Artist Media Series
Living Artists
Historic
$ 9,900.00
This is a collaborative piece by Christopher Youngblood and Jennifer Tafoya. It is a jar that was made and carved by Chris. It was polished by both of them and then traditionally fired a deep black coloration. After the firing, Jennifer etched the designs into the clay. The jar has five wolves that are stone polished. They are against stylized mountains that are also polished. The background rea is white, green, and pink clays to create the grass and clouds. The detail on each of the figures by Jennifer is exceptional! She creates such beauty in her realism. It is a creative vessel but striking in design and amazing in the complexity of levels of carving. It is signed by both Chris and Jennifer.
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This is a collaborative piece by Christopher Youngblood and Jennifer Tafoya. It is a jar that was made and carved by Chris. It was polished by both of them and then traditionally fired a deep black coloration. After the firing, Jennifer etched the designs into the clay. The jar has five wolves that are stone polished. They are against stylized mountains that are also polished. The background rea is white, green, and pink clays to create the grass and clouds. The detail on each of the figures by Jennifer is exceptional! She creates such beauty in her realism. It is a creative vessel but striking in design and amazing in the complexity of levels of carving. It is signed by both Chris and Jennifer.
Chris Youngblood is Margaret Tafoya's great-grandson and Nancy Youngblood's son. His mother, Nancy, taught him to make pottery. He won the "Best of Class - Youth Award" at Santa Fe Indian Market and the prestigious "Best of Pottery" in 2014. In the 2010 Native People's Magazine, he was featured as one of the "Generation Next Emerging Potters" and recently featured in Native Art Magazine in 2016 as one of the "Three Potters Under 30" to watch. In addition, his "Best of Pottery" jar was featured in the book "Spoken Through Clay."
Chris Youngblood says that he focuses on each piece, taking the time to work on the shape and stone polish the surface to a high shine, often polishing it several times to get it right. Chris comes to the clay focused on expanding his illustrious family's technical and artistic boundaries. His manipulation of the clay surface through his technically inspired imagery expands the art in new directions.