Artist Media Series
Living Artists
Historic
Tafoya, Margaret & SaraFina Tafoya – Double Shoulder Water Jar with Bear Paws (1925)
10"w x 12"h
$ 18,000.00
This is undoubtedly one of the fascinating pieces in the entire book, “Born of Fire”. It was made by Margaret and polished by her mother, SaraFina Tafoya. It was shown to Margaret in 1994 and there is a Polaroid of her holding the jar (and she signed the Polaroid and dated it, along with signing a description of it on Toni Roller’s invoice). The jar is distinctive in that it has a double shoulder and bear paws. On the bottom of the piece has the indented bottom which is typical of SaraFina’s pottery and then later Margaret’s in the 1960s. As well note the shape of the bear paw on the neck of the jar. The long fingers are SaraFina’s while Margaret’s bear paw was more round. It is definitely a fascinating piece of history. The jar is featured in the Born of Fire book on pages 42 and 48. It is in very good condition with no chips, cracks, restoration, or repair. Simply an amazing piece of history with exceptional provenance.
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Description
This is undoubtedly one of the fascinating pieces in the entire Born of Fire book. It was made by Margaret and polished by her mother, SaraFina Tafoya. It was shown to Margaret in 1994 and there is a Polaroid of her holding the jar (and she signed the Polaroid and dated it). The jar is distinctive in that it has a double shoulder and the bear paws. On the bottom of the piece has the indented bottom which is typical of SaraFina’s pottery and then later Margaret’s in the 1960’s. As well note the shape of the bear paw on the neck of the jar. The long fingers are SaraFina’s while Margaret’s bear paw was more round. It is definitely a fascinating piece of history. The last photo is one of the jar with the actual Polaroid of Margaret. The jar is featured in the Born of Fire book on pages 42 and 48. It is in very good condition with no chips, cracks, restoration or repair. Simply an amazing piece of history!
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Sara Fina Tafoya is among the most renowned of the early Santa Clara potters. She was the matriarch of a dynasty of potters, included among her children were Camilio Tafoya, Margaret Tafoya, and Christina Naranjo. Beginning in 1924 Sara Fina Tafoya was one of the first pueblo potters to begin "carving" into the clay to create designs in her pottery. She was masterful with her forms, where the simplicity of the shape, especially with her larger vessels such as the storage jars, did not require additional design. Part of her genius was adding elaborate shapes for the handles and unusual indentions such as the "raindrop" rims. These created special features which readily identified her pottery. Her pottery was not signed except for a short period in the late 1930s when she made smaller pieces, often polychrome but also some classic black ware. Certainly, a testament to her skill is that few Pueblo potters today are able to create either pottery of such size or with such complicated additions as her handles.
Check out our article on the signed pottery of Sara Fina Tafoya: "Signed Sara Fina".
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Tafoya, Margaret (1904-2001)
Margaret Tafoya
Margaret Tafoya is a daughter of noted potter Sara Fina Tafoya and a sister of Christina Naranjo and Camilio Tafoya. She is the matriarch of a family of renowned potters, each of whom created their distinctive styles. Margaret Tafoya had twelve children, eight of whom became potters. They include Virginia Ebelacker, Lee Tafoya, Toni Roller, LuAnn Tafoya, Mela Youngblood, Jennie Trammel, Mary Ester Archuleta, and Shirley Tafoya. Her grandchildren and her great-grandchildren carry on the pottery-making tradition today. Margaret Tafoya was a guardian of traditional pottery-making methods and techniques. She created large vessels with stone polished surfaces. Her carving was done before the piece was polished. She produced her work from the 1920s through the 1980s. Margaret Tafoya won numerous awards throughout her career, including Best of Show at Santa Fe Indian Market in 1979 and 1980. She was also awarded the Heritage Fellowship from the National Endowment for the Arts in 1984.The book, "Born of Fire," follows her life and art over many decades. It is also the only book to identify her pottery by the decade produced using the variations in her signature. This book is the first complete biography of Margaret Tafoya's life. It is divided into decades, giving the reader a deeper understanding of her life and pottery over nearly 100 years. There are new biographies on Virginia Ebelacker, Richard Ebelacker, Lee Tafoya, Linda Tafoya, Jennie Trammel, Mela Youngblood, Nathan Youngblood, Nancy Youngblood, Toni Roller, Jeff Roller, LuAnn Tafoya, Daryl Whitegeese, Mary Ester Archuleta, and Shirley Tafoya. The photography of the pottery in this book is exceptional. Throughout the book, personal narratives by family members and family photographs create a wonderful sense of her humanity and artistic accomplishments.
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Tafoya, Sara Fina (1863-1949)
Sara Fina Tafoya is among the most renowned of the early Santa Clara potters. She was the matriarch of a dynasty of potters, included among her children were Camilio Tafoya, Margaret Tafoya, and Christina Naranjo. Beginning in 1924 Sara Fina Tafoya was one of the first pueblo potters to begin "carving" into the clay to create designs in her pottery. She was masterful with her forms, where the simplicity of the shape, especially with her larger vessels such as the storage jars, did not require additional design. Part of her genius was adding elaborate shapes for the handles and unusual indentions such as the "raindrop" rims. These created special features which readily identified her pottery. Her pottery was not signed except for a short period in the late 1930s when she made smaller pieces, often polychrome but also some classic black ware. Certainly, a testament to her skill is that few Pueblo potters today are able to create either pottery of such size or with such complicated additions as her handles.
Check out our article on the signed pottery of Sara Fina Tafoya: "Signed Sara Fina".