaret”. It is in very good condition with no chips, cracks, restoration, or repair. Definitely a piece of Pueblo history in clay!
Artist Media Series
Living Artists
The book, "Born of Fire," follows her life and art over many decades. It is also the only book to identify her pottery by the decade produced using the variations in her signature. This book is the first complete biography of Margaret Tafoya's life. It is divided into decades, giving the reader a deeper understanding of her life and pottery over nearly 100 years. There are new biographies on Virginia Ebelacker, Richard Ebelacker, Lee Tafoya, Linda Tafoya, Jennie Trammel, Mela Youngblood, Nathan Youngblood, Nancy Youngblood, Toni Roller, Jeff Roller, LuAnn Tafoya, Daryl Whitegeese, Mary Ester Archuleta, and Shirley Tafoya. The photography of the pottery in this book is exceptional. Throughout the book, personal narratives by family members and family photographs create a wonderful sense of her humanity and artistic accomplishments.